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Numéro de l'objet eBay :364782143867
Dernière mise à jour le 07 juin 2024 19:17:00 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Comme neuf: Livre qui semble neuf, mais ayant déjà été lu. La couverture ne présente aucune marque ...
Book Title
German Ways of War : The Affective Geographies and Generic Transf
ISBN
9781978829176
Subject Area
Performing Arts, History
Publication Name
German Ways of War : the Affective Geographies and Generic Transformations of German War Films
Publisher
Rutgers University Press
Item Length
9.2 in
Subject
Military / World War II, Military / World War I, Film / History & Criticism
Publication Year
2022
Series
War Culture Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.8 in
Author
Jaimey Fisher
Item Weight
0.1 Oz
Item Width
6.1 in
Number of Pages
250 Pages

À propos de ce produit

Product Identifiers

Publisher
Rutgers University Press
ISBN-10
1978829175
ISBN-13
9781978829176
eBay Product ID (ePID)
4057269916

Product Key Features

Number of Pages
250 Pages
Language
English
Publication Name
German Ways of War : the Affective Geographies and Generic Transformations of German War Films
Subject
Military / World War II, Military / World War I, Film / History & Criticism
Publication Year
2022
Type
Textbook
Subject Area
Performing Arts, History
Author
Jaimey Fisher
Series
War Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
0.1 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
LCCN
2021-050392
Reviews
This original study of exemplary German features probes essential dimensions of war cinema that have received little scholarly attention, its geopolitical determinations, spatial imaginaries, and affective geographies. A major contribution to film history and media studies, German Ways of War o ffers a comprehensive analysis of the numerous countenances and different functions this generic possibility has assumed in exemplary German productions from World War I to the postmillennial era., German Ways of War is an engaging text that charts out a captivating genre history that extends far beyond its immediate scope of German War films. The book is written as a fascinating account to how warfare changed in the twentieth century. . . The project is meticulously researched and provides invaluable political, historical, and legal documentation regarding war and peace policies in Germany.
Dewey Edition
23
Grade From
College Freshman
CLASSIFICATION_METADATA
{"IsNonfiction":["No"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Trade Paperback"],"IsChildren":["No"],"Genre":["PERFORMING ARTS","HISTORY"],"Topic":["Military / World War II","Film / History & Criticism","Military / World War I"],"IsTextBook":["Yes"],"IsFiction":["No"]}
Illustrated
Yes
Dewey Decimal
791.436581
Table Of Content
Acknowledgements 1. Introduction: The Affective Geographies and Generic Transformations of German War Films , 1910s-2000s 2. Land into Landscape, Landscape into Territory: Transformations of Space in German War Cinema, 1914-1918 ( The Diary of Dr. Hart , Sword and Hearth , Inexpiable ) 3. "Landscapes of Death" and Memories of the Human: Distance, Scale, and the Double Map in the First "War-Sound-Film" ( Westfront 1918 , Kameradschaft ) 4. Combat Films and their Aerial Spaces under the Nazi Regime ( Medal of Honor , Squadron Lützow , Above Everything in the World ) 5. Out of the War Mode: Demobilizing the War Genre in the Postwar Rubble-Film ( Request Concert [1940], The Great Love , Ways into Twilight , The Sons of Mr. Gaspary , Birds of Migration ) 6. War in the Reconstructive 1950s: Genre, Espionage, and Cold-War Subjectivities in the 1950s War Film ( Canaris , Fox of Paris , Rommel Calls Cairo ) 7. Conclusion: Affective Geographies of the Fading Genre ( Das Boot , Downfall ) Notes Bibliography Index
Synopsis
German Ways of War explores the production of novel spaces and evocation of new affects in the war-film genre between the 1910s and 2000s. Beyond the conventional pairing of visuality and violence, war films combine mobility, landscape, territory, scales, and topological networks into "affective geographies" that interweave narratively-generated affect, space, and political processes., German Ways of War deploys theories of space, mobility, and affect to investigate how war films realize their political projects. Analyzing films across the decades, from the 1910s to 2000s, German Ways of War addresses an important lacuna in media studies: while scholars have tended to focus on the similarities between cinematic looking and weaponized targeting -- between shooting a camera and discharging a gun ? this book argues that war films negotiate spaces throughout that frame their violence in ways more revealing than their battle scenes. Beyond that well-known intersection of visuality and violence, German Ways of War explores how the genre frames violence within spatio-affective operations. The production of novel spaces and evocation of new affects transform war films, including the genre?s manipulation of mobility, landscape, territory, scales, and topological networks. Such effects amount to what author Jaimey Fisher terms the films? ?affective geographies? that interweave narrative-generated affects, spatial depictions, and political processes., German Ways of War deploys theories of space, mobility, and affect to investigate how war films realize their political projects. Analyzing films across the decades, from the 1910s to 2000s, German Ways of War addresses an important lacuna in media studies: while scholars have tended to focus on the similarities between cinematic looking and weaponized targeting -- between shooting a camera and discharging a gun - this book argues that war films negotiate spaces throughout that frame their violence in ways more revealing than their battle scenes. Beyond that well-known intersection of visuality and violence, German Ways of War explores how the genre frames violence within spatio-affective operations. The production of novel spaces and evocation of new affects transform war films, including the genre's manipulation of mobility, landscape, territory, scales, and topological networks. Such effects amount to what author Jaimey Fisher terms the films' "affective geographies" that interweave narrative-generated affects, spatial depictions, and political processes.
LC Classification Number
PN1995
ebay_catalog_id
4
Copyright Date
2022

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