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Sleeping With the Lights On: The Unsettling Story of Horror par Darryl Jones
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Numéro de l'objet eBay :364029589744
Dernière mise à jour le 24 sept. 2024 12:21:54 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Publication Date
- 2018-10-11
- ISBN
- 9780198826484
- Book Title
- Sleeping with the Lights on : the Unsettling Story of Horror
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.9 in
- Publication Year
- 2018
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.6 in
- Genre
- Literary Criticism, Performing Arts, Social Science, Self-Help, Psychology
- Topic
- Film / Genres / Horror, Horror & Supernatural, Anxieties & Phobias, General, Customs & Traditions, Emotions
- Item Weight
- 9.8 Oz
- Item Width
- 5 in
- Number of Pages
- 208 Pages
À propos de ce produit
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198826486
ISBN-13
9780198826484
eBay Product ID (ePID)
28038280239
Product Key Features
Book Title
Sleeping with the Lights on : the Unsettling Story of Horror
Number of Pages
208 Pages
Language
English
Topic
Film / Genres / Horror, Horror & Supernatural, Anxieties & Phobias, General, Customs & Traditions, Emotions
Publication Year
2018
Illustrator
Yes
Genre
Literary Criticism, Performing Arts, Social Science, Self-Help, Psychology
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
9.8 Oz
Item Length
6.9 in
Item Width
5 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
Darryl Jones' beautifully packaged book ... is the perfect gift for a horror-head. Written with enthusiasm and incredible research, it bounces between breakout and iconic moments across literature, film, folklore, science and psychology. Truly fascinating if sometimes scary reading.
Dewey Decimal
152.46
Table Of Content
Introduction1. Monsters2. The Occult and the Supernatural3. Horror and the Body4. Horror and the Mind5. Science and Horror6. Afterword: Horror Since the Millennium
Synopsis
Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that.As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature., Fear is one of the most primal emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? Delving into the darkest corners of horror literature, films, and plays, Darryl Jones explores its monsters and its psychological chills, discussing why horror stories disturb us, and how they reflect society's taboos., It's four in the morning and the lights are on. There's no way we're going to sleep, not after the film we just saw. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, and games designed to do exactly that. As Darryl Jones shows in Sleeping with the Lights On , the horror genre is vast, ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers. The cathartic release of scaring ourselves has made its appearance everywhere from Shakespearean tragedies to Internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Jones explains why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? What kind of a distinction should we make between the commonly reviled carnage of the contemporary horror genre and the culturally acceptable bloodbaths of ancient Greek tragedies? Analyzing how horror has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is marketed to mainstream society in the form of romantic vampires and blockbuster hits, it maintains its shadowy presence on the edges of respectability, as banned films and violent Internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature., It's four in the morning and the lights are on. There's no way we're going to sleep, not after the film we just saw. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, and games designed to do exactly that. As Darryl Jones shows in Sleeping with the Lights On, the horror genre is vast, ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers. The cathartic release of scaring ourselves has made its appearance everywhere from Shakespearean tragedies to Internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Jones explains why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? What kind of a distinction should we make between the commonly reviled carnage of the contemporary horror genre and the culturally acceptable bloodbaths of ancient Greek tragedies? Analyzing how horror has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is marketed to mainstream society in the form of romantic vampires and blockbuster hits, it maintains its shadowy presence on the edges of respectability, as banned films and violent Internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.
LC Classification Number
BF575.F2
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