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PHOTO FOLIES / COMMENT LA PHOTOGRAPHIE A PERDU SA VIRGINITÉ - DUANE MICHALS
45,00 USD
Environ38,97 EUR
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État :
Très bon état
Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. La couverture ne présente aucun dommage apparent. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Marques d'usure et déchirures mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Livraison :
4,47 USD (environ 3,87 EUR) USPS Media MailTM.
Lieu où se trouve l'objet : Miami, Florida, États-Unis
Délai de livraison :
Estimé entre le sam. 2 août et le ven. 8 août à 94104
Retours :
Retour sous 30 jours. L'acheteur paie les frais de retour. Si vous utilisez un bordereau d'affranchissement eBay, son coût sera déduit du montant de votre remboursement.
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Numéro de l'objet eBay :388512012564
Caractéristiques de l'objet
- État
- Book Series
- Art and Ideas Ser.
- California Prop 65 Warning
- 180 Pages
- ISBN
- 9783865212757
À propos de ce produit
Product Identifiers
Publisher
Steidl Gmbh & Co. Ohg
ISBN-10
3865212751
ISBN-13
9783865212757
eBay Product ID (ePID)
63687344
Product Key Features
Book Title
Foto Follies : How Photography Lost Its Virginity on the Way to the Bank
Number of Pages
96 Pages
Language
English
Publication Year
2007
Topic
Individual Artists / Artists' Books, Individual Photographers / General, General, American / General
Illustrator
Yes
Genre
Art, Photography
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
0.7 Oz
Item Length
9.5 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
779.092
Synopsis
Of this satirical look at contemporary photography, Duane Michals has said, "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine ("A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph") or Cindy Sherman ("Who is Sydney Sherman?"), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating. As "The New York Times" described "Gursky's Gherkin," the work "explores as never before the sense of picklehood, or what it means to be a pickle." The "Times" also testified that "this high-humored sendup of arty photography should be required viewing for all art-world heavies, particularly critics, curators and collectors." Michals takes aim at pretensions that are often perceived as deliberately obscuring contemporary art, and in doing so he exemplifies his mastery of both the visual world and the written word, while providing the elemental pleasure of a good laugh., "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine (A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph) or Cindy Sherman (Who is Sydney Sherman?), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating., Of this satirical look at contemporary photography, Duane Michals has said, "The more serious you are, the sillier you have to be. I have a great capacity for foolishness. It's essential." Whether parodying Wolfgang Tillmans or Andres Serrano, Sherrie Levine ( A Duane Michals Photograph of a Sherrie Levine Photograph of a Walker Evans Photograph ) or Cindy Sherman ( Who is Sydney Sherman? ), Michals uses his ferocious wit and keen eye to create images at once humorous and penetrating. As The New York Times described Gursky's Gherkin, the work "explores as never before the sense of picklehood, or what it means to be a pickle." The Times also testified that "this high-humored sendup of arty photography should be required viewing for all art-world heavies, particularly critics, curators and collectors." Michals takes aim at pretensions that are often perceived as deliberately obscuring contemporary art, and in doing so he exemplifies his mastery of both the visual world and the written word, while providing the elemental pleasure of a good laugh.
LC Classification Number
TR642
Description de l'objet fournie par le vendeur
À propos de ce vendeur
sapphire_m
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