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VOIX DÉCOLONIALES : études culturelles chicana et chicano au 21ème siècle. Aldama
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“Some Highlighting.”
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- Achat immédiatVOIX DÉCOLONIALES : études culturelles chicana et chicano au 21ème siècle. Aldama
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Lieu où se trouve l'objet : Montebello, California, États-Unis
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Estimé entre le lun. 1 juil. et le sam. 6 juil. à 43230
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Numéro de l'objet eBay :182601078932
Dernière mise à jour le 01 août 2021 06:21:15 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Très bon état
- Commentaires du vendeur
- “Some Highlighting.”
- Subject
- Caribbean & Latin American, Ethnic Studies / Hispanic American Studies, American / Hispanic American, North America, Latin America / General, Colonialism & Post-Colonialism
- Product Type
- Paperback
- ISBN
- 9780253214928
- EAN
- 9780253214928
- Subject Area
- Literary Criticism, Art, Political Science, Social Science, History
- Publication Name
- Decolonial Voices : Chicana and Chicano Cultural Studies in the 21st Century
- Publisher
- Indiana University Press
- Item Length
- 9.3 in
- Publication Year
- 2002
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 22.4 Oz
- Item Width
- 6.1 in
- Number of Pages
- 432 Pages
À propos de ce produit
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253214920
ISBN-13
9780253214928
eBay Product ID (ePID)
1948900
Product Key Features
Number of Pages
432 Pages
Publication Name
Decolonial Voices : Chicana and Chicano Cultural Studies in the 21st Century
Language
English
Subject
Caribbean & Latin American, Ethnic Studies / Hispanic American Studies, American / Hispanic American, North America, Latin America / General, Colonialism & Post-Colonialism
Publication Year
2002
Type
Textbook
Subject Area
Literary Criticism, Art, Political Science, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
22.4 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-039495
Reviews
"Aldama (Arizona State Univ.) and Qui ones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life." -- Choice, November 2002, Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life., Aldama (Arizona State Univ.) and Quinones (Quinones) (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. The situation of undocumented workers gets full attention. The collection is especially strong on Chicana issues, redressing the male-centered atmosphere of the early Chicano movement. The level of the writing is high, though a few of the essays are sodden with jargon. The editors provide no overall bibliography, but most of the essays have lengthy bibliographies of their own. The index is unusually detailed, which is very helpful with a wide-ranging collection like this one. The use of illustrations where needed, as in the treatment of film and body art, is a bonus. This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life. The work closest to it in spirit is Criticism in the Borderlands, ed. by Hector (Hector) Calderon (Calderon) and Jose (Jose) David Saldivar (Saldivar) (CH, Jun'92), though Decolonial Voices gives more attention to popular culture. All collections.B./P>--B. Almon, University of Alberta"Choice" (01/01/2002), "Aldama (Arizona State Univ.) and Quiñones (Quinones) (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. The situation of undocumented workers gets full attention. The collection is especially strong on Chicana issues, redressing the male-centered atmosphere of the early Chicano movement. The level of the writing is high, though a few of the essays are sodden with jargon. The editors provide no overall bibliography, but most of the essays have lengthy bibliographies of their own. The index is unusually detailed, which is very helpful with a wide-ranging collection like this one. The use of illustrations where needed, as in the treatment of film and body art, is a bonus. This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life. The work closest to it in spirit is Criticism in the Borderlands , ed. by Héctor (Hector) Calderón (Calderon) and José (Jose) David Saldívar (Saldivar) (CH, Jun'92), though Decolonial Voices gives more attention to popular culture. All collections."