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Jean-Michel Rabate Given : 1° Art 2° Crime (Livre de poche) (IMPORTATION UK)
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Caractéristiques de l'objet
- État
- Book Title
- Given: 1° Art 2° Crime
- Publication Name
- Given: 1º Art 2º Crime : Modernity, Murder and Mass Culture
- Title
- Given: 1° Art 2° Crime
- Subtitle
- Modernity, Murder and Mass Culture
- Format
- Trade Paperback
- EAN
- 9781845191122
- ISBN
- 9781845191122
- Publisher
- Liverpool University Press
- Genre
- Society & Culture
- Release Date
- 01/09/2022
- Release Year
- 2022
- Language
- English
- Country/Region of Manufacture
- GB
- Series
- Critical Inventions Ser.
- Item Length
- 9in
- Publication Year
- 2022
- Type
- Textbook
- Item Height
- 0.6in
- Item Width
- 6in
- Item Weight
- 0 Oz
- Number of Pages
- 228 Pages
À propos de ce produit
Product Information
This exciting new study investigates links between avant-garde art and the aesthetics of crime in order to bridge the gap between high modernism and mass culture, as emblematized by tabloid reports of unsolved crimes. Throughout Jean-Michel Rabate is concerned with two key questions: what is it that we enjoy when we read murder stories? and what has modern art to say about murder? Indeed, Rabate compels us to consider whether art itself is a form of murder. ... The book begins with Marcel Duchamp's fascination for trivia and found objects conjoined with his iconoclasm as an anti-artist. The visual parallels between the naked woman at the centre of his final work, 'Etant Donn s', and a young woman who had been murdered in Los Angeles in January 1947, provides the specific point of departure. Steven Hodel's recent book has thrown new light on what was called the 'Black Dahlia' murder by pointing to one of Duchamp's friends, Man Ray, who, according to Hodel, was the murderer's inspirator. This putative involvement recalls Walter Benjamin's description of Eugene Atget's famous photographs of deserted Paris streets as presenting 'the scene of the crime'. Indeed, this phrase was used as the title for Ralph Roff's 1997 exhibition, which implied that modern art is indissociable from forensic gaze and a detective's outlook, a view first advanced by Edgar Allan Poe who invoked both criminal detection and manuscript studies in his 1846 essay 'Philosophy of Composition'. Arguing that Poe's fanciful account of the genesis of his story 'The Raven' can be superimposed onto his deft solving of murders like that of the 'Rue Morgue' or of Marie Roget, the author goes on to suggest that Poe's aesthetic parallels Thomas De Quincey's contemporaneous essay 'Of Murder Considered as one of the Fine Arts'.
Product Identifiers
Publisher
Liverpool University Press
ISBN-10
1845191129
ISBN-13
9781845191122
eBay Product ID (ePID)
47957954
Product Key Features
Publication Name
Given: 1º Art 2º Crime : Modernity, Murder and Mass Culture
Format
Trade Paperback
Language
English
Series
Critical Inventions Ser.
Publication Year
2022
Type
Textbook
Number of Pages
228 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
0 Oz
Additional Product Features
Lc Classification Number
Nx180.S6
Reviews
"...a profoundly insightful, witty book, which, with great panache focuses 'on a number of late nineteenth-century and twentieth-century artists who cross the bridges linking the history of the avant-garde and the esthetics of murder' (5)." - Everyday Modernities, "...a profoundly insightful, witty book, which, with great panache focuses 'on a number of late nineteenth-century and twentieth-century artists who cross the bridges linking the history of the avant-garde and the esthetics of murder' (5)." - Everyday Modernities, "...a profoundly insightful, witty book, which, with great panache focuses 'on a number of late nineteenth-century and twentieth-century artists who cross the bridges linking the history of the avant-garde and the esthetics of murder' (5)." -- Everyday Modernities, "Recommended for faculty and graduate students, Jean-Michel Rabaté's Given, 1º Art 2º Crime is a study that aims to link avant-garde art to the aesthetics of murder in order to bridge the gap between modernism and mass culture, where the latter is often embodied by both popular best-selling novels and tabloid coverage of unsolved murder cases. ...Even when there are no obvious traces to be found in the work of art, the critic can always hallucinate them into being through the use of paranoia-criticism (p. 121)." -- IASL online, "Recommended for faculty and graduate students, Jean-Michel Rabaté's Given, 1º Art 2º Crime is a study that aims to link avant-garde art to the aesthetics of murder in order to bridge the gap between modernism and mass culture, where the latter is often embodied by both popular best-selling novels and tabloid coverage of unsolved murder cases. ...Even when there are no obvious traces to be found in the work of art, the critic can always hallucinate them into being through the use of paranoia-criticism (p. 121)." IASL online, "Recommended for faculty and graduate students, Jean-Michel Rabaté's Given, 1º Art 2º Crime is a study that aims to link avant-garde art to the aesthetics of murder in order to bridge the gap between modernism and mass culture, where the latter is often embodied by both popular best-selling novels and tabloid coverage of unsolved murder cases. ...Even when there are no obvious traces to be found in the work of art, the critic can always hallucinate them into being through the use of paranoia-criticism (p. 121)." - IASL online, "Recommended for faculty and graduate students, Jean-Michel Rabat's Given, 1 Art 2 Crime is a study that aims to link avant-garde art to the aesthetics of murder in order to bridge the gap between modernism and mass culture, where the latter is often embodied by both popular best-selling novels and tabloid coverage of unsolved murder cases. ...Even when there are no obvious traces to be found in the work of art, the critic can always hallucinate them into being through the use of paranoia-criticism (p. 121)." - IASL online, "...a profoundly insightful, witty book, which, with great panache focuses 'on a number of late nineteenth-century and twentieth-century artists who cross the bridges linking the history of the avant-garde and the esthetics of murder' (5)." Everyday Modernities, "Recommended for faculty and graduate students, Jean-Michel Rabaté's Given, 1º Art 2º Crime is a study that aims to link avant-garde art to the aesthetics of murder in order to bridge the gap between modernism and mass culture, where the latter is often embodied by both popular best-selling novels and tabloid coverage of unsolved murder cases. ...Even when there are no obvious traces to be found in the work of art, the critic can always hallucinate them into being through the use of paranoia-criticism (p. 121)." - IASL online
Table of Content
The Esthetics of Murder: Of Sirens, Traces and Auras; Freud's Da Vinci Code: Interpretation as Crime; Duchamp's fait-divers: Murder as a "Read-Made"; Scene of the Crime: Nothing to See!; Scalpel and Brush, Pen and Poison: The Ekphrasis of Murder; Who Killed Bergotte? The Patch and the Corpse; Surrealist Esthetics of Murder: From Hysteria to Paranoia; Murder as Kitsch, Abstraction and Ritual; Conclusion - How to Think "Not Abstractly"; Index.
Copyright Date
2006
Topic
Murder / General, Criticism & Theory, Aesthetics, Suicide
Lccn
2006-020743
Dewey Decimal
809.933556
Intended Audience
Scholarly & Professional
Dewey Edition
22
Genre
Art, True Crime, Psychology, Philosophy
Description de l'objet fournie par le vendeur
Informations sur le vendeur professionnel
RAREWAVES. COM LIMITED
Unit 145, The Light Box
111 Power Road
London
W4 5PY
United Kingdom
Numéro de TVA :
- GB 864 1548 11
Numéro d'immatriculation de la société :
- 05540102
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Numéro de l'objet eBay :305359649666
Dernière mise à jour le 02 mai 2024 02:01:12 CEST. Afficher toutes les modificationsAfficher toutes les modifications
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