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Couleurs croisées : Josef Albers et ses contemporains
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16,49 USD
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État :
“Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, ”... En savoir plusà propos de l'état
Comme neuf
Livre qui semble neuf, mais ayant déjà été lu. La couverture ne présente aucune marque d'usure apparente. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Lieu où se trouve l'objet : Aurora, Illinois, États-Unis
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Numéro de l'objet eBay :375266185312
Dernière mise à jour le 30 mai 2024 23:38:48 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Comme neuf
- Commentaires du vendeur
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781943208005
- Subject Area
- Art, Psychology
- Publication Name
- Intersecting Colors : Josef Albers and His Contemporaries
- Publisher
- Amherst College Press
- Item Length
- 8.5 in
- Subject
- Individual Artists / General, Collections, Catalogs, Exhibitions / General, American / General, Movements / Gestalt, Color Theory
- Publication Year
- 2015
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Weight
- 16 Oz
- Item Width
- 8.5 in
- Number of Pages
- 108 Pages
À propos de ce produit
Product Identifiers
Publisher
Amherst College Press
ISBN-10
194320800X
ISBN-13
9781943208005
eBay Product ID (ePID)
20038693230
Product Key Features
Number of Pages
108 Pages
Language
English
Publication Name
Intersecting Colors : Josef Albers and His Contemporaries
Publication Year
2015
Subject
Individual Artists / General, Collections, Catalogs, Exhibitions / General, American / General, Movements / Gestalt, Color Theory
Type
Textbook
Subject Area
Art, Psychology
Format
Trade Paperback
Dimensions
Item Weight
16 Oz
Item Length
8.5 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-948407
Illustrated
Yes
Synopsis
Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color--dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests--ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry., Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color-dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests-ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.
LC Classification Number
N6888.A5A4 2015
Description de l'objet fournie par le vendeur
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