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Don't Let's Go to the Dogs Tonight : An African Childhood par Alexandra Fuller...
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État :
Etat correct
Livre présentant des marques d'usure apparentes. La couverture peut être légèrement endommagée, mais son intégrité est intacte. La reliure peut être légèrement endommagée, mais son intégrité est intacte. Existence possible de notes dans les marges, de soulignement et de surlignement de texte. Aucune page manquante, ni aucun autre défaut susceptible de compromette la lisibilité ou la compréhension du texte. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Livraison :
4,47 USD (environ 3,86 EUR) USPS Media MailTM.
Lieu où se trouve l'objet : Towson, Maryland, États-Unis
Délai de livraison :
Estimé entre le sam. 9 août et le ven. 15 août à 94104
Retours :
Retour sous 14 jours. L'acheteur paie les frais de retour. Si vous utilisez un bordereau d'affranchissement eBay, son coût sera déduit du montant de votre remboursement.
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Numéro de l'objet eBay :334914396370
Caractéristiques de l'objet
- État
- ISBN
- 9780375758997
À propos de ce produit
Product Identifiers
Publisher
Random House Publishing Group
ISBN-10
0375758992
ISBN-13
9780375758997
eBay Product ID (ePID)
2303090
Product Key Features
Book Title
Don't Let's Go to the Dogs Tonight : an African Childhood
Number of Pages
336 Pages
Language
English
Publication Year
2003
Topic
Cultural Heritage, Children's Studies, Africa / South / General, Africa / General, Personal Memoirs, Anthropology / Cultural & Social
Illustrator
Yes
Genre
Social Science, Biography & Autobiography, History
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
9.2 Oz
Item Length
8 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-041752
Reviews
" This is not a book you read just once, but a tale of terrible beauty to get lost in over and over." -- "Newsweek" " By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling." -- "The New Yorker " " Ms. Fuller gives us . . . the Africa she knew as a girl, a place of cruel politics, violent heat and startling beauty, a land she makes vivid in all its ' incongruous, lawless, joyful, violent, upside-down, illogical certainty.' " -- "The New York Times" " Vivid, insightful and sly . . . Bottom line: Out of Africa, brilliantly." -- "People", "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over." -Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."-The New Yorker "Ms. Fuller gives us . . . the Africa she knew as a girl, a place of cruel politics, violent heat and startling beauty, a land she makes vivid in all its 'incongruous, lawless, joyful, violent, upside-down, illogical certainty.'" -The New York Times "Vivid, insightful and sly . . . Bottom line: Out of Africa, brilliantly."-People, "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over." - Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."- The New Yorker "Ms. Fuller gives us . . . the Africa she knew as a girl, a place of cruel politics, violent heat and startling beauty, a land she makes vivid in all its 'incongruous, lawless, joyful, violent, upside-down, illogical certainty.'" - The New York Times "Vivid, insightful and sly . . . Bottom line: Out of Africa, brilliantly."- People, "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over." --"Newsweek" "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."--"The New Yorker " "Ms. Fuller gives us . . . the Africa she knew as a girl, a place of cruel politics, violent heat and startling beauty, a land she makes vivid in all its 'incongruous, lawless, joyful, violent, upside-down, illogical certainty.'" --"The New York Times" "Vivid, insightful and sly . . . Bottom line: Out of Africa, brilliantly."--"People"
Dewey Edition
21
Dewey Decimal
968.9/104/092
Synopsis
Fuller, known to friends and family as Bobo, grew up on several farms in southern and central Africa. But "Don't Let's Go to the Dogs Tonight" is more than a survivor's story: It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. A Book Sense Selection. Photos., NEW YORK TIMES BESTSELLER - A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."-- Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."-- The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don't Let's Go to the Dogs Tonight is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller--known to friends and family as Bobo--grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don't Let's Go to the Dogs Tonight "Riveting . . . full of] humor and compassion." -- O: The Oprah Magazine "The incredible story of an incredible childhood." -- The Providence Journal, NEW YORK TIMES BESTSELLER * A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."-- Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."-- The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don't Let's Go to the Dogs Tonight is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller--known to friends and family as Bobo--grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don't Let's Go to the Dogs Tonight "Riveting . . . [full of] humor and compassion." -- O: The Oprah Magazine "The incredible story of an incredible childhood." -- The Providence Journal, In "Don' t Let' s Go to the Dogs Tonight," Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller' s endearing ability to find laughter, even when there is little to celebrate. Fuller' s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.
LC Classification Number
DT2990.F85 2002
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