
Blindsight by Peter Watts (HC 2006) 1st Ed./1st Print Ex-Library - ACCEPTABLE
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Blindsight by Peter Watts (HC 2006) 1st Ed./1st Print Ex-Library - ACCEPTABLE
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État :
“Ex-Library Copy. Normal shelf wear present. Typical stamps, marks, labels, etc. indicative of former ”... En savoir plusà propos de l'état
Etat correct
Livre présentant des marques d'usure apparentes. La couverture peut être légèrement endommagée, mais son intégrité est intacte. La reliure peut être légèrement endommagée, mais son intégrité est intacte. Existence possible de notes dans les marges, de soulignement et de surlignement de texte. Aucune page manquante, ni aucun autre défaut susceptible de compromette la lisibilité ou la compréhension du texte. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Livraison :
5,38 USD (environ 4,72 EUR) USPS Media MailTM.
Lieu où se trouve l'objet : White Hall, Arkansas, États-Unis
Délai de livraison :
Estimé entre le lun. 4 août et le ven. 8 août à 94104
Retours :
Retour sous 30 jours. L'acheteur paie les frais de retour. Si vous utilisez un bordereau d'affranchissement eBay, son coût sera déduit du montant de votre remboursement.
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Numéro de l'objet eBay :405900852025
Caractéristiques de l'objet
- État
- Etat correct
- Commentaires du vendeur
- Signed
- No
- Ex Libris
- Yes
- Narrative Type
- Fiction
- Original Language
- English
- Intended Audience
- Adults
- Inscribed
- No
- Edition
- First Edition
- Vintage
- No
- Personalize
- No
- Type
- Novel
- Era
- 2000s
- Personalized
- No
- Features
- Ex-Library, Laminated
- Country/Region of Manufacture
- United States
- ISBN
- 9780765312181
À propos de ce produit
Product Identifiers
Publisher
Doherty Associates, LLC, Tom & Co
ISBN-10
0765312182
ISBN-13
9780765312181
eBay Product ID (ePID)
52416285
Product Key Features
Book Title
Blindsight
Number of Pages
384 Pages
Language
English
Publication Year
2006
Topic
Science Fiction / Hard Science Fiction, Science Fiction / General
Genre
Fiction
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
19.3 Oz
Item Length
8.6 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-005917
Reviews
"Blindsight is fearless: a magnificent, darkly gleaming jewel of a book that hurdles the contradictions inherent in biochemistry, consciousness, and human hearts without breaking stride. Imagine you are Siri Keeton. Imagine you are nothing at all. You don't have to; Peter Watts has done it for you." --Elizabeth Bear, author of Hammered "Peter Watts has taken the core myths of the First Contact story and shaken them to pieces. The result is a shocking and mesmerizing performance, a tour-de-force of provocative and often alarming ideas. It is a rare novel that has the potential to set science fiction on an entirely new course. Blindsight is such a book." -Karl Schroeder " Blindsight is a tour de force, redefining the First Contact story for good. Peter Watts' aliens are neither humans in funny make-up nor incomprehensible monoliths beyond human comprehension -- they're something new and infinitely more disturbing, forcing us to confront unpalatable possibilities about the nature of consciousness. It's good, and it'll make your skin crawl when you stop to think about it. Strongly recommended: this may be the best hard SF read of 2006." --Charles Stross " Blindsight is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one. Like a C J Cherryh book it makes you feel the danger of the hostile environment (or lack of one) out there. And unlike many books it plays with some fascinating possibilities in human development (I like the idea of some disabilities becoming advantages here) and some disconcerting ideas about human consciousness (understanding what action preceding though actually means). What else can I say? Thanks for giving me the privilege of reading this." --Neal Asher "It seems clear that every second Peter Watts is not actually writing must be spent reading, out at the cutting edge of all the sciences and all the arts at once. Only that can't be so, because he obviously spends fully as much time thinking about everything he's read, before he sits down to turn it into story. His latest starts by proving that there are circumstances in which half a brain is better than one, or even a dozen-and then builds steadily in strangeness and wonder with every page. If Samuel R. Delany, Greg Egan and Vernor Vinge had collaborated to update Algis Budrys's classic Rogue Moon for the new millenium, they might have produced a novel as powerful and as uniquely beautiful as Blindsight . Its narrator is one of the most unforgettable characters I have ever encountered in fiction." -- Spider Robinson , co-author of Variable Star by Robert A. Heinlein and Spider Robinson, Powerful...uniquely beautiful....Its narrator is one of the most unforgettable characters I have ever encountered in fiction., Shocking...mesmerizing...tour-de-force. It...has the potential to set science fiction on an entirely new course., A magnificent, darkly gleaming jewel of a book that hurdles the contradictions inherent in biochemistry, consciousness, and human hearts without breaking stride., "Blindsight is fearless: a magnificent, darkly gleaming jewel of a book that hurdles the contradictions inherent in biochemistry, consciousness, and human hearts without breaking stride. Imagine you are Siri Keeton. Imagine you are nothing at all. You don't have to; Peter Watts has done it for you." --Elizabeth Bear, author of Hammered "Peter Watts has taken the core myths of the First Contact story and shaken them to pieces. The result is a shocking and mesmerizing performance, a tour-de-force of provocative and often alarming ideas. It is a rare novel that has the potential to set science fiction on an entirely new course. Blindsight is such a book." -Karl Schroeder " Blindsight is a tour de force, redefining the First Contact story for good. Peter Watts' aliens are neither humans in funny make-up nor incomprehensible monoliths beyond human comprehension -- they're something new and infinitely more disturbing, forcing us to confront unpalatable possibilities about the nature of