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Kishi Bashi - 151a (édition 10e anniversaire) [Très bon CD d'occasion]

État :
Très bon état
Used Very Good
39 disponibles / 1 vendus
Prix :
15,45 USD
Environ14,29 EUR
Livraison :
1,99 USD (environ 1,84 EUR) Economy Shipping. Afficher les détailspour la livraison
Lieu où se trouve l'objet : Shepherdsville, Kentucky, États-Unis
Délai de livraison :
Estimé entre le jeu. 13 juin et le mar. 25 juin à 43230
Les dates de livraison estimées - la page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet prennent en compte le délai d'expédition indiqué par le vendeur, le code postal de l'expéditeur, le code postal du destinataire et la date d'acceptation de l'offre. Elles dépendent du service de livraison sélectionné et de la date de réception du paiementréception du paiement - la page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet. Les délais de livraison peuvent varier, notamment pendant les périodes de pointe.
Retours :
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Numéro de l'objet eBay :185576883444
Dernière mise à jour le 17 mars 2024 08:17:06 CET. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Très bon état
Commentaires du vendeur
“Used Very Good”
Custom Bundle
No
Duration
Album
Modified Item
No
Title
151a (10th Anniversary Edition)
Album Name
151a (10th Anniversary Edition)
Type
Album
UPC
0602309894368
Artist
Kishi Bashi
Format
CD
Release Year
2022
Record Label
Joyful Noise Records, Jyfl
Release Title
151 A (10th Anniversary Edition)
Genre
Rock

À propos de ce produit

Product Identifiers

Record Label
Joyful Noise Records, Jyfl
UPC
0602309894368
eBay Product ID (ePID)
14053066702

Product Key Features

Release Year
2022
Format
CD
Genre
Rock
Artist
Kishi Bashi
Release Title
151 A (10th Anniversary Edition)

Dimensions

Item Height
0.21 in
Item Weight
0.14 lb
Item Length
5.43 in
Item Width
4.90 in

Additional Product Features

Number of Discs
2
Number of Tracks
20
Country/Region of Manufacture
United States
Tracks
1.1 Intro / Pathos, Pathos 1.2 Manchester 1.3 Bright Whites 1.4 It All Began with a Burst 1.5 Wonder Woman, Wonder Me 1.6 Chester's Burst Over the Hamptons 1.7 Atticus, in the Desert 1.8 I Am the Antichrist to You 1.9 Beat the Bright Out of Me 2.1 Intro / Pathos, Pathos (Demo-Arigato Version) 2.2 Manchester (Demo-Arigato Version) 2.3 Bright Whites (Demo-Arigato Version) 2.4 It All Began with a Burst (Demo-Arigato Version) 2.5 Wonder Woman, Wonder Me (Demo-Arigato Version) 2.6 Unicorns Die When You Leave (Demo-Arigato Version) 2.7 Chester's Burst Over the Hamptons (Demo-Arigato Version) 2.8 Atticus, in the Desert (Demo-Arigato Version) 2.9 I Am the Antichrist to You (Demo-Arigato Version) 2.10 Beat the Bright Out of Me (Demo-Arigato Version) 2.11 Winter from Shiki (Demo-Arigato Version)
Notes
They say that you spend your entire life writing your first album, piecing every formative moment, scribbled turn of phrase, and thematic epiphany into a fantastical collage. Multi-instrumentalist K. Ishibashi (aka Kishi Bashi) disproves that old adage. The title of Kishi Bashi's 2011 debut album, 151a, is a riff on the Japanese phrase "ichi-go ichi-e," roughly translating to "one time, one place." That's exactly what this debut is: A singular time, an inimitable place, a launchpad for bigger and better things to come."It's a play on words that translates as a performance aesthetic of having a unique performance in time, with imperfections, and enjoying it while you can," Ishibashi told NPR at the time of the album's release. "The saying reminds me to embrace my mistakes and move forward."Produced and performed exclusively by Kishi Bashi, 151a is a showcase of singular talent and ambition- and it didn't go unnoticed by fans or peers. Along with launching Kishi Bashi's career as a soloist, this earnest debut made him one of indie music's most in-demand violinists. He was no longer relegated to side stage as a collaborator of Regina Spektor, Sondre Lerche, of Montreal, and more-the Kishi Bashi name could endure with it's own merit. As deeply personal as 151a undoubtedly is, the record was animated by a deep and enduring partnership. Following Kishi Bashi's collaboration with of Montreal's Kevin Barnes for the watershed art-pop album Paralytic Stalks, his worldview and artistic approach was transformed for the better. Strict habits hung loose, sonic palettes bled and broadened, and a one-man orchestra sprouted from a foundation of string loops. From the deconstructed Beach Boys-esque doo-wop of "Wonder Woman" to the menacing marriage of Eastern Hues and Western operatics of "Beat the Bright out of Me," 151a a mediation between opposing drives, offering possible reconciliation but never promising it. The album's emotional wellspring, "I Am The Antichrist To You" was reimagined in 2021 when it was featured on the animated sci-fi sitcom Rick and Morty, introducing Kishi Bashi to a new generation of awestruck fans. Kishi Bashi also uses 151a as a vehicle to explore his cultural background. Using Japanese refrains as a compositional and textural device (the polyrhythmic grandeur of "Bright Whites"; the gleeful surrealism of "It All Began With a Burst"), Kishi Bashi celebrates his heritage with earnestness. Japanese phrases and couplets are sung as the response to Kishi Bashi's resplendent calls, offering listeners a conversation that dovetails with the album's themes of love, sentimentality, and self-discovery.Today, the "one time" and "one place" that 151a inhabited seems further than ever, almost broaching celestial realms of time and space. But, rest assured, with each listen, the world that Kishi Bashi built springs back to life. The world of 151a never left-it was just waiting to be rediscovered.

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Moyenne pour les 12 derniers mois

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4.9
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4.9
Livraison rapide
5.0
Communication
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