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Une masterclass en écriture dramatique : théâtre, cinéma et télévision Neipris, 861
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11,95 USD (environ 10,28 EUR) USPS Priority Mail Padded Flat Rate Envelope®.
Lieu où se trouve l'objet : Pardeeville, Wisconsin, États-Unis
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Estimé entre le jeu. 24 juil. et le mar. 29 juil. à 94104
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Numéro de l'objet eBay :403052806986
Caractéristiques de l'objet
- État
- ISBN
- 9781138918528
- EAN
- 9781138918528
À propos de ce produit
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
1138918520
ISBN-13
9781138918528
eBay Product ID (ePID)
219644980
Product Key Features
Number of Pages
192 Pages
Language
English
Publication Name
Masterclass in Dramatic Writing : Theater, Film, and Television
Subject
Theater / General, Television / Screenwriting, Film / Screenwriting, Theater / Playwriting
Publication Year
2016
Type
Textbook
Subject Area
Performing Arts
Format
Hardcover
Dimensions
Item Weight
12.9 Oz
Item Length
8.5 in
Item Width
5.4 in
Additional Product Features
Edition Number
2
Intended Audience
College Audience
LCCN
2015-049545
Dewey Edition
23
TitleLeading
A
Reviews
"An award-winning playwright, Neipris adds five new chapters to the earlier edition along with concrete examples from classic works and from her own writing. The book's organization parallels a one-semester, 14-week course, providing exercises and assignments that leave readers with a first draft or rewrite. Neipris demonstrates her vulnerability, sharing the experience she has gained writing and teaching. In contrast to other playwriting texts--for example, Noel Greig's Playwriting: A Practical Guide (2005), which is less personal, and Playwriting Master Class: The Personality of Process and the Art of Rewriting, ed. by Michael Wright (2000), which collects essays from various playwrights--Neipris's Masterclass brings readers right into her writing room." - C. Cox, University of Northern Iowa in CHOICE, "An award-winning playwright, Neipris adds five new chapters to the earlier edition along with concrete examples from classic works and from her own writing. The books organization parallels a one-semester, 14-week course, providing exercises and assignments that leave readers with a first draft or rewrite. Neipris demonstrates her vulnerability, sharing the experience she has gained writing and teaching. In contrast to other playwriting textsfor example, Noel Greig's Playwriting: A Practical Guide (2005), which is less personal, and Playwriting Master Class: The Personality of Process and the Art of Rewriting, ed. by Michael Wright (2000), which collects essays from various playwrightsNeipriss Masterclass brings readers right into her writing room." - C. Cox, University of Northern Iowa in CHOICE, "An award-winning playwright, Neipris adds five new chapters to the earlier edition along with concrete examples from classic works and from her own writing. The book's organization parallels a one-semester, 14-week course, providing exercises and assignments that leave readers with a first draft or rewrite. Neipris demonstrates her vulnerability, sharing the experience she has gained writing and teaching. In contrast to other playwriting texts--for example, Noël Greig's Playwriting: A Practical Guide (2005), which is less personal, and Playwriting Master Class: The Personality of Process and the Art of Rewriting, ed. by Michael Wright (2000), which collects essays from various playwrights--Neipris's Masterclass brings readers right into her writing room." - C. Cox, University of Northern Iowa in CHOICE
Dewey Decimal
808.2
Table Of Content
Preface: The Moral Responsibility of the Artist Introduction: The Writer's Life Week 1: Beginnings Week 2: Creating Complex Characters Week 3: Dialogue Week 4: Escalating Conflicts Week 5: Sixty Questions When Writing a Dramatic Piece Week 6: Putting it all Together Week 7: Endings Week 8: Checkpoints Week 9: Rewriting Week 10: Adaptation Week 11: Comedy Week 12: The Fifteen Habits of Successful Dramatic Writers Week 13: Lessons from Master Teachers and Students Week 14: To Be a Writer
Edition Description
Revised edition,New Edition
Synopsis
A Masterclass in Dramatic Writing addresses all three genres of dramatic writing - for theatre, film and TV - in a comprehensive, one-semester, 14-week masterclass for the dramatic writer. Including new material alongside revised, this volume takes the writer week-by-week up to a first draft and rewrite of a dramatic work., A Masterclass in Dramatic Writing addresses all three genres of dramatic writing - for theatre, film and TV - in a comprehensive, one-semester, 14-week masterclass for the dramatic writer. Including new material alongside revised, extended selections from Janet Neipris' original and much loved book To Be A Playwright , this volume takes the writer up to a first draft and rewrite of a dramatic work. The fourteen chapters, organized like a semester, guide the writer week-by-week and step-by-step to the completion of a first draft and a rewrite. There are Weekly Exercises and progressive Assignments. Chapters include Beginnings, Creating Complex Characters, Dialogue, Escalating Conflicts, Endings, Checkpoints, Comedy, and Adaptation. For professional writers, teachers, and students, as well as anyone who want to complete their first piece. An award winning playwright and Professor of Dramatic Writing at NYU, Janet Neipris has written for Screen and Television. She has also taught dramatic writers at UCLA and in China, Australia, Indonesia, South Africa, Italy, and in the UK at Oxford, CSSD, University of Birmingham, and the University of East Anglia. Previous publications include To Be A Playwright ( Routledge 2006). Janet Neipris's plays and letters are in the Theatre Collection of Harvard University's Houghton Library., A Masterclass in Dramatic Writing addresses all three genres of dramatic writing - for theatre, film and TV - in a comprehensive, one-semester, 14-week masterclass for the dramatic writer. This book is tightly focused on the practical outcome of completing a first draft and first rewrite of a dramatic work, drawing on Professor Janet Neipris' many years of experience as the head of Dramatic Writing at NYU Tisch. The fourteen chapters, organized like a semester, take the reader week-by-week and step-by-step through writing a first draft of an original play, screenplay, or TV pilot, while also teaching the core principles of dramatic writing. Chapters include Beginnings, Creating Complex Characters, Dialogue, Escalating Conflicts, Endings, Checkpoints, Comedy, and Adaptation, and there are Weekly Exercises and progressive Assignments. This book is perfect for professional writers, teachers, and students of dramatic writing, as well as anyone who wants to complete their first dramatic work. An award-winning playwright and Professor of Dramatic Writing at NYU, Janet Neipris has written for Screen and Television. She has also taught dramatic writers at UCLA and in China, Australia, Indonesia, South Africa, Italy, and in the UK at Oxford, CSSD, University of Birmingham, and the University of East Anglia. Previous publications include To Be A Playwright ( Routledge 2006). Janet Neipris's plays and letters are in the Theatre Collection of Harvard University's Houghton Library. For more, see www.janetneipris.com.
LC Classification Number
PN1661.N445 2016
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