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Noir, Blanc, Beur : Musique Rap et Culture Hip-Hop dans le Monde Francophone, ...
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Numéro de l'objet eBay :386962112073
Dernière mise à jour le 17 août 2024 08:25:58 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 9780810844315
- Book Title
- Black, Blanc, Beur : Rap Music and Hip-Hop Culture in the Francophone World
- Publisher
- Scarecrow Press, Incorporated
- Item Length
- 8.4 in
- Publication Year
- 2002
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.5 in
- Genre
- Music
- Topic
- Genres & Styles / Rap & Hip Hop, History & Criticism, Genres & Styles / International
- Item Weight
- 8.6 Oz
- Item Width
- 5.7 in
- Number of Pages
- 176 Pages
À propos de ce produit
Product Identifiers
Publisher
Scarecrow Press, Incorporated
ISBN-10
0810844311
ISBN-13
9780810844315
eBay Product ID (ePID)
2241131
Product Key Features
Book Title
Black, Blanc, Beur : Rap Music and Hip-Hop Culture in the Francophone World
Number of Pages
176 Pages
Language
English
Topic
Genres & Styles / Rap & Hip Hop, History & Criticism, Genres & Styles / International
Publication Year
2002
Illustrator
Yes
Genre
Music
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
8.6 Oz
Item Length
8.4 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Trade
LCCN
2002-007050
Reviews
A valuable addition to the growing body of academic literature in English on non-Anglophone hip-hop outside the USA., This interdisciplinary volume should make the field of French/francophone hip-hop more accessible to Anglophone readers, particularly those who may wish to embark upon comparative studies of hip-hop culture around the world., The first book in English devoted entirely to Francophone rap, and as such aims at filling an important gap the wide range of relevant approaches used in most of the essays, as well as the variety of issues discussed by their authors are worth, I think, an attentive reading., The first book in English devoted entirely to Francophone rap, and as such aims at filling an important gap...the wide range of relevant approaches used in most of the essays, as well as the variety of issues discussed by their authors are worth, I think, an attentive reading., ...for those among us who enjoy teaching popular music in our French classes to increase student vocabulary, improve student pronunciation, and introduce students to contemporary Francophone culture, Black, Blanc, Beur provides the essential background information for the instructor. Black, Blanc, Beur does an excellent job of introducing the uninitiated into the world of Francophone rap music from an interdisciplinary angle....particularly noteworthy is the explanation by Durand in his introduction on the volume's title., The first book in English devoted entirely to Francophone rap, and as such aims at filling an important gap…the wide range of relevant approaches used in most of the essays, as well as the variety of issues discussed by their authors are worth, I think, an attentive reading.
Dewey Edition
21
Dewey Decimal
782.421649/0944
Table Of Content
Chapter 1 Foreword: Francophone Hip-Hop as a Colonial Urban Geography Chapter 2 Acknowledgments Chapter 3 Introduction Chapter 4 Two Decades of Rap in France: Emergence, Developments, Prospects Chapter 5 Musical Dimensions and Ways of Expressing Identity in French Rap: The Groups from Marseilles Chapter 6 Common Partitions. Musical Commonplaces Chapter 7 'Why Are We Waiting to Start the Fire?' French Gangsta Rap and the Critique of State Capitalism Chapter 8 Rap and the Combinatorial Logistics of Rogues Chapter 9 Social Stakes and New Musical Styles: Rap and Hip-Hop Cultures Chapter 10 Tags and Murals in France: A City's Face or Natural Landscape? Chapter 11 Hip-Hop Dance: Emergence of a Popular Art Form in France Chapter 12 Rap in Libreville, Gabon. An Urban Sociolinguistic Space Chapter 13 The Cultural Paradox of Rap Made in Quebec Chapter 14 Index Chapter 15 About the Editor Chapter 16 About the Contributors
Synopsis
Rap music was born in America in the early 1980s. Over the last decade it has not only grown in popularity within the United States, with rap music soaring to the top of the music charts, but it has also influenced other cultures around the world. Black, Blanc, Beur is about the emergence and growing notoriety of rap music and hip-hop culture in the French-speaking world (France, Quebec, and Western Africa). It provides an introduction to many forms of expression of hip-hop cultures (rap music, hip-hop dance, and graffiti/tagging). Since its arrival in France, rap music experienced immediate and ever-growing success, going from an underground sound to becoming the second largest market in the world after the United States. Just as American rap crossed borders, French rap influenced artists in the rest of the Francophone world. In addition to a foreword by Adam Krims, a noted rap authority, this volume has contributions by some of the most renowned hip-hop scholars on both sides of the Atlantic and addresses hip-hop from the perspective of various disciplines: African studies, anthropology, cultural studies, ethnology, French and Francophone studies, history, linguistics, musicology, psychology, and sociology. Contributors discuss the history of French rap music from its origin to the present, the various artists and their groups, stage performances of the rap groups in Paris, Marseilles, the art of graffiti, and the French public's perceptions of rap music. Each chapter is equipped with a short bibliography. This is the first book on the subject of French rap music and hip-hop culture in English. A wonderful resource for scholars and students of African, French and pop culture, ethnomusicology, and for the general public interested in rap music and the hip-hop culture., Black, Blanc, Beur is about the emergence and growing notoriety of rap music and hip-hop culture in the French-speaking world (France, Quebec, and Western Africa). It provides an introduction to many forms of expression of hip-hop cultures (rap music, hip-hop dance, and graffiti/tagging). In addition to a foreword by Adam Krims, a noted rap authority, this volume has contributions by some of the most renowned hip-hop scholars on both sides of the Atlantic and addresses hip-hop from the perspective of various disciplines.
LC Classification Number
ML3531.B52 2002
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