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Natur, livre de poche par Comitta, Tom, comme neuf d'occasion, livraison gratuite aux États-Unis

État :
Comme neuf
2 disponibles
Prix :
16,36 USD
Environ15,31 EUR
Livraison :
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Lieu où se trouve l'objet : Jessup, Maryland, États-Unis
Délai de livraison :
Estimé entre le ven. 17 mai et le mer. 29 mai à 43230
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Numéro de l'objet eBay :364393903481
Dernière mise à jour le 21 avr. 2024 20:52:46 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Comme neuf: Livre qui semble neuf, mais ayant déjà été lu. La couverture ne présente aucune marque ...
ISBN
9781566896634
Book Title
Nature Book
Item Length
8.2in
Publisher
Coffee House Press
Publication Year
2023
Format
Trade Paperback
Language
English
Item Height
0.8in
Author
Tom Comitta
Genre
Fiction
Topic
Literary
Item Width
5.5in
Item Weight
12.7 Oz
Number of Pages
272 Pages

À propos de ce produit

Product Information

Part sweeping evocation of Earth's rhythms, part literary archive, part post-human novel, The Nature Book collages descriptions of the natural world into a singular symphonic paean to the planet. challenges the confines of anthropocentrism with sublime artistic vision, traversing mountains, forests, oceans, and space to shift our attention toward the magnificently complex and interconnected world around us.

Product Identifiers

Publisher
Coffee House Press
ISBN-10
1566896630
ISBN-13
9781566896634
eBay Product ID (ePID)
10057274757

Product Key Features

Book Title
Nature Book
Author
Tom Comitta
Format
Trade Paperback
Language
English
Topic
Literary
Publication Year
2023
Genre
Fiction
Number of Pages
272 Pages

