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City of Screens : Imaginer le public dans la culture cinématographi
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Lieu où se trouve l'objet : Jessup, Maryland, États-Unis
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Numéro de l'objet eBay :386833528953
Dernière mise à jour le 30 avr. 2024 07:32:10 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- City of Screens : Imagining Audiences in Manila's Alternative Fil
- ISBN
- 9781478010586
- Subject Area
- Performing Arts, History
- Publication Name
- City of Screens : Imagining Audiences in Manila's Alternative Film Culture
- Publisher
- Duke University Press
- Item Length
- 9 in
- Subject
- Asia / Southeast Asia, Film / History & Criticism
- Publication Year
- 2021
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 20.8 Oz
- Item Width
- 6 in
- Number of Pages
- 328 Pages
À propos de ce produit
Product Identifiers
Publisher
Duke University Press
ISBN-10
1478010584
ISBN-13
9781478010586
eBay Product ID (ePID)
14050394056
Product Key Features
Number of Pages
328 Pages
Language
English
Publication Name
City of Screens : Imagining Audiences in Manila's Alternative Film Culture
Subject
Asia / Southeast Asia, Film / History & Criticism
Publication Year
2021
Type
Textbook
Subject Area
Performing Arts, History
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
20.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-021680
Dewey Edition
23
Reviews
Jasmine Nadua Trice persuasively argues that film circulation both envisions and occasionally actualizes the dream of a national film audience for counter-dominant cinema in the Philippines. She confronts head-on one of the thorniest problems of politically or aesthetically progressive Philippine film: filmmakers' attempts to reach the alienated domestic moviegoer. Her fresh, syncretic approach and elegant thinking make City of Screens a groundbreaking must-read book not only for readers not only interested in Philippine cinema but also for those attuned to the dynamics of distribution, exhibition, and circulation beyond Hollywood. Representing a wholly original and highly generative departure from previous scholarship, City of Screens is a major intervention., From the pirate video stalls of the old city center to the shopping mall multiplexes of Manila, Jasmine Nadua Trice examines the fragmented and multifaceted assemblage of alternative Philippine cinema. Her passionate attention to detail and wide-ranging engagement with critical theory provide a compelling model for the study of cinema cultures in the global South., Trice displays a generosity to her marginalized objects of study by offering possible questions and connections instead of forcing predetermined approaches and interpretations. Her book is distinguished by its careful selection of less obvious examples, which are described and analyzed in rich language that yields compelling insights with every reading. . . . With its innovative methods and unexpected ideas, which distill the lost vibrancy of a transitional historical moment, this monograph will reverberate with readers yet to come., Jasmine Nadua Trice persuasively argues that film circulation both envisions and occasionally actualizes the dream of a national film audience for counterdominant cinema in the Philippines. She confronts head-on one of the thorniest problems of politically or aesthetically progressive Philippine film: filmmakers' attempts to reach the alienated domestic moviegoer. Her fresh, syncretic approach and elegant thinking make City of Screens a groundbreaking, must-read book not only for readers not only interested in Philippine cinema but also for those attuned to the dynamics of distribution, exhibition, and circulation beyond Hollywood. Representing a wholly original and highly generative departure from previous scholarship, City of Screens is a major intervention., Overall, there are a number of themes to appreciate in City of Screens , especially if one is not familiar with local independent cinema and its circuits of distribution. The book's contribution also lies in its use of interdisciplinarity, applying rhetoric, urban studies, geography, and anthropology to explain why alternative cinema remains limited in its circulation. . . . The book's most poignant yet most grounded point may be Trice's assertion that the formation of alternative film culture and speculative publics will remain an asymptotic process--never being fully finished but always within reach.
Illustrated
Yes
Dewey Decimal
791.430959916
Table Of Content
Acknowledgments ix Introduction 1 1. Revanchist Cinemas and Bad Audiences, Multiplex Fiestas and Ideal Publics 39 2. The Quiapo Cinematheque and Urban-Cinematic Authenticity 79 3. Alternative Exhibition and the Rhythms of the City 113 4. "Not for Public Exhibition": Cinema Regulation, Alternative Cinema, and a Rational Body Politic 153 5. "Hollywood Is Not Us": National Circulation and the Speculative State 189 Epilogue 230 Notes 241 Bibliography 281 Index 299
Synopsis
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond., Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila, showing how the rising independent Philippine cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience.
LC Classification Number
PN1993.5.P6T753 2021
Copyright Date
2021
ebay_catalog_id
4
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Numéro de l'objet eBay :386833528953
Dernière mise à jour le 30 avr. 2024 07:32:10 CEST. Afficher toutes les modificationsAfficher toutes les modifications
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