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Ils ne peuvent pas nous tuer jusqu'à ce qu'ils nous tuent - Hanif Abdurraqib - Livre de poche

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Lieu où se trouve l'objet : Rossville, Georgia, États-Unis
Délai de livraison :
Estimé entre le jeu. 21 août et le mer. 27 août à 94104
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Numéro de l'objet eBay :405827569319

Caractéristiques de l'objet

État
Comme neuf: Livre qui semble neuf, mais ayant déjà été lu. La couverture ne présente aucune marque ...
Personalize
No
Era
2010s
Signed
No
Ex Libris
No
Personalized
No
Inscribed
No
Vintage
No
ISBN
9781937512651

À propos de ce produit

Product Identifiers

Publisher
Two DOLLAR RADIO
ISBN-10
1937512657
ISBN-13
9781937512651
eBay Product ID (ePID)
236609700

Product Key Features

Book Title
They Can't Kill Us until They Kill Us
Number of Pages
236 Pages
Language
English
Topic
Genres & Styles / Rap & Hip Hop, History & Criticism, Essays
Publication Year
2017
Genre
Music, Literary Collections
Author
Hanif Abdurraqib
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
13.1 Oz
Item Length
7.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
Synopsis
Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times., *2018 12 best books to give this holiday season -- TODAY Show *Best Books of 2018 -- Rolling Stone A Best Book of 2017 --NPR, Buzzfeed , Paste Magazine , Esquire , Chicago Tribune , Vol. 1 Brooklyn , CBC, Stereogum, National Post , Entropy, Heavy, Book Riot, Chicago Review of Books , The Los Angeles Review , Michigan Daily *American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' *Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times , MTV , and Pitchfork , among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times. Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him. --Greil Marcus, Village Voice, In an age of confusion, fear, and loss, Hanif Willis-Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Willis-Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays--Willis-Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times., *2018 "12 best books to give this holiday season" -- TODAY Show *Best Books of 2018 -- Rolling Stone "A Best Book of 2017" --NPR, Buzzfeed , Paste Magazine , Esquire , Chicago Tribune , Vol. 1 Brooklyn , CBC, Stereogum, National Post , Entropy, Heavy, Book Riot, Chicago Review of Books , The Los Angeles Review , Michigan Daily *American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' *Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times , MTV , and Pitchfork , among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times. "Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." --Greil Marcus, Village Voice, * 2018 "12 best books to give this holiday season" --TODAY (Elizabeth Acevedo) * A "Best Book of 2017" --Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine , Esquire , Chicago Tribune , Vol. 1 Brooklyn, CBC, Stereogum, National Post , Entropy, Heavy, Book Riot, Chicago Review of Books , The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times , MTV , and Pitchfork , among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times., Willis-Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

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