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Conversation décontractée de Renia blanc **LIVRE DE POCHE**TOUT NEUF**

État :
Neuf
Prix :
17,00 USD
Environ15,91 EUR
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Lieu où se trouve l'objet : Arlington, Massachusetts, États-Unis
Délai de livraison :
Estimé entre le jeu. 27 juin et le sam. 29 juin à 43230
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Numéro de l'objet eBay :374612726653
Dernière mise à jour le 31 mai 2023 19:18:30 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Neuf: Livre neuf, n'ayant jamais été lu ni utilisé, en parfait état, sans pages manquantes ni ...
ISBN
9781950774555
EAN
9781950774555
Book Title
Casual Conversation
Publisher
Boa Editions, The Limited
Item Length
9 in
Publication Year
2022
Format
Trade Paperback
Language
English
Item Height
0.2 in
Author
Renia White
Genre
Poetry
Topic
American / African American
Item Weight
5.3 Oz
Item Width
6 in
Number of Pages
80 Pages

À propos de ce produit

Product Information

Renia White's debut poetry collection pushes against state-sanctioned authority and societal thought while ruminating on Black joy.

Product Identifiers

Publisher
Boa Editions, The Limited
ISBN-10
1950774554
ISBN-13
9781950774555
eBay Product ID (ePID)
22050424436

Product Key Features

Book Title
Casual Conversation
Number of Pages
80 Pages
Language
English
Publication Year
2022
Topic
American / African American
Genre
Poetry
Author
Renia White
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
5.3 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
"Whether waxing philosophical or poetic or recalling the inner monologues of the humanspirit living moment to moment in lifetimes, telling tales of tattling, playing the dozens, ortestifying, recalling lynch ropes or racial memory, Renia White's Casual Conversation is not casual nor conversant in the denouement of passivity, but are rigorously passionateinner monologues--interrogations, perhaps--preoccupied with the human eye, ear, andheart. In her muted Miles-Bearden collaged renderings, White is as bold and brash andconfident and causal as a musician, painter, filmmaker stopping us dead in our tracks(as Ntozake Shange reminds us poems should do like a kiss) at such self-assuredsoliloquies and spirited solos that are 'just gorgeous.' Her stilted syntax stutters leadyou into the poem slant yet makes you 'come through the front door.' In these 'bluerummage,' dialectics you marvel at the mastery as White splits the personal wide openfor the political (church burnings; confederate flag unlatching; mother-daughter remorseand reckoning) to merge and mingle with your 'ear to the root' of her blues: to whatmatters in her bright and shining 'hope room' of a debut." --Tony Medina, author of I Am Alfonso Jones and Death, With Occasional Smiling, "In Casual Conversation White attends to anaxiomatic ground in the pagefield.She teaches me something about the collaborative dreaming that we can be.Iam saying that there is something for us here in the complex Quiets ofthis meditative,sustained, and intimately political work. It is something so vital and sounstoppably generative that I can only think to call it unrest." --AracelisGirmay, from the Foreword, "Whether waxing philosophical or poetic or recalling the inner monologues of the humanspirit living moment to moment in lifetimes, telling tales of tattling, playing the dozens, ortestifying, recalling lynch ropes or racial memory, Renita White's Casual Conversation is not casual nor conversant in the denouement of passivity, but are rigorously passionateinner monologues--interrogations, perhaps--preoccupied with the human eye, ear, andheart. In her muted Miles-Bearden collaged renderings, White is as bold and brash andconfident and causal as a musician, painter, filmmaker stopping us dead in our tracks(as Ntozake Shange reminds us poems should do like a kiss) at such self-assuredsoliloquies and spirited solos that are 'just gorgeous.' Her stilted syntax stutters leadyou into the poem slant yet makes you 'come through the front door.' In these 'bluerummage,' dialectics you marvel at the mastery as White splits the personal wide openfor the political (church burnings; confederate flag unlatching; mother-daughter remorseand reckoning) to merge and mingle with your 'ear to the root' of her blues: to whatmatters in her bright and shining 'hope room' of a debut." --Tony Medina, author of I Am Alfonso Jones and Death, With Occasional Smiling Additional blurbs anticipated from Aracelis Girmay and Ishion Hutchinson, "In Casual Conversation, White attends to an axiomatic ground in the pagefield. She teaches me something about the collaborative dreaming that we can be. I am saying that there is something for us here in the complex Quiets of this meditative, sustained, and intimately political work. It is something so vital and so unstoppably generative that I can only think to call it unrest." --Aracelis Girmay, from the Foreword "Whether waxing philosophical or poetic or recalling the inner monologues of the humanspirit living moment to moment in lifetimes, telling tales of tattling, playing the dozens, ortestifying, recalling lynch ropes or racial memory, Renia White's Casual Conversation is not casual nor conversant in the denouement of passivity, but are rigorously passionateinner monologues--interrogations, perhaps--preoccupied with the human eye, ear, andheart. In her muted Miles-Bearden collaged renderings, White is as bold and brash andconfident and causal as a musician, painter, filmmaker stopping us dead in our tracks(as Ntozake Shange reminds us poems should do like a kiss) at such self-assuredsoliloquies and spirited solos that are 'just gorgeous.' Her stilted syntax stutters leadyou into the poem slant yet makes you 'come through the front door.' In these 'bluerummage,' dialectics you marvel at the mastery as White splits the personal wide openfor the political (church burnings; confederate flag unlatching; mother-daughter remorseand reckoning) to merge and mingle with your 'ear to the root' of her blues: to whatmatters in her bright and shining 'hope room' of a debut." --Tony Medina, author of I Am Alfonso Jones and Death, With Occasional S miling " Casual Conversation , true to its title, contains poems of such killing nonchalance both in what they say and in the many unsayables finding space in-between memorable line after memorable line. The way Renia White finds and inhabits space is a stellar pushback against erasure and absence. A timely collection by a timeless poet." --Ishion Hutchinson, author of House of Lords and Commons: Poems, " CasualConversation , true to its title, contains poems of such killingnonchalance both in what they say and in the many unsayables finding spacein-between memorable line after memorable line. The way Renia White finds andinhabits space is a stellar pushback against erasure and absence. A timelycollection by a timeless poet." --Ishion Hutchinson
Lccn
2021-042016
Dewey Decimal
811.6
Lc Classification Number
Ps3623.H578748c37

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