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GARBAGE - No Gods No Masters CD New [Deluxe Box] SirH70

The House of Miasma
(43343)
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39,95 AUD
Environ22,48 EUR
État :
Comme neuf
Dépêchez-vous avant qu'il ne soit trop tard. 1 personne suit cet objet.
Livraison :
9,50 AUD (environ 5,35 EUR) Australia Post International Standard.
Lieu où se trouve l'objet : Bendigo / Victoria, Australie
Délai de livraison :
Estimé entre le mar. 5 août et le ven. 15 août à 94104
Les délais de livraison sont estimés au moyen de notre méthode exclusive basée sur la distance entre l'acheteur et le lieu où se trouve l'objet, le service de livraison sélectionné, l'historique des livraisons du vendeur et d'autres facteurs. Les délais de livraison peuvent varier, notamment pendant les périodes de pointe.
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Numéro de l'objet eBay :364236477175
Dernière mise à jour le 25 juil. 2023 01:16:49 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Comme neuf: Objet semblant avoir été retiré de son film plastique récemment. Aucune marque d'usure ...
EAN
4050538670011

À propos de ce produit

Product Identifiers

Producer
Garbage; Billy Bush
Record Label
Infectious Music
UPC
4050538670011
eBay Product ID (ePID)
10050175366

Product Key Features

Release Year
2021
Format
CD
Genre
Rock
Run Time
83 Mins 23 Seconds
Type
Box Set
Artist
Garbage, Exene Cervenka, John Doe, Brian Aubert, Brody Dalle, Screaming Females
Release Title
No Gods No Masters [Box] *

Additional Product Features

Distribution
ADA
Number of Discs
2
Engineer
Billy Bush
Reviews
Billboard - "Shirley Manson's still-commanding voice sounds delightful layered atop pounding drums and frenzied riffs." Pitchfork (Website) - "'Godhead' opens with programmed swooshes and vaguely Indian melodic swirls before settling on the whispery-whiskery dynamics Manson used to creepy effect on 1998's 'Hammering in My Head'..."
Additional information
Personnel: Shirley Manson (vocals, keyboards); Steve Marker (guitar, keyboards, drums, programming, drum programming, background vocals); Butch Vig (guitar, keyboards, drums, background vocals); Duke Erikson (guitar, keyboards, percussion, background vocals). Audio Mixer: Billy Bush. Recording information: Red Razor Studio, Atwater Village, LA. Decrying injustice in a chaotic world, alt-rock mainstays Garbage blazed into the 2020s revitalized and pissed off with their seventh set, No Gods No Masters. Their most overtly political effort to date, the album takes a bold sociopolitical stance in the wake of global events from the years preceding its release, tackling everything from systemic racism and gender inequality to corporate greed and the struggles of the marginalized. From the outset, it's clear that the quartet are fed up, switching off their 2010s autopilot mode and cranking up the aggression for the throbbing digital-funk of "The Men Who Rule the World," a biting indictment that aims to smash the patriarchy. The pulsing "Godhead" takes a more explicit approach, venting frustration over society's centering on the male ego with colorful phallic imagery, which is then twisted through a Depeche Mode-meets-Peaches lens. "A Woman Destroyed" carries that fury to a logical conclusion with a theatrical revenge fantasy, which is layered with ominous atmospheric production and a pulsing industrial beat. Later, the rage morphs into hopeless desperation on the somber "Waiting for God," a haunting dirge that finds vocalist Shirley Manson praying for those affected by police brutality and discrimination. Wading through these tough topics, Manson -- her inimitable vocals as alluring, commanding, and threatening as ever -- is sure to tap into the personal side of things, offering unguarded moments of hard-earned wisdom that deal with self-doubt and failure (the frenetic, biographical "The Creeps"), atoning for past ills (the quintessentially "Garbage" standout "Wolves"), and being an eternal misfit (the sweeping, midtempo "Uncomfortably Me"). As No Gods No Masters draws to a close, Garbage deliver a hopeful anthem to the masses with the sparkling title track, a driving pop gem that echoes Missing Persons and Blondie. Atop the ever-reliable backing of Butch Vig, Duke Erikson, and Steve Marker, Manson defiantly declares, "The future is mine just the same/No master or gods to obey." As a unit, Garbage haven't sounded this hungry and vital in over a decade; the fact that they've delivered such a statement nearly three decades into their careers makes it all the more impressive. No Gods No Masters is a highlight in their discography and one of their best works to date, a potent and outspoken dose of genre-blending artistry that confidently returns Garbage to their position as a band perpetually ahead of the curve. ~ Neil Z. Yeung

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The House of Miasma

99,6% d'évaluations positives84 000 objets vendus

Membre depuis mars 2001
Inscrit comme vendeur particulierEn conséquence, les droits des consommateurs découlant de la législation européenne ne s'appliquent pas. La Garantie client eBay continue de s'appliquer pour la plupart des achats.
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