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Homère, Eakins et Anshutz : la recherche de l'identité américaine à l'âge d'or
État :
“Unmarked. 192p. 8 color/6 black and white illustrations. Bibliography. Index. Argues that ”... En savoir plusà propos de l'état
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52,00 USD
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- Achat immédiatHomère, Eakins et Anshutz : la recherche de l'identité américaine à l'âge d'or
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Lieu où se trouve l'objet : Berkeley, California, États-Unis
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Estimé entre le mar. 18 juin et le lun. 24 juin à 43230
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Numéro de l'objet eBay :404617020862
Caractéristiques de l'objet
- État
- Très bon état
- Commentaires du vendeur
- Subject
- Individual Artists / General, Criticism & Theory, American / General, History / General
- Features
- Illustrated
- Topic
- Art History & Criticism
- Country/Region of Manufacture
- United States
- ISBN
- 9780271023298
- Subject Area
- Art
- Publication Name
- Homer, Eakins, and Anshutz : the Search for American Identity in the Gilded Age
- Item Length
- 9.4 in
- Publisher
- Pennsylvania STATE University Press
- Publication Year
- 2004
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Width
- 7.3 in
- Item Weight
- 32.1 Oz
- Number of Pages
- 192 Pages
À propos de ce produit
Product Information
Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old World for legitimacy. This rich, never-resolved contradiction between the native and autonomous, on the one hand, and, on the other, the European and borrowed serves as the armature of Griffin's innovative look at how and why the world of art became a key site in the American struggle for identity. Not only does Griffin trace the interplay of issues of nationalism, class, and gender in American culture, but he also offers insightful readings of key paintings by Eakins and other canonical artists. Further, Griffin shows that by 1900 the nationalist project in art and criticism had helped open the way for the formulation of American modernism. Homer, Eakins, and Anshutz will be of importance to all those interested in American culture as well as to specialists in art history and art criticism.
Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
0271023295
ISBN-13
9780271023298
eBay Product ID (ePID)
6016306
Product Key Features
Publication Name
Homer, Eakins, and Anshutz : the Search for American Identity in the Gilded Age
Format
Hardcover
Language
English
Subject
Individual Artists / General, Criticism & Theory, American / General, History / General
Publication Year
2004
Type
Textbook
Subject Area
Art
Number of Pages
192 Pages
Dimensions
Item Length
9.4 in
Item Height
0.9 in
Item Width
7.3 in
Item Weight
32.1 Oz
Additional Product Features
LCCN
2003-022848
Intended Audience
Scholarly & Professional
Lc Classification Number
Nd210.G75 2004
Reviews
"Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." -Anthony Lee, Mount Holyoke College, "Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." --Anthony Lee, Mount Holyoke College, &"Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins&'s Swimming Hole and Winslow Homer&'s beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness&' can be construed in relation to the enormous weight of European influence and artistic traditions.&" &-Anthony Lee, Mount Holyoke College, "Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist." --P.J. Trimpe Choice, " Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." --Anthony Lee, Mount Holyoke College, "Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist." -P.J. Trimpe, Choice, " Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." -Martin A. Berger, CAA Reviews, " Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." --Martin A. Berger, CAA Reviews, "Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." -Martin A. Berger, CAA Reviews, &"Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well.&" &-Martin A. Berger, CAA Reviews, "Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist." --P.J. Trimpe, Choice, &"Griffin has prepared a rare gem. He combines insightful expert opinion with enough general information so that his book will interest the non-specialist.&" &-P.J. Trimpe, Choice, " Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." -Anthony Lee, Mount Holyoke College, " Homer, Eakins, and Anshutz is an important contribution to the field of nineteenth-century American art history. Randall Griffin argues that nationalistic concerns in art led to a perceptible shift in subject matter in painting. The new paintings displayed a remarkably large range of subjects, as evidenced by works as different as Thomas Eakins's Swimming Hole and Winslow Homer's beloved Adirondack pictures. As Griffin describes in cogent detail, they all bear on or issue out of the question of how 'American-ness' can be construed in relation to the enormous weight of European influence and artistic traditions." --Anthony Lee,Mount Holyoke College, " Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." --Martin A. Berger CAA Reviews, "Homer, Eakins, and Anshutz: The Search for American Identity in the Gilded Age does several things well." --Martin A. Berger, CAA Reviews
Table of Content
Contents List of Illustrations Acknowledgments Introduction 1. Refashioning "America" in Art 2. Negotiating Identity After the Civil War in the Paintings of Winslow Homer 3. A Burst of Unsettling Imagery 4. Finding the Old World at Home 5. Winslow Homer, Avatar of Americanness 6. When America Became Other in the Adirondack Scenes of Winslow Homer 7. Postscript: A Return to American Themes Bibliography Index
Copyright Date
2004
Dewey Decimal
759.13
Dewey Edition
22
Illustrated
Yes
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Numéro de l'objet eBay :404617020862
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