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After Dracula: The 1930s Horror Film par Alison Peirse (anglais) livre de poche
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Numéro de l'objet eBay :386223108220
Dernière mise à jour le 25 sept. 2024 10:03:50 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN-13
- 9781848855311
- Book Title
- After Dracula
- ISBN
- 9781848855311
- Subject Area
- Performing Arts
- Publication Name
- After Dracula : the 1930s Horror Film
- Publisher
- Bloomsbury Publishing
- Item Length
- 9.7 in
- Subject
- Film / Genres / Horror, Film / General, Film / History & Criticism
- Publication Year
- 2013
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 12.3 Oz
- Item Width
- 6.2 in
- Number of Pages
- 248 Pages
À propos de ce produit
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1848855311
ISBN-13
9781848855311
eBay Product ID (ePID)
160013590
Product Key Features
Number of Pages
248 Pages
Language
English
Publication Name
After Dracula : the 1930s Horror Film
Publication Year
2013
Subject
Film / Genres / Horror, Film / General, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12.3 Oz
Item Length
9.7 in
Item Width
6.2 in
Additional Product Features
Intended Audience
College Audience
LCCN
2013-404469
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.436164
Table Of Content
Introduction: After Dracula (1931) 1: Non-literary horror: The Mummy (1932) 2: Pre-Code horror: Island of Lost Souls (1932) 3: Post-Regulation horror: Werewolf of London (1935) 4: European horror: Vampyr (1932) 5: British horror: The Ghoul (1933) 6: Poverty Row horror: White Zombie (1932) and Condemned to Live (1935) 7: Intellectual horror: The Black Cat (1934) Conclusion: Rethinking Dracula's Daughter (1936) Appendix: Inclusive, International List of Horror Films, 1930-1939 Bibliography Index
Synopsis
After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
LC Classification Number
PN1995.9.H6
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- -***o (9)- Évaluations laissées par l'acheteur.Dernier moisAchat vérifiébrand new book, excellent value.
- n***l (29)- Évaluations laissées par l'acheteur.Dernier moisAchat vérifiéOrdering this book has been an experience, after getting a new phone I logged into the wrong eBay and didn’t know and was flipping out when my account could not find my order. The seller was very kind when I asked for tracking details via my order number even though the message came from the wrong account lol. Eventually I realized what was going on, logged into the correct account and the book arrived in PERFECT condition. Seller and item experience is 5 stars!
- m***a (154)- Évaluations laissées par l'acheteur.Dernier moisAchat vérifiéExactly as described and in good condition. A quick and easy transaction.