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Collecting from the Margins: Material Culture i, Andrade, Austin, Garrigan.+
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Numéro de l'objet eBay :313628009791
Dernière mise à jour le 20 mai 2025 11:17:03 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- Format
- Hardcover
- PublishedOn
- 2016-03-31
- Title
- Collecting from the Margins: Material Culture in a Latin America
- Artist
- Not Specified
- Type
- Not Specified
- Publication Name
- Not Specified
- ISBN
- 9781611487336
À propos de ce produit
Product Identifiers
Publisher
Bloomsbury Publishing USA
ISBN-10
1611487331
ISBN-13
9781611487336
eBay Product ID (ePID)
219047131
Product Key Features
Language
English
Topic
Caribbean & Latin American, General, Customs & Traditions, Literary Criticism, Social Science, Antiques & Collectibles
Illustrator
Yes
Dimensions
Item Length
9.3 In.
Item Height
0.9 In.
Item Weight
19.2 Oz
Item Width
6.2 In.
Additional Product Features
LCCN
2015-051333
Book Title
Collecting from the Margins : Material Culture in a Latin American Context
Intended Audience
Scholarly & Professional
Synopsis
Collecting from the Margins: Material Culture in a Latin American is the first anthology to provide a sustained discussion of the modern practice of collecting from a specifically Latin American perspective., From the cabinets of wonder of the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique G mez Carrillo, Rub n Dar o, Jos Asunci n Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel Garc a M rquez's One Hundred Years of Solitude., From the cabinets of wonderof the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gómez Carrillo, Rubén Darío, José Asunción Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel García Márquez's One Hundred Years of Solitude., From the cabinets of wonder of the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gomez Carrillo, Ruben Dario, Jose Asuncion Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel Garcia Marquez's One Hundred Years of Solitude.
Publication Year
2016
Reviews
Like the Wunderkammern, this edition gathers essays from far and wide to reflect on how radically things change when you turn the lens and view Latin America through its collections and individual's pursuit of the art of collecting., "Like the Wunderkammern, this edition gathers essays from far and wide to reflect on how radically things change when you turn the lens and view Latin America through its collections and individual's pursuit of the art of collecting." --Silvia Spitta, author of Misplaced Objects: Migrating Collections and Recollections in Europe and the Americas and Between Two Waters:
Format
Hardcover
Table Of Content
A Note on Translations List of Illustrations Acknowledgments Introduction by María Mercedes Andrade Chapter 1:Sacking the Botanical Expedition: Natural and Military History in the First Museum of Colombia by Felipe Martínez-Pinzón Chapter 2:An "Immense Museum" or an "Immense Tomb?" War and the Rhetoric of Continuity in the Writings of Francisco Moreno by Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: "Virtual" Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4:"That heteroclite assembly": Collecting, Modernity, and "The Savage Mind" in De sobremesa by María Mercedes Andrade Chapter 5:Postcards, Autographs, and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by Andrew Reynolds Chapter 6:Delmira Agustini, Gender, and the Poetics of Collecting by Shelley Garrigan Chapter 7:"I have put all I possess at the disposal of the people's struggle": Pablo Neruda as Collector, Translator, and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage: Oswald de Andrade, Augusto de Campos and the Author as Collector by Fernando Pérez Villalón Chapter 9:From the Space of the Wunderkammer to Macondo's Wonder Rooms: The Collection of Marvels in Cien años de soledadby Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The Treasure Chambers in Ruy Guerra's Eréndira and Portugal S.A. by Ilka Kressner Index About the Contributors
LC Classification Number
AM330
Number of Pages
242 pages
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Awesomebooksusa
98,4% d'évaluations positives•1,4 millions objets vendus
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Évaluations du vendeur (560.317)
- 7***e (33)- Évaluations laissées par l'acheteur.Dernier moisAchat vérifiéAmazing price and super fast shipping. Book arrived exactly as described in the correct box meant to ship books. No bumps or dings in the corner because of the attention to packaging. I'll keep an eye on this seller for another purchase. Highly recommend this seller!!!!
- 5***w (1174)- Évaluations laissées par l'acheteur.Dernier moisAchat vérifiéThe book that was shown was not the book that I received. Nonetheless, when I informed the seller that it wasn't the item they advertised-/they were more than willing to make it right. Since they didn't have another copy of the title I was expecting, they promptly issued an apology; and refund full refund. I really appreciated the speed at which they were willing to make things right with this transaction. I will definitely not hesitate to do business with them again. Thank You!
- f***f (1635)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéExcellent Seller, Goes the Extra Mile. The Seller Was Incredibly Communicative. Smooth Transaction, Shipped Very Quickly, As Advertised; Good Price; Well Packaged & Delivered Within a Few Days. Item in Described Promised Condition, Thank You Very Much!!!!!!!!!!! A+Sam's Letters To Jennifer By James Patterson. 9780316000741 (n°394523567865)