Dimensions

Item Length
8.2in
Item Height
0.8in
Item Width
5.5in
Item Weight
12.7 Oz

Additional Product Features

Lc Classification Number
Ps3603.O4776.N38
Reviews
"Here it is at last, and what a bloody relief to at last have it: The Novel Without Us. Using the suprasensory medium of the human vessel Tom Comitta, the trees and sky and earth have accessed the hyperobject or hyperartifact known as 'literature' in order to be heard from, across time and space. This is a novel to dwarf all others." --Jonathan Lethem "Tom Comitta's original novel--composed of descriptions of animals, plants, weather, water, earth, time and space from canonical English-language works--is a feat of conceptual art, biblical in tone and panoramic in scope. The absence of human life in The Nature Book is a relief and a delight, yet Comitta's devotion to the 'ancillary' builds a subtle and uncomfortable portrait of human consciousness: its judgments and observations, its habit of projecting itself into the minds of animals, and its tendency to see the natural world in terms of how it resembles, serves, or threatens the human one." --Kathryn Scanlan "In The Nature Book, language denuded from its original context serves its own surprising ends. An astounding project." --Jarett Kobek, "Symphonic, both in its structure--four movements, the third of which is the most distinct and the last of which references the first and goes out in a brilliant burst--and in the way language echoes, builds, works its accretive magic. . . . Seeing the world like this, without us, traversed in a way we could never traverse it in our human bodies, is a powerful and exhilarating experience." --Cara Blue Adams, The New Yorker "A meditative, lush narrative on the relationship between time and nature. . . . Like Proust, Comitta centers you in the reading experience, not just demanding your labor of comprehension at the languorous, long sentence level, but also requiring your attention and patience. . . . You''ll be hard-pressed to find another book with as verdant an archive of beautiful descriptive sentences as the one contained in The Nature Book ." --Darina Sikmashvili, Los Angeles Review of Books "Their authorial vision weaves together a wild variety of styles with a steady eye on the land, sky, and water, as well as on the plants and animals living in each. Comitta approaches assembly with a conceptual rigor, but they do not sacrifice polish or readability. The novel flows beautifully. . . . An optimistic critique of the form, made entirely of the form." --Crow Jonah Norlander, BOMB Magazine "A magnum opus about the planet using only found text. . . . A dynamic and singular reading experience." -- Kirkus, starred review "An immersive exhibition of nature writing. . . . [ The Nature Book ] pulls the reader along with gorgeous language and animal protagonists worth rooting for." -- Publishers Weekly "In this seamless anthology, we forget that the experience of reading about nature is mediated by human voices and, when suspended in the text, succumb to the magical illusion that we are perceiving the world in itself." -- Will Chancellor, The Brooklyn Rail "An epic journey--visual, textural and musical--that illustrates the vastness of our environment and its representation in literature." --Joseph Holt, Star Tribune "Here it is at last, and what a bloody relief to at last have it: The Novel Without Us. Using the suprasensory medium of the human vessel Tom Comitta, the trees and sky and earth have accessed the hyperobject or hyperartifact known as ''literature'' in order to be heard from, across time and space. This is a novel to dwarf all others." --Jonathan Lethem "Tom Comitta''s original novel--composed of descriptions of animals, plants, weather, water, earth, time and space from canonical English-language works--is a feat of conceptual art, biblical in tone and panoramic in scope. The absence of human life in The Nature Book is a relief and a delight, yet Comitta''s devotion to the ''ancillary'' builds a subtle and uncomfortable portrait of human consciousness: its judgments and observations, its habit of projecting itself into the minds of animals, and its tendency to see the natural world in terms of how it resembles, serves, or threatens the human one." --Kathryn Scanlan "In The Nature Book, language denuded from its original context serves its own surprising ends. An astounding project." --Jarett Kobek, "A magnum opus about the planet using only found text. . . . A dynamic and singular reading experience." -- Kirkus, starred review "Here it is at last, and what a bloody relief to at last have it: The Novel Without Us. Using the suprasensory medium of the human vessel Tom Comitta, the trees and sky and earth have accessed the hyperobject or hyperartifact known as 'literature' in order to be heard from, across time and space. This is a novel to dwarf all others." --Jonathan Lethem "Tom Comitta's original novel--composed of descriptions of animals, plants, weather, water, earth, time and space from canonical English-language works--is a feat of conceptual art, biblical in tone and panoramic in scope. The absence of human life in The Nature Book is a relief and a delight, yet Comitta's devotion to the 'ancillary' builds a subtle and uncomfortable portrait of human consciousness: its judgments and observations, its habit of projecting itself into the minds of animals, and its tendency to see the natural world in terms of how it resembles, serves, or threatens the human one." --Kathryn Scanlan "In The Nature Book, language denuded from its original context serves its own surprising ends. An astounding project." --Jarett Kobek, "A magnum opus about the planet using only found text. . . . A dynamic and singular reading experience." -- Kirkus, starred review "An immersive exhibition of nature writing. . . . [ The Nature Book ] pulls the reader along with gorgeous language and animal protagonists worth rooting for." -- Publishers Weekly "In this seamless anthology, we forget that the experience of reading about nature is mediated by human voices and, when suspended in the text, succumb to the magical illusion that we are perceiving the world in itself." -- The Brooklyn Rail "Here it is at last, and what a bloody relief to at last have it: The Novel Without Us. Using the suprasensory medium of the human vessel Tom Comitta, the trees and sky and earth have accessed the hyperobject or hyperartifact known as 'literature' in order to be heard from, across time and space. This is a novel to dwarf all others." --Jonathan Lethem "Tom Comitta's original novel--composed of descriptions of animals, plants, weather, water, earth, time and space from canonical English-language works--is a feat of conceptual art, biblical in tone and panoramic in scope. The absence of human life in The Nature Book is a relief and a delight, yet Comitta's devotion to the 'ancillary' builds a subtle and uncomfortable portrait of human consciousness: its judgments and observations, its habit of projecting itself into the minds of animals, and its tendency to see the natural world in terms of how it resembles, serves, or threatens the human one." --Kathryn Scanlan "In The Nature Book, language denuded from its original context serves its own surprising ends. An astounding project." --Jarett Kobek, "A magnum opus about the planet using only found text. . . . A dynamic and singular reading experience." -- Kirkus, starred review "An immersive exhibition of nature writing. . . . [ The Nature Book ] pulls the reader along with gorgeous language and animal protagonists worth rooting for." -- Publishers Weekly "Here it is at last, and what a bloody relief to at last have it: The Novel Without Us. Using the suprasensory medium of the human vessel Tom Comitta, the trees and sky and earth have accessed the hyperobject or hyperartifact known as 'literature' in order to be heard from, across time and space. This is a novel to dwarf all others." --Jonathan Lethem "Tom Comitta's original novel--composed of descriptions of animals, plants, weather, water, earth, time and space from canonical English-language works--is a feat of conceptual art, biblical in tone and panoramic in scope. The absence of human life in The Nature Book is a relief and a delight, yet Comitta's devotion to the 'ancillary' builds a subtle and uncomfortable portrait of human consciousness: its judgments and observations, its habit of projecting itself into the minds of animals, and its tendency to see the natural world in terms of how it resembles, serves, or threatens the human one." --Kathryn Scanlan "In The Nature Book, language denuded from its original context serves its own surprising ends. An astounding project." --Jarett Kobek, "A magnum opus about the planet using only found text. . . . A dynamic and singular reading experience." -- Kirkus, starred review "An immersive exhibition of nature writing. . . . [ The Nature Book ] pulls the reader along with gorgeous language and animal protagonists worth rooting for." -- Publishers Weekly "In this seamless anthology, we forget that the experience of reading about nature is mediated by human voices and, when suspended in the text, succumb to the magical illusion that we are perceiving the world in itself." -- The Brooklyn Rail "An epic journey--visual, textural and musical--that illustrates the vastness of our environment and its representation in literature." --Joseph Holt, Star Tribune "Here it is at last, and what a bloody relief to at last have it: The Novel Without Us. Using the suprasensory medium of the human vessel Tom Comitta, the trees and sky and earth have accessed the hyperobject or hyperartifact known as 'literature' in order to be heard from, across time and space. This is a novel to dwarf all others." --Jonathan Lethem "Tom Comitta's original novel--composed of descriptions of animals, plants, weather, water, earth, time and space from canonical English-language works--is a feat of conceptual art, biblical in tone and panoramic in scope. The absence of human life in The Nature Book is a relief and a delight, yet Comitta's devotion to the 'ancillary' builds a subtle and uncomfortable portrait of human consciousness: its judgments and observations, its habit of projecting itself into the minds of animals, and its tendency to see the natural world in terms of how it resembles, serves, or threatens the human one." --Kathryn Scanlan "In The Nature Book, language denuded from its original context serves its own surprising ends. An astounding project." --Jarett Kobek
Lccn
2022-034761
Dewey Decimal
813.6
Intended Audience
Trade
Dewey Edition
23

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It came in a bubble mailer and I wish it would've been in a box with more packing material, it did have a dent on the spine, but I'm not gonna complain. Others most definitely would, but not bad. I'm happy.