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Paul Rudolph : Inspiration et processus en architecture [architecte brutaliste Paul

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État :
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Lieu où se trouve l'objet : Bridgeton, New Jersey, États-Unis
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Estimé entre le jeu. 26 sept. et le sam. 28 sept. à 43230
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Numéro de l'objet eBay :334607637873
Dernière mise à jour le 22 sept. 2024 22:45:16 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Très bon état: Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent ...
ISBN
9781616898656
Subject Area
Architecture
Publication Name
Paul Rudolph : Inspiration and Process in Architecture (Brutalist Architect Paul Rudolph's Drawings and Architectural Sketches with an Essay and Interview)
Publisher
Moleskine
Item Length
8.3 in
Subject
Individual Architects & Firms / Monographs, General
Publication Year
2019
Series
Inspiration and Process in Architecture Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.7 in
Author
John Morris Dixon
Item Weight
13.1 Oz
Item Width
5.1 in
Number of Pages
144 Pages

À propos de ce produit

Product Identifiers

Publisher
Moleskine
ISBN-10
1616898658
ISBN-13
9781616898656
eBay Product ID (ePID)
22038635671

Product Key Features

Number of Pages
144 Pages
Publication Name
Paul Rudolph : Inspiration and Process in Architecture (Brutalist Architect Paul Rudolph's Drawings and Architectural Sketches with an Essay and Interview)
Language
English
Publication Year
2019
Subject
Individual Architects & Firms / Monographs, General
Type
Textbook
Author
John Morris Dixon
Subject Area
Architecture
Series
Inspiration and Process in Architecture Ser.
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
13.1 Oz
Item Length
8.3 in
Item Width
5.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2021-301842
Reviews
"Those needing a fix for Rudolph's drawings should consider...this new sketchbook-sized book with dozens of the architect's drawings, ranging from his Florida projects in the 1950s to his Asian skyscrapers in the 1980s....[The drawings in the book] come after two pieces of text that clearly put Rudolph's drawings into context: an introduction by John Morris Dixon and an excerpt from a 1980s interview between Rudolph and Robert Bruegmann as part of the Chicago Architects Oral History Project." - A Daily Dose of Architecture Books, "Get to know one of 20th-century architecture's most idiosyncratic practitioners, Paul Rudolph, through a man who knew him well: John Morris Dixon, FAIA, a contributor to ARCHITECT and the editor-in-chief of Progressive Architecture from 1972 to 1996. Dixon's Paul Rudolph: Inspiration and Process in Architecture includes a new essay by the author, a 1986 interview with Rudolph, and dozens of sketches and other matter from the archives of the Library of Congress. Not surprisingly, given that it was published by Moleskine Books, the 144-page volume looks just like one of the iconic sketchbooks-rounded corners, ribbon place marker, and all." - ARCHITECT Magazine, "Those needing a fix for Rudolph's drawings should consider...this new sketchbook-sized book with dozens of the architect's drawings, ranging from his Florida projects in the 1950s to his Asian skyscrapers in the 1980s....[The drawings in the book] come after two pieces of text that clearly put Rudolph's drawings into context: an introduction by John Morris Dixon and an excerpt from a 1980s interview between Rudolph and Robert Bruegmann as part of the Chicago Architects Oral History Project." - A Daily Dose of Architecture Books -- -, "Get to know one of 20th-century architecture's most idiosyncratic practitioners, Paul Rudolph, through a man who knew him well: John Morris Dixon, FAIA, a contributor to ARCHITECT and the editor-in-chief of Progressive Architecture from 1972 to 1996. Dixon's Paul Rudolph: Inspiration and Process in Architecture includes a new essay by the author, a 1986 interview with Rudolph, and dozens of sketches and other matter from the archives of the Library of Congress. Not surprisingly, given that it was published by Moleskine Books, the 144-page volume looks just like one of the iconic sketchbooks-rounded corners, ribbon place marker, and all." - ARCHITECT Magazine-- -, "You have to understand that I'm not too much interested in what other people are doing," said Paul Rudolph in 1986. The sentiment succinctly sums up the self-confidence revealed by the heroic modern architect's drawings and sketches, captured here in a compact Moleskine notebook. Although his built work could be controversial, the impressive designs, such as the unrealized Lower Manhattan Expressway, along with other evocative proposals, result in a handsome compendium of the architect's contributions." - Architectural Record-- -, "You have to understand that I'm not too much interested in what other people are doing," said Paul Rudolph in 1986. The sentiment succinctly sums up the self-confidence revealed by the heroic modern architect's drawings and sketches, captured here in a compact Moleskine notebook. Although his built work could be controversial, the impressive designs, such as the unrealized Lower Manhattan Expressway, along with other evocative proposals, result in a handsome compendium of the architect's contributions." - Architectural Record
Illustrated
Yes
Synopsis
Paul Rudolph (1918-1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials nd forms, most famously embodied in his Yale Art & Architecture Building (1963), earned Rudolph both notoriety and acclaim. Many of the dynamic drawings included in this collection -- selected from the architect's archive housed in the Library of Congress -- illustrate his highly emotive hand and deft drafting skill. They include his designs for Tuskegee University Chapel, Interama, Lower Manhattan Expressway, his analysis of Mies van der Rohe's Barcelona Pavilion, and his own inventive penthouse on Beekman Place in New York City. A lively Rudolph interview, conducted in 1986, and a newly commissioned introductory essay provide context for the drawings.
LC Classification Number
NA737.R8A4 2020

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