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Nouveau cinéma hollywoodien : une introduction de Geoff King : d'occasion

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Caractéristiques de l'objet

État
Bon état: Livre ayant déjà été lu, mais qui est toujours en bon état. La couverture présente des ...
Book Title
New Hollywood Cinema: An Introduction
Publication Date
2002-09-11
Pages
240
ISBN
9780231127592

À propos de ce produit

Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231127596
ISBN-13
9780231127592
eBay Product ID (ePID)
2343101

Product Key Features

Number of Pages
240 Pages
Language
English
Publication Name
New Hollywood Cinema : an Introduction
Subject
Film / General
Publication Year
2002
Type
Textbook
Subject Area
Performing Arts
Author
Geoff King
Format
Trade Paperback

Dimensions

Item Weight
14.5 Oz
Item Length
9 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2002-020088
Reviews
"King has a good handle on both the commercial and the artistic aspects of cinema, which is necessary for comprehending the topic, and he states his case in an academic yet generally accessible manner." -- Booklist, "Film professor King explores how popular films of the 60's through the 90's have been affected by Hollywood's primary function as a multibillion-dollar international business." -- Variety, "[King's] discussion of the genre is one of the most reasonable to be found anywhere... recommended." -- Publishers Weekly, "Whatever your opinion of developments in American cinema over the last 30 years, you will be confirmed and challenged by King's aim of showing how these films can be approached and discussed in more than one way.... this is going to be a useful resource for student, tutor, aficionado and historian alike." -- Film Quarterly, King has a good handle on both the commercial and the artistic aspects of cinema, which is necessary for comprehending the topic, and he states his case in an academic yet generally accessible manner., Film professor King explores how popular films of the 60's through the 90's have been affected by Hollywood's primary function as a multibillion-dollar international business., Whatever your opinion of developments in American cinema over the last 30 years, you will be confirmed and challenged by King's aim of showing how these films can be approached and discussed in more than one way.... this is going to be a useful resource for student, tutor, aficionado and historian alike.
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
791.43/0973/09045
Table Of Content
Introduction: Dimensions and Definitions of New Hollywood 1. New Hollywood, Version I: The Hollywood Renaissance 2. New Hollywood, Version I: Blockbusters and Corporate Hollywood 3. From Auteurs to Brats: Authorship in New Hollywood 4. Genre Benders 5. Star Power 6. Narrative vs. Spectacle in the Contemporary Blockbuster 7. From Big Screen to Small
Synopsis
What is "New Hollywood"? The "art" cinema of the Hollywood "Renaissance" or the corporate controlled blockbuster? The introverted world of Travis Bickle or the action heroics of Indiana Jones, Buzz Lightyear, and Maximus the Gladiator? Innovative departures from the "classical" Hollywood style or superficial glitz, special effects, and borrowings from MTV? Wholesale change or important continuities with Hollywood's past? The answer suggested by Geoff King in New Hollywood Cinema is all of these and more. He examines New Hollywood from three main perspectives: film style, industry, and the social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. But one of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market. King looks at the Hollywood "Renaissance" from the late 1960s to the late 1970s, industrial factors shaping the construction of the corporate blockbuster, the role of auteur directors, genre and stardom in New Hollywood, narrative and spectacle in the contemporary blockbuster, and the relationship between production for the big and small screens. Case studies considered include Taxi Driver, Godzilla , and Gladiator , tracing the roots of New Hollywood from the 1950s to the start of the twenty-first century., King looks at the Hollywood "Renaissance" from the late 1960s to the late 1970s, industrial factors shaping the construction of the corporate blockbuster, the role of auteur directors, genre and stardom in New Hollywood, narrative and spectacle in the contemporary blockbuster, and the relationship between production for the big and small screens. Case studies considered include Taxi Driver, Godzilla , and Gladiator , tracing the roots of New Hollywood from the 1950s to the start of the twenty-first century.
LC Classification Number
PN1993.5.U6K47 2002

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