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Livre de poche poèmes Pelican par Emily O'Neill
12,55 USD
Environ10,72 EUR
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État :
Etat correct
Livre présentant des marques d'usure apparentes. La couverture peut être légèrement endommagée, mais son intégrité est intacte. La reliure peut être légèrement endommagée, mais son intégrité est intacte. Existence possible de notes dans les marges, de soulignement et de surlignement de texte. Aucune page manquante, ni aucun autre défaut susceptible de compromette la lisibilité ou la compréhension du texte. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Livraison :
4,95 USD (environ 4,23 EUR) USPS Media MailTM.
Lieu où se trouve l'objet : Costa Mesa, California, États-Unis
Délai de livraison :
Estimé entre le mer. 20 août et le sam. 23 août à 94104
Retours :
Retour sous 14 jours. L'acheteur paie les frais de retour. Si vous utilisez un bordereau d'affranchissement eBay, son coût sera déduit du montant de votre remboursement.
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Numéro de l'objet eBay :395571130133
Dernière mise à jour le 08 août 2025 00:17:00 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 9781936919307
À propos de ce produit
Product Identifiers
Publisher
Yesyes Books
ISBN-10
1936919303
ISBN-13
9781936919307
eBay Product ID (ePID)
219871773
Product Key Features
Topic
General
Book Title
Pelican
Publication Year
2015
Number of Pages
112 Pages
Language
English
Genre
Poetry
Format
Trade Paperback
Dimensions
Item Weight
6 Oz
Additional Product Features
Intended Audience
College Audience
Synopsis
Poetry. "Emily O'Neill's extraordinary PELICAN begins with a father's death and spins into a breathless dream- fugue of teeth & loss & apples & oceans. Reaching into the mouth of the PELICAN or Jaws of a whale to discover some kind of posthumous truth ('here's your daughter, PELICAN / come & bleed now, quiet / while I fish in your throat for it') becomes the book's trajectory-'for growing into my anger, / for wearing it like a gown.' Ranging from heart-wrenching poignancy ('The last man who gave me / flowers will never meet the first') to jaw-dropping comprehension ('I'm still stupid as the day / I fumbled my chopsticks into the Udon and it's true / that nothing I've eaten since the spring when we were starved / knives sharpening each other tastes quite rich enough'), O'Neill's debut collection is an irrepressible wave that mixes & throws everything back at our feet, ripped & raw & real." Bruce Covey "Emily O'Neill's poems herald an absence so present that it can only be humanly known as loss... the kind of loss that leads to grief, shown to us with lines as ferocious as 'I dare / the dark to eat me fiercely' and 'If I could, I'd tell the story with silence' and 'bored with stillness, / uncatchable as / a breaking wave.' But this is not the poetry of lack. Through naming and claiming these absences, this brilliant book makes known the possibility for transformation: 'a rabbit crushed // into a bottomless satin hat. / Now, you see it. Now, it's hope.'" Jericho Brown", Poetry. "Emily O'Neill's extraordinary PELICAN begins with a father's death and spins into a breathless dream- fugue of teeth & loss & apples & oceans. Reaching into the mouth of the PELICAN or Jaws of a whale to discover some kind of posthumous truth ('here's your daughter, PELICAN / come & bleed now, quiet / while I fish in your throat for it') becomes the book's trajectory-'for growing into my anger, / for wearing it like a gown.' Ranging from heart-wrenching poignancy ('The last man who gave me / flowers will never meet the first') to jaw-dropping comprehension ('I'm still stupid as the day / I fumbled my chopsticks into the Udon and it's true / that nothing I've eaten since the spring when we were starved / knives sharpening each other tastes quite rich enough'), O'Neill's debut collection is an irrepressible wave that mixes & throws everything back at our feet, ripped & raw & real."--Bruce Covey "Emily O'Neill's poems herald an absence so present that it can only be humanly known as loss... the kind of loss that leads to grief, shown to us with lines as ferocious as 'I dare / the dark to eat me fiercely' and 'If I could, I'd tell the story with silence' and 'bored with stillness, / uncatchable as / a breaking wave.' But this is not the poetry of lack. Through naming and claiming these absences, this brilliant book makes known the possibility for transformation: 'a rabbit crushed // into a bottomless satin hat. / Now, you see it. Now, it's hope.'"--Jericho Brown, Poetry. "Emily O'Neill's extraordinary PELICAN begins with a father's death and spins into a breathless dream- fugue of teeth & loss & apples & oceans. Reaching into the mouth of the PELICAN or Jaws of a whale to discover some kind of posthumous truth ('here's your daughter, PELICAN / come & bleed now, quiet / while I fish in your throat for it') becomes the book's trajectory-'for growing into my anger, / for wearing it like a gown.' Ranging from heart-wrenching poignancy ('The last man who gave me / flowers will never meet the first') to jaw-dropping comprehension ('I'm still stupid as the day / I fumbled my chopsticks into the Udon and it's true / that nothing I've eaten since the spring when we were starved / knives sharpening each other tastes quite rich enough'), O'Neill's debut collection is an irrepressible wave that mixes & throws everything back at our feet, ripped & raw & real."-Bruce Covey "Emily O'Neill's poems herald an absence so present that it can only be humanly known as loss... the kind of loss that leads to grief, shown to us with lines as ferocious as 'I dare / the dark to eat me fiercely' and 'If I could, I'd tell the story with silence' and 'bored with stillness, / uncatchable as / a breaking wave.' But this is not the poetry of lack. Through naming and claiming these absences, this brilliant book makes known the possibility for transformation: 'a rabbit crushed // into a bottomless satin hat. / Now, you see it. Now, it's hope.'"-Jericho Brown
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