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33 1/3 Ser.: Can's Tago Mago par Alan Warner (2014, livre de poche commercial)
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33 1/3 Ser.: Can's Tago Mago par Alan Warner (2014, livre de poche commercial)
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33 1/3 Ser.: Can's Tago Mago par Alan Warner (2014, livre de poche commercial)

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État :
Très bon état
Light scuffing on corners and edges. Clean interior.
Terminé : 18 juil. 2025 19:10:49 CEST
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    Lieu où se trouve l'objet : Santa Barbara, California, États-Unis
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    Numéro de l'objet eBay :296426468268
    Dernière mise à jour le 27 sept. 2024 08:24:51 CEST. Afficher toutes les modificationsAfficher toutes les modifications

    Caractéristiques de l'objet

    État
    Très bon état
    Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. La couverture ne présente aucun dommage apparent. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Marques d'usure et déchirures mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts. Afficher toutes les définitions des étatsla page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet
    Commentaires du vendeur
    “Light scuffing on corners and edges. Clean interior.”
    Narrative Type
    Nonfiction
    Original Language
    English
    Country/Region of Manufacture
    United Kingdom
    ISBN
    9781628921083

    À propos de ce produit

    Product Identifiers

    Publisher
    Bloomsbury Publishing
    ISBN-10
    1628921080
    ISBN-13
    9781628921083
    eBay Product ID (ePID)
    201638622

