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Ghosts of Ellis Island by JR (2015, Hardcover) Drawings by Art Spiegelman

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95,00 USD
Environ81,97 EUR
État :
Très bon état
Pre-owned and in very good condition. There is some light wear on the cover with scratches, marks, ... En savoir plusà propos de l'état
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Livraison :
Gratuit USPS Media MailTM.
Lieu où se trouve l'objet : Altadena, California, États-Unis
Délai de livraison :
Estimé entre le sam. 2 août et le jeu. 7 août
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Numéro de l'objet eBay :305886001098
Dernière mise à jour le 02 mars 2025 03:08:49 CET. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Très bon état
Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. La couverture ne présente aucun dommage apparent. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Marques d'usure et déchirures mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts. Afficher toutes les définitions des étatsla page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet
Commentaires du vendeur
“Pre-owned and in very good condition. There is some light wear on the cover with scratches, marks, ...
Personalized
No
ISBN
9788862083959

À propos de ce produit

Product Identifiers

Publisher
Damiani
ISBN-10
8862083955
ISBN-13
9788862083959
eBay Product ID (ePID)
208603009

Product Key Features

Book Title
Ghosts of Ellis Island
Number of Pages
120 Pages
Language
English
Topic
Sculpture & Installation, General, American / General
Publication Year
2015
Illustrator
Yes
Genre
Art, Photography
Author
Jr
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
32.1 Oz
Item Length
10.9 in
Item Width
8.8 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
TitleLeading
The
Dewey Decimal
709.2
Synopsis
In August 2014 the French artist JR received an unprecedented invitation to work in the Ellis Island Immigrant Hospital, a building on the south side of the island that has been abandoned and closed to visitors since 1954. About ten percent of the millions of migrants who passed through Ellis Island, having been deemed not healthy enough to enter the United States, spent some time in the hospital. For Unframed--Ellis Island , documented in The Ghosts of Ellis Island , JR chose about 20 archival photographs of the hospital's patients and staff and wheat-pasted these images around the abandoned building, creating haunting scenes that bring the history of these rooms back to life: a family looking out at the Statue of Liberty in New York Harbor, a small boy lying on an empty bed frame, patients staring out of the caged "psychopathic" ward. The work, which is accessible by guided tour, will remain up "until it decides to disappear." Along with images of JR's photographic interventions in the hospital, this publication includes new illustrations by legendary cartoonist Art Spiegelman, who collaborated with JR on illustrated narratives about Ellis Island's immigrants. JR (born 1983) is best known for his monumental, wheat-pasted street portraiture projects. His ongoing project Unframed involves installing archival images and images from anonymous photographers in new contexts. JR has carried out Unframed projects in Marseille, S o Paulo, Vevey, Atlanta, Baden Baden and Washington, DC. In 2014 he worked inside the theater of the NYC Ballet creating a 6,500-square-foot composite image of NYCB dancers depicted nearly life-size that, when seen from above, forms a giant eye. JR won the TED Prize for 2011. Art Spiegelman (born 1948) is an American cartoonist, editor and comics advocate based in New York City, best known for his graphic novel Maus (1991). His work as coeditor on the comics magazines Arcade and Raw has been influential, and he spent a decade as contributing artist for The New Yorker where he made several high-profile and sometimes controversial covers., In August 2014 the French artist JR received an unprecedented invitation to work in the Ellis Island Immigrant Hospital, a building on the south side of the island that has been abandoned and closed to visitors since 1954. About ten percent of the millions of migrants who passed through Ellis Island, having been deemed not healthy enough to enter the United States, spent some time in the hospital. For Unframed--Ellis Island , documented in The Ghosts of Ellis Island , JR chose about 20 archival photographs of the hospital's patients and staff and wheat-pasted these images around the abandoned building, creating haunting scenes that bring the history of these rooms back to life: a family looking out at the Statue of Liberty in New York Harbor, a small boy lying on an empty bed frame, patients staring out of the caged "psychopathic" ward. The work, which is accessible by guided tour, will remain up "until it decides to disappear." Along with images of JR's photographic interventions in the hospital, this publication includes new illustrations by legendary cartoonist Art Spiegelman, who collaborated with JR on illustrated narratives about Ellis Island's immigrants. JR (born 1983) is best known for his monumental, wheat-pasted street portraiture projects. His ongoing project Unframed involves installing archival images and images from anonymous photographers in new contexts. JR has carried out Unframed projects in Marseille, São Paulo, Vevey, Atlanta, Baden Baden and Washington, DC. In 2014 he worked inside the theater of the NYC Ballet creating a 6,500-square-foot composite image of NYCB dancers depicted nearly life-size that, when seen from above, forms a giant eye. JR won the TED Prize for 2011. Art Spiegelman (born 1948) is an American cartoonist, editor and comics advocate based in New York City, best known for his graphic novel Maus (1991). His work as coeditor on the comics magazines Arcade and Raw has been influential, and he spent a decade as contributing artist for The New Yorker where he made several high-profile and sometimes controversial covers.
LC Classification Number
N6537

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