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Barbara Earl Thomas : La géographie de l'innocence, livre de poche de Mandchanda, chat...
25,19 USD
Environ22,61 EUR
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Lieu où se trouve l'objet : Jessup, Maryland, États-Unis
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Numéro de l'objet eBay :386115900150
Dernière mise à jour le 28 févr. 2024 08:46:58 CET. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 9780932216786
- Subject Area
- Art, Social Science
- Publication Name
- Barbara Earl Thomas : the Geography of Innocence
- Publisher
- Seattle Art Museum
- Item Length
- 10 in
- Subject
- American / African American, Ethnic Studies / African American Studies
- Publication Year
- 2021
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Weight
- 14.4 Oz
- Item Width
- 8.5 in
- Number of Pages
- 80 Pages
À propos de ce produit
Product Identifiers
Publisher
Seattle Art Museum
ISBN-10
0932216781
ISBN-13
9780932216786
eBay Product ID (ePID)
12050076666
Product Key Features
Number of Pages
80 Pages
Language
English
Publication Name
Barbara Earl Thomas : the Geography of Innocence
Subject
American / African American, Ethnic Studies / African American Studies
Publication Year
2021
Type
Textbook
Subject Area
Art, Social Science
Format
Trade Paperback
Dimensions
Item Weight
14.4 Oz
Item Length
10 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
Grade From
College Graduate Student
Illustrated
Yes
Synopsis
Barbara Earl Thomas's new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience--a child's survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist's extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book's essays examine Thomas's work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists., A revered Seattle-based artist calls for hope, faith, and truth Barbara Earl Thomas's new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience--a child's survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist's extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book's essays examine Thomas's work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists., A revered Seattle-based artist calls for hope, faith, and truth Barbara Earl Thomas?s new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience?a child?s survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist?s extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book?s essays examine Thomas?s work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists.
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