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Moreschi : Et la voix du castrato, Clapton, Nicolas
10,95 USD
Environ9,48 EUR
État :
“Good condition hardback. Pages are clean and unmarked. Minor edgewear and rubbing. Dust jacket is in ”... En savoir plusà propos de l'état
Bon état
Livre ayant déjà été lu, mais qui est toujours en bon état. La couverture présente des dommages mineurs, comme des éraflures, mais n'est ni trouée ni déchirée. Pour les couvertures rigides, la jaquette n'est pas nécessairement incluse. La reliure présente des marques d'usure mineures. La majorité des pages sont intactes. Pliures et déchirures mineures. Soulignement de texte mineur au crayon. Aucun surlignement de texte. Aucune note dans les marges. Aucune page manquante. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Livraison :
4,50 USD (environ 3,90 EUR) Economy Shipping.
Lieu où se trouve l'objet : Tulsa, Oklahoma, États-Unis
Délai de livraison :
Estimé entre le ven. 1 août et le lun. 4 août
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Numéro de l'objet eBay :405400107046
Dernière mise à jour le 04 févr. 2025 21:35:26 CET. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Bon état
- Commentaires du vendeur
- ISBN
- 9781905791422
À propos de ce produit
Product Identifiers
Publisher
iC-Haus Publishing
ISBN-10
1905791429
ISBN-13
9781905791422
eBay Product ID (ePID)
70892662
Product Key Features
Book Title
Moreschi : and the Voice of the Castrato
Number of Pages
354 Pages
Language
English
Topic
Composers & Musicians, General, Entertainment & Performing Arts, European
Publication Year
2008
Illustrator
Yes
Genre
Art, Biography & Autobiography
Book Series
Life and Times Ser.
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
22.5 Oz
Item Length
0.8 in
Item Width
0.5 in
Additional Product Features
Intended Audience
Trade
Reviews
'Invaluable ... a fascinating account of the relations between the Vatican and Italy during the last half of the 19th century ... Clapton's story is told with wit, compassion and elegance.', '. . . In an immaculately produced and beautifully illustrated short volume, Clapton sets the castrato in a historical context . . . Clapton is excellent on the physical and psychological effects of castration as experienced by Moreschi . . . a valuable historical record of a nearly forgotten art.'
Dewey Edition
22
Dewey Decimal
782.86092
Table Of Content
Acknowledgements Foreword Part 1: Life and Times 1. Origins and Connections 2. I nuovi musici 3. Beginnings 4. Early Days in Rome 5. The Cappella dei Cantori Pontifici 6. Moreschi's Early Years at the Sistine Chapel 1883-1891 7. The Years of the New Constitution 1891-1898 8. Winds of Change 1898-1903 9. A Long Twilight Part 2: Heritage and Legacy 1. The Voice and the Legacy 2. A Concert, a Plaque and a Party (or, rather, two of each) 3. David M Howard: Acoustics of the Castrato Voice 4. Ben Byram-Wigfield: On Allegri's Miserere 5. Paul J Moses: The Psychology of the Castrato Voice Notes Further Reading Index
Synopsis
In his own lifetime Alessandro Moreschi (1858-1922) was known as the 'Angel of Rome'. He was the last surviving castrato singer of the Sistine Chapel choir, and the only one of the castrati whose voice survives in any solo recording. The ethereal, haunting quality of his voice hints at why this extraordinary sound was so highly prized for centuries in the opera houses of Europe. The castrato tradition became established in Italy in the late 16th century, when Pope Clement VIII gave it his sanction. By the 17th century the castrati had moved onto the secular operatic stage, where they were feted as the 'pop stars' of their day. Few 'normal' singers, male or female, came close to matching their fame and success. But by the 19th century their continued existence had become an embarrassment, and when Moreschi joined the Sistine Chapel in 1883, there were only six castrati left in the choir, and by 1903 they were officially no more. The strange and lonely life of Alessandro Moreschi was lived in the shadows of great events and great institutions, his personality glimpsed only by inference and allusion. Written by an acclaimed musicologist, who as a counter-tenor has performed much of the repertoire written for castrati, this is a perceptive and informed study of the last survivor of a perennially intriguing part of Western cultural history.
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