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Documentaire Bruzzi, Stella très bon état neuf

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État :
Très bon état
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Numéro de l'objet eBay :326483615275
Dernière mise à jour le 08 avr. 2025 12:16:57 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Très bon état: Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent ...
ISBN
9780415385244

À propos de ce produit

Product Identifiers

Publisher
Routledge
ISBN-10
0415385245
ISBN-13
9780415385244
eBay Product ID (ePID)
52427939

Product Key Features

Number of Pages
224 Pages
Language
English
Publication Name
New Documentary
Subject
Film / General, Media Studies, Film / Genres / Documentary
Publication Year
2006
Type
Textbook
Author
Stella Bruzzi
Subject Area
Performing Arts, Social Science
Format
Uk-B Format Paperback

Dimensions

Item Height
0.6 in
Item Weight
16.8 Oz
Item Length
9.5 in
Item Width
6.7 in

Additional Product Features

Edition Number
2
Intended Audience
College Audience
LCCN
2006-006456
Reviews
'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television heralds a welcome new approach.' - Sight and Sound 'This book is going to be essential reading for any media teacher with a serious interest in documentary and is highly recommended for centres selecting 'Documentary' as one of the two 'Textual Topics' on AQA's Media spec.' -  In The Picture, 'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television heralds a welcome new approach.'- Sight and Sound 'This book is going to be essential reading for any media teacher with a serious interest in documentary and is highly recommended for centres selecting 'Documentary' as one of the two 'Textual Topics' on AQA's Media spec.'- In The Picture
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
070.18
Edition Description
Revised edition,New Edition
Table Of Content
Part 1: Ground rules 1. The event: archive and newsreel 2. Narration: the film and its voice Part 2: The legacy of direct cinema 3. Documentary journeys 4. New observational documentary: from 'docusoaps' to reality television Part 3: Performance 5. The president and the image 6. The performative documentary Part 4: New directions 7. Contemporary documentaries: performance and success
Synopsis
Praise for New Documentary : 'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television. It heralds a welcome new approach.' Sight and Sound 'Documentary practice changes so fast that books on the subject are often out of date before they are published. Bruzzi's achievement is to have understood the genre as an activity based on performance rather than observation. This is a fresh perspective which illuminates the fundamental shifts that will continue to take place in the genre as it enters its second century.' John Ellis, Professor of Media Arts, Royal Holloway, University of London New Documentary provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. As engaging as the original, this second edition features thorough updates to the existing chapters, as well as a brand new chapter on contemporary cinema release documentaries. This new edition includes: Contemporary films such as Capturing the Friedmans , tre et avoir , Farenheit 9/11 , The Fog of War and Touching the Void as well as more canonical texts such as Hoop Dreams and Shoah Additional interviews with influential practitioners, such as director Michael Apted and producer Stephen Lambert A comprehensively revised discussion of modern observational documentary, including docusoaps, reality television and formatted documentaries The work of documentary filmmakers such as Nicholas Barker, Errol Morris, Nick Broomfield, Molly Dineen and Michael Moore and the work of Avant-Garde filmmakers such as Chris Marker and Patrick Keiller Gender identity, queer theory, performance, race and spectatorship. Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary., Praise for New Documentary : 'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television. It heralds a welcome new approach.' Sight and Sound 'Documentary practice changes so fast that books on the subject are often out of date before they are published. Bruzzi's achievement is to have understood the genre as an activity based on performance rather than observation. This is a fresh perspective which illuminates the fundamental shifts that will continue to take place in the genre as it enters its second century.' John Ellis, Professor of Media Arts, Royal Holloway, University of London New Documentary provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. As engaging as the original, this second edition features thorough updates to the existing chapters, as well as a brand new chapter on contemporary cinema release documentaries. This new edition includes: Contemporary films such as Capturing the Friedmans , Être et avoir , Farenheit 9/11 , The Fog of War and Touching the Void as well as more canonical texts such as Hoop Dreams and Shoah Additional interviews with influential practitioners, such as director Michael Apted and producer Stephen Lambert A comprehensively revised discussion of modern observational documentary, including docusoaps, reality television and formatted documentaries The work of documentary filmmakers such as Nicholas Barker, Errol Morris, Nick Broomfield, Molly Dineen and Michael Moore and the work of Avant-Garde filmmakers such as Chris Marker and Patrick Keiller Gender identity, queer theory, performance, race and spectatorship. Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary., Praise for New Documentary: 'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television. It heralds a welcome new approach.' Sight and Sound 'Documentary practice changes so fast that books on the subject are often out of date before they are published. Bruzzi's achievement is to have understood the genre as an activity based on performance rather than observation. This is a fresh perspective which illuminates the fundamental shifts that will continue to take place in the genre as it enters its second century.' John Ellis, Professor of Media Arts, Royal Holloway, University of London New Documentary provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. As engaging as the original, this second edition features thorough updates to the existing chapters, as well as a brand new chapter on contemporary cinema release documentaries. This new edition includes: Contemporary films such as Capturing the Friedmans, Être et avoir, Farenheit 9/11, The Fog of War and Touching the Void as well as more canonical texts such as Hoop Dreams and Shoah Additional interviews with influential practitioners, such as director Michael Apted and producer Stephen Lambert A comprehensively revised discussion of modern observational documentary, including docusoaps, reality television and formatted documentaries The work of documentary filmmakers such as Nicholas Barker, Errol Morris, Nick Broomfield, Molly Dineen and Michael Moore and the work of Avant-Garde filmmakers such as Chris Marker and Patrick Keiller Gender identity, queer theory, performance, race and spectatorship. Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.
LC Classification Number
PN1995.9.D6B78 2006

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