    Product Key Features

    Book Title
    Can's Tago Mago
    Number of Pages
    152 Pages
    Language
    English
    Topic
    General, Genres & Styles / Rock
    Publication Year
    2015
    Genre
    Music
    Author
    Alan Warner
    Book Series
    33 1/3 Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.3 in
    Item Weight
    4.6 Oz
    Item Length
    6.5 in
    Item Width
    4.7 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2014-023972
    Dewey Edition
    23
    Reviews
    In high school, I came upon the book Twilight of the Gods by Wilfred Mellers, a 1973 study attempting to explain the importance of the Fab Four's music through a musicological analysis of their works. This seemed extremely absurd. I recently realized, after reading several books in the 33 1/3 series, that it's not really about the individual albums profiled-it's about what it's like to be a fan. It's about what it's like to view a particular work as the pinnacle of aesthetic accomplishment-to experience the unique sensation of "This speaks to me!" There is also a fetishization of the vinyl album as an art object. Each band and record in the series is mythologized as much as the authors' experience of discovering them is; in the case of Can's 1971 album Tago Mago, Warner describes their "stoner athleticism." The Scottish novelist realizes the absurdity of this linguistic attempt to describe music, as much as Mellers, but Warner's volume about the German psychedelic band is rich because he shows how "Tago Mago gave me permission to dream." Tago Mago, along with a number of other Can masterpieces, will be reissued on vinyl alongside the release of the 33 1/3 book. - SLUG Magazine, "In high school, I came upon the book Twilight of the Gods by Wilfred Mellers, a 1973 study attempting to explain the importance of the Fab Four's music through a musicological analysis of their works. This seemed extremely absurd. I recently realized, after reading several books in the 33 1/3 series, that it's not really about the individual albums profiled--it's about what it's like to be a fan. It's about what it's like to view a particular work as the pinnacle of aesthetic accomplishment--to experience the unique sensation of "This speaks to me!" There is also a fetishization of the vinyl album as an art object. Each band and record in the series is mythologized as much as the authors' experience of discovering them is; in the case of Can's 1971 album Tago Mago, Warner describes their "stoner athleticism." The Scottish novelist realizes the absurdity of this linguistic attempt to describe music, as much as Mellers, but Warner's volume about the German psychedelic band is rich because he shows how "Tago Mago gave me permission to dream." Tago Mago, along with a number of other Can masterpieces, will be reissued on vinyl alongside the release of the 33 1/3 book." -- SLUG Magazine, In high school, I came upon the book Twilight of the Gods by Wilfred Mellers, a 1973 study attempting to explain the importance of the Fab Four's music through a musicological analysis of their works. This seemed extremely absurd. I recently realized, after reading several books in the 33 1/3 series, that it's not really about the individual albums profiled-it's about what it's like to be a fan. It's about what it's like to view a particular work as the pinnacle of aesthetic accomplishment-to experience the unique sensation of "This speaks to me!" There is also a fetishization of the vinyl album as an art object. Each band and record in the series is mythologized as much as the authors' experience of discovering them is; in the case of Can's 1971 album Tago Mago, Warner describes their "stoner athleticism." The Scottish novelist realizes the absurdity of this linguistic attempt to describe music, as much as Mellers, but Warner's volume about the German psychedelic band is rich because he shows how "Tago Mago gave me permission to dream." Tago Mago, along with a number of other Can masterpieces, will be reissued on vinyl alongside the release of the 33 1/3 book., In high school, I came upon the book Twilight of the Gods by Wilfred Mellers, a 1973 study attempting to explain the importance of the Fab Four's music through a musicological analysis of their works. This seemed extremely absurd. I recently realized, after reading several books in the 33 1/3 series, that it's not really about the individual albums profiled--it's about what it's like to be a fan. It's about what it's like to view a particular work as the pinnacle of aesthetic accomplishment--to experience the unique sensation of "This speaks to me!" There is also a fetishization of the vinyl album as an art object. Each band and record in the series is mythologized as much as the authors' experience of discovering them is; in the case of Can's 1971 album Tago Mago, Warner describes their "stoner athleticism." The Scottish novelist realizes the absurdity of this linguistic attempt to describe music, as much as Mellers, but Warner's volume about the German psychedelic band is rich because he shows how "Tago Mago gave me permission to dream." Tago Mago, along with a number of other Can masterpieces, will be reissued on vinyl alongside the release of the 33 1/3 book., In high school, I came upon the book Twilight of the Gods by Wilfred Mellers, a 1973 study attempting to explain the importance of the Fab Four's music through a musicological analysis of their works. This seemed extremely absurd. I recently realized, after reading several books in the 33 1/3 series, that it's not really about the individual albums profiled-it's about what it's like to be a fan. It's about what it's like to view a particular work as the pinnacle of aesthetic accomplishment-to experience the unique sensation of "This speaks to me!" There is also a fetishization of the vinyl album as an art object. Each band and record in the series is mythologized as much as the authors' experience of discovering them is; in the case of Can's 1971 album Tago Mago, Warner describes their "stoner athleticism." The Scottish novelist realizes the absurdity of this linguistic attempt to describe music, as much as Mellers, but Warner's volume about the German psychedelic band is rich because he shows how "Tago Mago gave me permission to dream." Tago Mago, along with a number of other Can masterpieces, will be reissued on vinyl alongside the release of the 33 1/3 book. - SLUG Magazine "Scottish novelist Alan Warner (Morvern Callar, The Deadman's Pedal) has given us a unique and absorbing look at the great Krautrock classic Tago Mago by Can […] Music fans will find themselves nodding in solidarity with his admitted obsession with the record […]Can's Tago Mago is a masterpiece that still enthralls and informs listeners 40+years past it's debut, and in a different way, Alan Warner's look at his relation to the record, and music in general, is much the same. Our most deeply felt connections with art are the pieces that cause us to grow over time with the work, and Warner has given us a near-perfect description of such." James Mann, Big Takeover, "Warner asserts that the musical criticism and musicology "ignore the material and autobiographical details that have been built into a web of deeply personal associations". This is true of a certain classical model of music writing, and [this] book is a deeply enjoyable and lyrical rebuttal to that" --Frances Morgan, The Wire "In high school, I came upon the book Twilight of the Gods by Wilfred Mellers, a 1973 study attempting to explain the importance of the Fab Four's music through a musicological analysis of their works. This seemed extremely absurd. I recently realized, after reading several books in the 33 1/3 series, that it's not really about the individual albums profiled-it's about what it's like to be a fan. It's about what it's like to view a particular work as the pinnacle of aesthetic accomplishment-to experience the unique sensation of "This speaks to me!" There is also a fetishization of the vinyl album as an art object. Each band and record in the series is mythologized as much as the authors' experience of discovering them is; in the case of Can's 1971 album Tago Mago, Warner describes their "stoner athleticism." The Scottish novelist realizes the absurdity of this linguistic attempt to describe music, as much as Mellers, but Warner's volume about the German psychedelic band is rich because he shows how "Tago Mago gave me permission to dream." Tago Mago, along with a number of other Can masterpieces, will be reissued on vinyl alongside the release of the 33 1/3 book." -- SLUG Magazine "Scottish novelist Alan Warner ( Morvern Callar, The Deadman's Pedal ) has given us a unique and absorbing look at the great Krautrock classic Tago Mago by Can [...] Music fans will find themselves nodding in solidarity with his admitted obsession with the record [...]Can's Tago Mago is a masterpiece that still enthralls and informs listeners 40+years past it's debut, and in a different way, Alan Warner's look at his relation to the record, and music in general, is much the same. Our most deeply felt connections with art are the pieces that cause us to grow over time with the work, and Warner has given us a near-perfect description of such." --James Mann, Big Takeover "I really can't recommend Warner's Tago Mago highly enough. I've never read anything by Warner that isn't artful and considered, a mix between the analytical and passionate, but that has never been better demonstrated than in this short book. You may not want to go out and get a copy of Can's album (personally, I prefer Ege Bamyasi), but that's not what he is setting out to do. This is [his] story, one which is both personal and universal, or at least common to the sort of people whose relationships with music, and other art forms, can be as important as their relationships to people - basically, the sort of person who buys the 33? books." -- Scots Way Hae!
    Dewey Decimal
    781.6609
    Table Of Content
    PART ONE HALLELUWAH AN ANATOMY OF LISTENING CAN WITHOUT THE MUSIC 'LIKE CAN'S DRUMMER...' THE TERRIFYING SEX PISTOLS MR IAN DURY & THE BLOCKHEADS SWEARING A 'RECORD COLLECTION' VAN HALEN & BAGPIPES PART TWO A SPANNER IN THE SKY MADE IN A CASTLE WITH BETTER EQUIPMENT TAGO MAGO CAN WORLD NOT A DREAM THE EDITS A SINGLE SONG WHICH NEVER ENDS NOSTALGIA DANGER THE MYSTERY OF LA ISLA DE TAGOMAGO
    Synopsis
    Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago . This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterious period of pop music before Google. Warner includes a backtracking of the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilariously personal and illuminating picture of Can., Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago . This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelst Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded - including the history of the album in terms of its release, promotion and art work. Warner includes a backtracking of the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up...Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilarious and illumating picture of Can., An officially approved account of one of the most influential and powerful albums of the 1970s, this brilliant addition to the 33 1/3 series by Scottish novelist Alan Warner will explore in detail the conception, recording and release of the album Tago Mago by Can.
    LC Classification Number
    ML421.C26W37 2014

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