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Sauveurs d'écran : Hollywood Fictions of Whiteness

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Numéro de l'objet eBay :386895556760
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Caractéristiques de l'objet

État
Bon état: Livre ayant déjà été lu, mais qui est toujours en bon état. La couverture présente des ...
Release Year
2003
ISBN
9780847699469
Book Title
Screen Saviors : Hollywood Fictions of Whiteness
Item Length
10.3in
Publisher
Rowman & Littlefield Publishers, Incorporated
Publication Year
2003
Format
Hardcover
Language
English
Item Height
0.7in
Author
Hernan Vera, Andrew Gordon
Genre
Social Science, Performing Arts
Topic
Film / General, Ethnic Studies / General, Film / History & Criticism
Item Width
7.1in
Item Weight
0 Oz
Number of Pages
272 Pages

À propos de ce produit

Product Information

Screen Saviors studies how the self of whites is imagined in Hollywood movies--by white directors featuring white protagonists interacting with people of another color. This collaboration by a sociologist and a film critic, using the new perspective of critical 'white studies,' offers a bold and sweeping critique of almost a century's worth of American film, from Birth of Nation (1915) through Black Hawk Down (2001). Screen Saviors studies the way in which the social relations that we call 'race' are fictionalized and pictured in the movies. It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live. Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: a natural-born leader worthy of the loyalty of those of another color. The book invites readers to conduct their own analyses of films by showing how this can be done in over 50 Hollywood movies. Among these are some films about the Civil War--Birth of a Nation , Gone with the Wind, and Glory; some about white messiahs who rescue people of another color--Stargate, To Kill a Mockingbird, Mississippi Burning, Three Kings, and The Matrix; the three versions of Mutiny on the Bounty (1935, 1962, and 1984) and interracial romance--Guess Who's Coming to Dinner. Forty years of Hollywood fantasies of interracial harmony, from The Defiant Ones and In the Heat of the Night through the Lethal Weapon series and Men in Black are examined. This work in the sociology of knowledge and cultural studies relates the movies of Hollywood to the large political agendas on race relation in the United States. Screen Saviors appeals to the general reader interested in the movies or in race and ethnicity as well as to students of communication, American studies, critical white studies, American film, cultural studies, and the sociology of race relations.

Product Identifiers

Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
0847699463
ISBN-13
9780847699469
eBay Product ID (ePID)
2249013

Product Key Features

Book Title
Screen Saviors : Hollywood Fictions of Whiteness
Author
Hernan Vera, Andrew Gordon
Format
Hardcover
Language
English
Topic
Film / General, Ethnic Studies / General, Film / History & Criticism
Publication Year
2003
Genre
Social Science, Performing Arts
Number of Pages
272 Pages

Dimensions

Item Length
10.3in
Item Height
0.7in
Item Width
7.1in
Item Weight
0 Oz

Additional Product Features

Lc Classification Number
Pn1995.9.W45v47 2002
Reviews
A pioneering and highly original book. From Birth of a Nation to the latest Hollywood films, Vera and Gordon describe and critically analyze Hollywood movies made by dozens of different white directors, producers, and writers, people with different imaginations and styles. Yet virtually all the movies they have made fit the same mold of not challenging white privilege., The study cuts through 84 years of films with many specific and accurate analyses. It will give instructors a new perspective and students tough questions to ask in many classes. Recommended., This book reveals the diverse, often disturbing ways in which movies manufacture the 'white self'--the image and story of whiteness articulated by white filmmakers. Avoiding polemical posturing and relying upon historical analysis, the authors provide us with an insightful project that is written with clarity and care., If you want to explore a colorful, controversial side of film lore, check out Screen Saviors. At the very least, it'll make you think about what you are watching., Analyzes the images of white protagonists interacting with people of another race or ethnicity in American movies from 1915's 'Birth of a Nation' to 'Black Hawk Down' in 2001. This book reveals the diverse, often disturbing ways in which movies manufacture the 'white self,' the image and the story of whiteness articulated by white film makers., Through a careful, detailed examination of an impressive number of significant American films, the authors vividly demonstrate the extent to which notions of white supremacy assert themselves, often unconsciously, even in works in which a liberal, ostensibly anti-racist viewpoint dominates. Screen Saviors is an important contribution to cinema studies and to the growing body of scholarship devoted to the study of white identity., If you want to explore a colorful, controversial side of film lore, check out Screen Saviors . At the very least, it'll make you think about what you are watching.
Table of Content
Chapter 1 Foreword: A Nation of Sheep Chapter 2 Learning to Be White through the Movies Chapter 3 The Divided White Self Chapter 4 The Beautiful White American: Sincere Fictions of the Savior Chapter 5 Amistad: Civilization and Its Contentments Chapter 6 Mutiny on the Bounty: Civilization and Its Discontents Chapter 7 Racism as a Project:Guess Who's Coming to Dinner Chapter 8 Scarlett and Mammy Revisited: White Women and Black Women in Hollywood Films Chapter 9 White Out: Racial Masquerade by Whites in American Film I Chapter 10 White Out: Racial Masquerade by Whites in American Film II Chapter 11 Black and White Buddies I Chapter 12 Black and White Buddies II Chapter 13 Conclusion: The Crisis of Whiteness
Copyright Date
2002
Lccn
2002-010037
Dewey Decimal
791.43/655
Intended Audience
Trade
Dewey Edition
21
Illustrated
Yes

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