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Médiations dangereuses : musique pop dans une prison philippine vidéo, livre de poche par M...
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Numéro de l'objet eBay :386962495038
Dernière mise à jour le 19 août 2024 10:24:59 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Dangerous Mediations : Pop Music in a Philippine Prison Video
- ISBN
- 9781501378386
- Subject Area
- Music, Social Science
- Publication Name
- Dangerous Mediations : Pop Music in a Philippine Prison Video
- Publisher
- Bloomsbury Publishing
- Item Length
- 9 in
- Subject
- History & Criticism, Media Studies, Genres & Styles / Pop Vocal
- Publication Year
- 2021
- Series
- New Approaches to Sound, Music, and Media Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Item Weight
- 12.2 Oz
- Item Width
- 6 in
- Number of Pages
- 256 Pages
À propos de ce produit
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1501378384
ISBN-13
9781501378386
eBay Product ID (ePID)
8050102648
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
Dangerous Mediations : Pop Music in a Philippine Prison Video
Subject
History & Criticism, Media Studies, Genres & Styles / Pop Vocal
Publication Year
2021
Type
Textbook
Subject Area
Music, Social Science
Series
New Approaches to Sound, Music, and Media Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
12.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Reviews
"In this rich ethnographic case study, Áine Mangaoang brings together a welcome, provocative and highly original mix of music, YouTube and prison. She raises thoughtful questions about participation and incarceration, leisure and exploitation, the global and the local, that will resonate far beyond her case." -- Nancy Baym, Principal Researcher, Microsoft Research, USA "An enlightening, extensive, and engaging work! Áine Mangaoang's explanation of the phenomenal popularity of the Dancing Inmates' Thriller , a YouTube sensation, unearths layer after layer of paradoxes embedded in Philippine history, musicological studies, prison performances and digital cross-currents. The tensions that spring from navigating between rehabilitation and oppression, creativity and captivity, entertainment and punishment, submission and assertion, cultural identity and stereotyping, among others, make Dangerous Mediations a cautionary tale in adapting inmate performance, especially of the digital variety, as a vehicle for prison reform." -- Ricardo Abad, Professor Emeritus, Department of Sociology and Anthropology, Ateneo de Manila University, Philippines "This book deepens our understanding of the mediation of music in the digital era. Through a wide-reaching analysis, Mangaoang reveals the subversive potential of music and how new media texts are bound up with power, punishment and postcolonialism." -- Barley Norton, Reader and Senior Tutor in Music, Goldsmiths, University of London, UK, This book deepens our understanding of the mediation of music in the digital era. Through a wide-reaching analysis, Mangaoang reveals the subversive potential of music and how new media texts are bound up with power, punishment and postcolonialism., In this rich ethnographic case study, Áine Mangaoang brings together a welcome, provocative and highly original mix of music, YouTube and prison. She raises thoughtful questions about participation and incarceration, leisure and exploitation, the global and the local, that will resonate far beyond her case., An enlightening, extensive, and engaging work! Áine Mangaoang's explanation of the phenomenal popularity of the Dancing Inmates' Thriller , a YouTube sensation, unearths layer after layer of paradoxes embedded in Philippine history, musicological studies, prison performances and digital cross-currents. The tensions that spring from navigating between rehabilitation and oppression, creativity and captivity, entertainment and punishment, submission and assertion, cultural identity and stereotyping, among others, make Dangerous Mediations a cautionary tale in adapting inmate performance, especially of the digital variety, as a vehicle for prison reform.
Illustrated
Yes
Dewey Decimal
306.48424095995
Table Of Content
List of Figures List of Tables Acknowledgments Introduction Interlude I: 'The Evil of the Thriller' Chapter 1: Seeing Sound: Locating Music and YouTube's Symbiosis Interlude II: 'You're Fighting for your Life inside a Killer, Thriller' Chapter 2: Performing Postcolonialism: Filipino History Through Four-Part Harmony Interlude III: Fade to Black Chapter 3: Penal Tourists: The Birth of CPDRC's Prison Pop Programme Interlude IV: 'Music, the Language of the Soul' Chapter 4: Beats Behind Bars: Music, Docile Bodies, and the Digital Panopticon Interlude V: Michael Jackson, the Undead, and the Posthumous Duet Chapter 5: Thrilling: Remediating Thriller Interlude VI: 'It's More Fun in the Philippines' Chapter 6: 'Together in Electric Dreams': Hybridity, Nostalgia, and Imagination in CPDRC Interlude VII: 'Thank you for the Music' Chapter 7: YouTube's Penal Spectators Coda: Dangerous Mediations, Prisoners of Love, and Other Considerations Appendix Abbreviations and Glossary Notes References Index
Synopsis
In 2007, an unlikely troupe of 1500 Filipino prisoners became Internet celebrities after their YouTube video of Michael Jackson's ground-breaking hit 'Thriller' went viral. Taking this spectacular dance as a point of departure, Dangerous Mediations explores the disquieting development of prisoners performing punishment to a global, online audience. Combining analysis of this YouTube video with first-hand experiences from fieldwork in the Philippine prison, Áine Mangaoang investigates a wide range of interlocking contexts surrounding this user-generated text to reveal how places of punishment can be transformed into spaces of spectacular entertainment, leisure, and penal tourism. In the post-YouTube era, Dangerous Mediations sounds the call for close readings of music videos produced outside of the corporate culture industries. By connecting historical discussions on postcolonialism, surveillance and prison philosophy with contemporary scholarship on popular music, participatory culture and new media, Dangerous Mediations is the first book to ask critical questions about the politics of pop music and audiovisual mediation in early 21st-century detention centres.
LC Classification Number
ML3920.M155 2021
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9220 Rumsey Rd
Ste 101
21045-1956 Columbia, MD
United States
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