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Musique, médias sociaux et mobilité mondiale : Myspace, Facebook, Youtube par Mjos : neuf

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État :
Neuf
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Numéro de l'objet eBay :404310335896
Dernière mise à jour le 18 juin 2025 03:21:42 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Neuf: Livre neuf, n'ayant jamais été lu ni utilisé, en parfait état, sans pages manquantes ni ...
Book Title
Music, Social Media and Global Mobility: Myspace, Facebook, Youtu
Publication Date
2011-12-22
Pages
192
ISBN
9780415882743

À propos de ce produit

Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
0415882745
ISBN-13
9780415882743
eBay Product ID (ePID)
109194568

Product Key Features

Number of Pages
192 Pages
Language
English
Publication Name
Music, Social Media and Global Mobility : Myspace, Facebook, Youtube
Subject
Media Studies, Web / Social Media, Genres & Styles / Electronic, Web / User-Generated Content
Publication Year
2011
Type
Textbook
Author
Ole Mjos
Subject Area
Music, Computers, Social Science
Series
Routledge Advances in Internationalizing Media Studies
Format
Hardcover

Dimensions

Item Height
0.5 in
Item Weight
30.1 Oz
Item Length
9.3 in
Item Width
6.4 in

Additional Product Features

Intended Audience
College Audience
LCCN
2011-035078
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
302.231090511
Table Of Content
1. Introduction 2. Global Social Media and Media Globalization 3. The Emergence of a Global Social Media Environment: MySpace, Facebook, YouTube 4. The Global Social Media and Music Nexus 5. Social Media and Music Practice: Connectedness or Closed Circuit? 6. The Logic of Social Media: Power, Participation and Paradox 7. New Spaces of Global Mobility: Re-evaluating Media Globalization
Synopsis
This book is about the relationship between media, communication and globalization, explored through the unique empirical study of electronic music practitioners' use of the global social media: MySpace, Facebook, YouTube and Twitter. To understand the significance of the emerging nexus between social media and music in a global context, the book explores various aspects of production, distribution and consumption among electronic music practitioners as they engage with global social media, as well as a historical, political and economic exposition of the rise of this global social media environment. Drawing on interview-based research with electronic music artists, DJs, producers and managers, together with the historical portrayal of the emergence of global social media this pioneering study aims to capture a development taking place in music culture within the wider transformations of the media and communications landscape; from analogue to digital, from national to global, and from a largely passive to more active media use. In doing so, it explores the emergence of a media and communications ecology with increased mobility, velocity and uncertainty. The numerous competing, and rapidly growing and fading social media exemplify the vitality and volatility of the transforming global media, communication and cultural landscape. This study suggests that the music practitioner's relationship with MySpace, Facebook, YouTube and Twitter and the key characteristics of these global social media, alter aspects of our practical and theoretical understandings of the process of media globalization. The book deploys an interdisciplinary approach to media globalization that takes into account and articulates this relationship, and reflects the enduring power equations and wider continuities and changes within the global media and communications sphere., This book is about the relationship between media, communication and globalization, explored through a unique empirical study of electronic music practitioners' engagement with social media such as MySpace, Facebook and YouTube. The book suggests that the nature of this activity alters aspects of our practical and theoretical understanding of the processes of media globalization., This book is about the relationship between media, communication and globalization, explored through the unique empirical study of electronic music practitioners' use of the global social media: MySpace, Facebook, YouTube and Twitter. To understand the significance of the emerging nexus between social media and music in a global context, the book exploresvarious aspects of production, distribution and consumption among electronic music practitioners as they engage with global social media, as well as a historical, political and economic exposition of the rise of this global social media environment. Drawing on interview-based research with electronic music artists, DJs, producers and managers, together with the historical portrayal of the emergence of global social media this pioneering study aims to capture a development taking place in music culture within the wider transformations of the media and communications landscape; from analogue to digital, from national to global, and from a largely passive to more active media use. In doing so, it explores the emergence of a media and communications ecology with increased mobility, velocity and uncertainty. The numerous competing, and rapidly growing and fading social media exemplify the vitality and volatility of the transforming global media, communication and cultural landscape. This study suggests that the music practitioner's relationship with MySpace, Facebook, YouTube and Twitter and the key characteristics of these global social media, alter aspects of our practical and theoretical understandings of the process of media globalization. The book deploys an interdisciplinary approach to media globalization that takes into account and articulates this relationship, and reflects the enduring power equations and wider continuities and changes within the global media and communications sphere.
LC Classification Number
ML3916.M56 2012

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