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Citizen Suárez par Verdecchia, Guillermo

by Verdecchia, Guillermo | PB | VeryGood
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14,07 USD
Environ12,03 EUR
État :
Très bon état
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ... En savoir plusà propos de l'état
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Lieu où se trouve l'objet : Aurora, Illinois, États-Unis
Délai de livraison :
Estimé entre le ven. 25 juil. et le mar. 29 juil. à 94104
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Numéro de l'objet eBay :375915436698
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Caractéristiques de l'objet

État
Très bon état
Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. La couverture ne présente aucun dommage apparent. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Marques d'usure et déchirures mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts. Afficher toutes les définitions des étatsla page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet
Commentaires du vendeur
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9780889223912

À propos de ce produit

Product Identifiers

Publisher
Talonbooks, The Limited
ISBN-10
0889223912
ISBN-13
9780889223912
eBay Product ID (ePID)
2161317

Product Key Features

Book Title
Citizen Suarez
Number of Pages
160 Pages
Language
English
Publication Year
1998
Topic
Short Stories (Single Author), Literary
Genre
Fiction
Author
Guillermo Verdecchia
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
7.6 Oz
Item Length
8.4 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
Synopsis
Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suárez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people travelling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Márquez., Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suarez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people traveling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Marquez., Short stories about people lost between countries and languages--caught between the impulse to flee and the desire to belong., Guillermo Verdecchia is primarily known for his award-winning plays; Citizen Suárez is his first book of short stories, and it is a remarkable debut. These stories take on the quintessential issues forced upon a generation betrayed by their citizenship--a betrayal the more profound because it subsists primarily in the global death of the nation-state. These are stories about people traveling, wandering or lost between countries and languages--people caught between the impulse to flee and the desire to belong. Sex, geography and politics grip the protagonists of these pieces, demanding promises, compromises and resolutions. These are stories about power--personal, civic, sexual, filial, political--and how, lubricious, it slips between the fingers. Quiet, careful, witty, they document and celebrate survival--consolations, complicities and accommodations in the face of indifference, cruelty and fear. The characters of these stories are known to the reader, intimately known, because they are revealed to us in the way that only we know ourselves--in those darkest recesses of the desires and fears we imagine, we hide from others, and thus, also from those we love. Most astonishing of all for a writer venturing into a new genre for the first time is the elegant surety of his style--Verdecchia speaks in these stories with the fatalistic lyricism of Lorca, the philosophical ambiguity of Paz, and the emotional scalpel of Márquez.

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