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Music Theory and its Methods: Structures, Challenges, Directions by Collins: New
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Numéro de l'objet eBay :402536842972
Dernière mise à jour le 26 juil. 2025 05:51:49 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Music Theory and its Methods: Structures, Challenges, Directions
- Publication Date
- 2013-06-27
- ISBN
- 9783631616598
À propos de ce produit
Product Identifiers
Publisher
Lang Gmbh, Internationaler Verlag Der Wissenschaften, Peter
ISBN-10
3631616597
ISBN-13
9783631616598
eBay Product ID (ePID)
167986323
Product Key Features
Number of Pages
333 Pages
Publication Name
Music Theory and Its Methods : Structures, Challenges, Directions
Language
English
Subject
History & Criticism, Ethnomusicology, Instruction & Study / Theory
Publication Year
2013
Features
New Edition
Type
Textbook
Subject Area
Music
Series
Methodology of Music Research Ser.
Format
Hardcover
Dimensions
Item Weight
19.8 Oz
Item Length
8.3 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
Series Volume Number
7
Number of Volumes
1 vol.
Illustrated
Yes
Edition Description
New Edition
Table Of Content
Contents: Rebekah Woodward: Towards New Editing Methods for Transcribing the Polyphonic Notre Dame Conductus Repertory - Luca Bruno: A Methodological Approach Toward the Harmony of Sixteenth-Century Secular Polyphony - Denis Collins: John Bull's «Art of Canon» and Plainsong-Based Counterpoint in the Late Renaissance - Byron Almén: Toward a Pluralism of Musical Cognitive Processes - Timothy Dwight Edwards: The Sinfonias of J. S. Bach as an Advanced Discourse on Harmony - Dimitar Ninov: Basic Formal Structures in Music: A New Approach - Dennis Cole: Incorporating Transcriptions and Notation: Pedagogical Issues for the World Music Ensemble - Elizabeth Lee: Music, Imagery, Meaning, and Emotion in Hugo Wolf's «An eine Äolsharfe». An Analytical Triangulation via Schenkerian Analysis, the Theory of Musical Forces, and Cognitive Metaphor Theory - Simon Perry: Pitch-Notational Analysis: A Basis for an Approach to Understanding Harmonic Thinking in Common-Practice and Post Common-Practice Tonality - Milos Zatkalik: Reconsidering Teleological Aspects of Nontonal Music - Leon Stefanija: Levers of Satire in Twentieth-Century Music.
Synopsis
This collection of essays explores a wide range of topics current in the field of music theory, including history of styles, musical aesthetics, harmony, counterpoint and world music. Authors reflect critically on challenges within their specific areas of expertise and probe directions in which advances can be made and difficulties overcome., This collection of essays explores a wide range of topics current in the field of music theory, including analytical methodologies for pretonal, tonal, and post-tonal music, assessment of notation as a vehicle for interpreting compositional strategies in different repertoires, and employment of approaches informed by cognitive, aesthetic, and ethnomusicological studies of music. Authors reflect critically on challenges within their specific areas of expertise and probe directions in which advances can be made and difficulties overcome. The results of these investigations will benefit readers, from early career researchers to experienced scholars, whose interests not only intersect with the topics presented here but which also encompass broad methodological issues affecting music theory.
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