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Hank Lazer Michael Magee Charles Bern émancipateur Pragm (livre de poche) (IMPORTATION BRITANNIQUE)
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Numéro de l'objet eBay :305340130682
Dernière mise à jour le 16 mai 2024 01:57:32 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Format
- Trade Paperback
- Book Title
- Emancipating Pragmatism
- Publication Name
- Emancipating Pragmatism : Emerson, Jazz, and Experimental Writing
- Title
- Emancipating Pragmatism
- Subtitle
- Emerson, Jazz, and Experimental Writing
- EAN
- 9780817350840
- ISBN
- 9780817350840
- Publisher
- University of Alabama Press
- Release Year
- 2004
- Release Date
- 30/04/2004
- Language
- English
- Country/Region of Manufacture
- US
- Item Weight
- 0 Oz
- Genre
- Literary Criticism
- Series
- Modern and Contemporary Poetics Ser.
- Item Length
- 9in
- Publication Year
- 2004
- Type
- Textbook
- Item Height
- 0.8in
- Item Width
- 6in
- Number of Pages
- 264 Pages
À propos de ce produit
Product Information
A radical rereading of Emerson that posits African- American culture, literature, and jazz as the very continuation and embodiment of pragmatic thought and democratic tradition Emancipating Pragmatism is a radical rereading of Emerson that posits African- American culture, literature, and jazz as the embodiment of pragmatic thought and democratic tradition. It traces Emerson's philosophical legacy through the 19th and 20th centuries to discover how Emersonian thought continues to inform issues of race, aesthetics, and poetic discourse. Emerson's pragmatism derives from his abolitionism, Michael Magee argues, and any pragmatic thought that aspires toward democracy cannot ignore and must reckon with its racial roots. Magee looks at the ties between pragmatism and African-American culture as they manifest themselves in key texts and movements, such as William Carlos Williams's poetry; Ralph Ellison's discourse in Invisible Man and Juneteenth and his essays on jazz; the poetic works of Robert Creeley, Amiri Baraka, and Frank O'Hara; as well as the "new jazz" being forged at clubs like The Five Spot in New York. Ultimately, Magee calls into question traditional maps of pragmatist lineage and ties pragmatism to the avant-garde American tradition.
Product Identifiers
Publisher
University of Alabama Press
ISBN-10
0817350845
ISBN-13
9780817350840
eBay Product ID (ePID)
30437145
Product Key Features
Publication Name
Emancipating Pragmatism : Emerson, Jazz, and Experimental Writing
Format
Trade Paperback
Language
English
Publication Year
2004
Series
Modern and Contemporary Poetics Ser.
Type
Textbook
Number of Pages
264 Pages
Dimensions
Item Length
9in
Item Height
0.8in
Item Width
6in
Item Weight
0 Oz
Additional Product Features
Lc Classification Number
Ps1638.M27 2004
Reviews
"Michael Magee has written a book about the links between pragmatism, Emerson, jazz and experimental writing that is so wonderfully playful that Dewey could only have admired it. James may have tried to mimic it. But only Santayana could have pulled it off. Okay, not even Santayana, perhaps! It is a gem."--Henry Levinson,Transactions of the Charles S. Peirce Society, "Michael Magee has written a book about the links between pragmatism, Emerson, jazz and experimental writing that is so wonderfully playful that Dewey could only have admired it. James may have tried to mimic it. But only Santayana could have pulled it off. Okay, not even Santayana, perhaps! It is a gem." --Henry Levinson, Transactions of the Charles S. Peirce Society, "Nowhere else, that I am aware of, can one read such an apt commingling of Emerson and Ellison, jazz and writing, Williams, Stein, Baraka, and O'Hara. . . . [ Emancipating Pragmatism ] is a remarkable synthesis of these figures who have been the subjects of disparate studies before, but whose linkages through philosophical approaches to pragmatism have never been so carefully examined in parallel." ---Aldon Nielsen, author of Black Chant: Languages of African-American Postmodernism, "Nowhere else, that I am aware of, can one read such an apt commingling of Emerson and Ellison, jazz and writing, Williams, Stein, Baraka, and O'Hara. . . . [ Emancipating Pragmatism ] is a remarkable synthesis of these figures who have been the subjects of disparate studies before, but whose linkages through philosophical approaches to pragmatism have never been so carefully examined in parallel."--Aldon Nielsen, author of Black Chant: Languages of African-American Postmodernism, "Nowhere else, that I am aware of, can one read such an apt commingling of Emerson and Ellison, jazz and writing, Williams, Stein, Baraka, and O'Hara. . . . [ Emancipating Pragmatism is a remarkable synthesis of these figures who have been the subjects of disparate studies before, but whose linkages through philosophical approaches to pragmatism have never been so carefully examined in parallel."--Aldon Nielsen, author of Black Chant: Languages of African-American Postmodernism, "Nowhere else, that I am aware of, can one read such an apt commingling of Emerson and Ellison, jazz and writing, Williams, Stein, Baraka, and O'Hara. . . . [ Emancipating Pragmatism ] is a remarkable synthesis of these figures who have been the subjects of disparate studies before, but whose linkages through philosophical approaches to pragmatism have never been so carefully examined in parallel." --Aldon Nielsen, author of Black Chant: Languages of African-American Postmodernism, "Michael Magee has written a book about the links between pragmatism, Emerson, jazz and experimental writing that is so wonderfully playful that Dewey could only have admired it. James may have tried to mimic it. But only Santayana could have pulled it off. Okay, not even Santayana, perhaps! It is a gem."--Henry Levinson, Transactions of the Charles S. Peirce Society, "Michael Magee has written a book about the links between pragmatism, Emerson, jazz and experimental writing that is so wonderfully playful that Dewey could only have admired it. James may have tried to mimic it. But only Santayana could have pulled it off. Okay, not even Santayana, perhaps! It is a gem."--Henry Levinson, Transactions of the Charles S. Peirce Society
Copyright Date
2004
Topic
General, American / General, Subjects & Themes / General, Genres & Styles / Jazz
Lccn
2003-020879
Dewey Decimal
814/.3
Intended Audience
Scholarly & Professional
Dewey Edition
22
Genre
Literary Criticism, Music
Description de l'objet fournie par le vendeur
Informations sur le vendeur professionnel
RAREWAVES. COM LIMITED
Unit 145, The Light Box
111 Power Road
London
W4 5PY
United Kingdom
Numéro de TVA :
- GB 864 1548 11
Numéro d'immatriculation de la société :
- 05540102
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Numéro de l'objet eBay :305340130682
Dernière mise à jour le 16 mai 2024 01:57:32 CEST. Afficher toutes les modificationsAfficher toutes les modifications
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Thanks a lot !
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Great as always
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Thanks from Canada .