consciousness. It's good, and it'll make your skin crawl when you stop to think about it. Strongly recommended: this may be the best hard SF read of 2006." --Charles Stross " Blindsight is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one. Like a C J Cherryh book it makes you feel the danger of the hostile environment (or lack of one) out there. And unlike many books it plays with some fascinating possibilities in human development (I like the idea of some disabilities becoming advantages here) and some disconcerting ideas about human consciousness (understanding what action preceding though actually means). What else can I say? Thanks for giving me the privilege of reading this." --Neal Asher "It seems clear that every second Peter Watts is not actually writing must be spent reading, out at the cutting edge of all the sciences and all the arts at once. Only that can't be so, because he obviously spends fully as much time thinking about everything he's read, before he sits down to turn it into story. His latest starts by proving that there are circumstances in which half a brain is better than one, or even a dozen-and then builds steadily in strangeness and wonder with every page. If Samuel R. Delany, Greg Egan and Vernor Vinge had collaborated to update Algis Budrys's classic Rogue Moon for the new millenium, they might have produced a novel as powerful and as uniquely beautiful as Blindsight . Its narrator is one of the most unforgettable characters I have ever encountered in fiction." -- Spider Robinson , co-author of Variable Star by Robert A. Heinlein and Spider Robinson, A magnificent, darkly gleaming jewel of a book that hurdles the contradictions inherent in biochemistry, consciousness, and human hearts without breaking stride., Blindsight is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one., "Blindsightis fearless: a magnificent, darkly gleaming jewel of a book that hurdles the contradictions inherent in biochemistry, consciousness, and human hearts without breaking stride. Imagine you are Siri Keeton. Imagine you are nothing at all. You don't have to; Peter Watts has done it for you." --Elizabeth Bear, author of Hammered "Peter Watts has taken the core myths of the First Contact story and shaken them to pieces. The result is a shocking and mesmerizing performance, a tour-de-force of provocative and often alarming ideas. It is a rare novel that has the potential to set science fiction on an entirely new course. Blindsightis such a book." Karl Schroeder "Blindsightis a tour de force, redefining the First Contact story for good. Peter Watts' aliens are neither humans in funny make-up nor incomprehensible monoliths beyond human comprehension -- they're something new and infinitely more disturbing, forcing us to confront unpalatable possibilities about the nature of consciousness. It's good, and it'll make your skin crawl when you stop to think about it. Strongly recommended: this may be the best hard SF read of 2006." -Charles Stross "Blindsightis excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one. Like a C J Cherryh book it makes you feel the danger of the hostile environment (or lack of one) out there. And unlike many books it plays with some fascinating possibilities in human development (I like the idea of some disabilities becoming advantages here) and some disconcerting ideas about human consciousness (understanding what action preceding though actually means). What else can I say? Thanks for giving me the privilege of reading this." --Neal Asher "It seems clear that every second Peter Watts is not actually writing must be spent reading, out at the cutting edge of all the sciences and all the arts at once. Only that can't be so, because he obviously spends fully as much time thinking about everything he's read, before he sits down to turn it into story. His latest starts by proving that there are circumstances in which half a brain is better than one, or even a dozen-and then builds steadily in strangeness and wonder with every page. If Samuel R. Delany, Greg Egan and Vernor Vinge had collaborated to update Algis Budrys's classic Rogue Moon for the new millenium, they might have produced a novel as powerful and as uniquely beautiful as Blindsight. Its narrator is one of the most unforgettable characters I have ever encountered in fiction." --Spider Robinson, co-author of Variable Star by Robert A. Heinlein and Spider Robinson, ""Blindsight" is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one."
Dewey Edition
22
Dewey Decimal
813/.6
Edition Description
Annotated edition
Synopsis
Two months since the stars fell... Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown. Two months of silence, while a world holds its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route . So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and the fainter one she'll do any good if she is. You send a monster to command them all, an extinct hominid predator once called vampire , recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist --an informational topologist with half his mind gone--as an interface between here and there , a conduit through which the Dead Center might hope to understand the Bleeding Edge. You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find. But you'd give anything for that to be true, if you only knew what was waiting for them..., Two months since the stars fell... Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown. Two months of silence, while a world holds its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something "en route." So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and the fainter one she'll do any good if she is. You send a monster to command them all, an extinct hominid predator once called "vampire," recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a "synthesist"--an informational topologist with half his mind gone--as an interface between "here "and "there," a conduit through which the Dead Center might hope to understand the Bleeding Edge. You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find. But you'd give anything for that to be true, if you only knew what was waiting for them...
LC Classification Number
PR9199.3.W386B58
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