--B. Almon, University of Alberta, Choice , November 2002 "Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. . . . This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life.November 2002"-- Choice, "Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life." -Choice, November 2002, Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. . . . This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life.November 2002, Aldama (Arizona State Univ.) and Quiñones (Quinones) (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender. The situation of undocumented workers gets full attention. The collection is especially strong on Chicana issues, redressing the male-centered atmosphere of the early Chicano movement. The level of the writing is high, though a few of the essays are sodden with jargon. The editors provide no overall bibliography, but most of the essays have lengthy bibliographies of their own. The index is unusually detailed, which is very helpful with a wide-ranging collection like this one. The use of illustrations where needed, as in the treatment of film and body art, is a bonus. This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life. The work closest to it in spirit is Criticism in the Borderlands , ed. by Héctor (Hector) Calderón (Calderon) and José (Jose) David Saldívar (Saldivar) (CH, Jun'92), though Decolonial Voices gives more attention to popular culture. All collections., "Aldama (Arizona State Univ.) and Quiñones (California State Univ., Fullerton) have assembled a remarkable range of essays on topics ranging from dresses and body art, film, popular music (including Chicano rap), and literary works to race, nationalism, and gender.... This essential work cuts across disciplinary boundaries and illuminates many aspects of contemporary Chicana/o life." -- Choice, November 2002
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
305.868/72073
Table Of Content
Contents Acknowledgments Foreword by María Herrera-Sobek Introduction: Peligro! Subversive Subjects: Chicana and Chicano Cultural Studies in the 21st Century." Arturo J. Aldama and Naomi Quiñonez. PART I: DANGEROUS BODIES 1. Arturo J. Aldama, "Borders, Violence and the Struggles for Chicana/o Subjectivity." 2. Laura Pérez, "Dresses and Body Decoration in Contemporary Chicana Art." 3. Ramón Garcia, "New Iconographies: Film Culture in Chicano Cultural Production." 4. Frederick Luis Aldama, "New Millennia Chicano/a Bodies in Edward J. Olmos' American Me." 5. Jonathan Xavier Inda, "Biopower, Reproduction, and the Migrant Woman's Body." 6. Norma Alarcón, "Anzaldúa's Frontera: Inscribing Gynetics." PART II: DISMANTLING COLONIAL/ PATRIARCHAL LEGACIES 7. Naomi Quiñonez, "Hijas de La Malinche: Re-Writing Postcolonial Discourse Through the Literature of First Wave Chicana Writers." 8. Patricia Penn Hilden, "How the Border Lies: Some Historical Reflections." 9. Amelia María de la Luz Montes, "How I am Received": Nationalism, Race and Gender in Who Would Have Thought It?" 10. Cordelia Candelaria, "Engendering Re/Solutions: The (Feminist) Legacy of Estela Portillo Trambley (1926-1998)." 11. Anna Sandoval, "Unir Los Lazos: Toward a Comparative Study of Chicana and Mexicana Literature." 12. Sarah Ramirez, "Borders, Feminism and Spirituality: Movements in Chicana Artistic Revisioning." PART III: MAPPING SPACE AND RECLAIMING PLACE 13. Alejandra Elenes, "Border/Transformative Pedagogies at the End of the Millennium: Chicana/o Cultural Studies and Education." 14. José David Saldívar, "On the Bad Edge of La Frontera." 15. Pancho McFarland, "'Here is Something You Can't Understand': Chicano Rap and the Critique of Globalization." 16. Gaye T. M Johnson, "A Sifting of Centuries: Afro-Chicana/o Interaction and Popular Musical Culture." 17. Alberto Ledesma, "Chicana/o Undocumented Immigrant Narratives as Acts of Political and Intellectual Responsibility." 18. Delberto Dario Ruiz, "Teki Lenguas del Yollotzin (Cut Tongues From the Heart): Colonial Impositions, Hegemonic Borders and Shifting Spaces." 19. Rolando J. Romero. "The Alamo, Slavery and the Politics of Memory." 20. Vicki Ruiz, "Color Coding: Reflections at the Millennium." Contributors Index
Synopsis
The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda., The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma Alarc n, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Ch vez Candelaria, Alejandra Elenes, Ram n Garcia, Mar a Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia Mar a de la Luz Montes, Laura Elisa P rez, Naomi Qui onez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, Jos David Sald var, Anna Sandoval, and Jonathan Xavier Inda., Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.
LC Classification Number
E184.M5D34 2001
Copyright Date
2002
ebay_catalog_id
4
Description de l'objet fournie par le vendeur
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :182601078932
Dernière mise à jour le 01 août 2021 06:21:15 CEST. Afficher toutes les modificationsAfficher toutes les modifications
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