Allman Brothers Band B0024685-01 The Allman Brothers Band Record 2016 Mercury R3

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14,99 USD
Environ12,87 EUR
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Numéro de l'objet eBay :275655708081
Dernière mise à jour le 30 sept. 2025 08:37:22 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

UPC
0602547813190

À propos de ce produit

Product Identifiers

Record Label
Mercury, Mry
UPC
0602547813190
eBay Product ID (ePID)
23046055679

Product Key Features

Release Year
2016
Format
Record
Genre
Rock
Artist
Allman Brothers Band
Release Title
Allman Brothers Band

Dimensions

Item Height
0.32 in
Item Weight
1.31 lb
Item Length
12.53 in
Item Width
12.22 in

Additional Product Features

Number of Tracks
14
Country/Region of Manufacture
United States
Tracks
1.1 Don't Want You No More 1.2 It's Not My Cross to Bear 1.3 Black Hearted Woman 1.4 Trouble No More 1.5 Every Hungry Woman 1.6 Dreams 1.7 Whipping Post 2.1 Don't Want You No More 2.2 T's Not My Cross to Bear 2.3 Black Hearted Woman 2.4 Trouble No More 2.5 Every Hungry Woman 2.6 Dreams 2.7 Whipping Post
Number of Discs
2
Sub-Genre
Southern Rock
Notes
Limited double 180gm vinyl LP pressing. It has been remastered from original analog tapes by Keven Reeves to 192kHz 24-bit audio and then cut on copper plates using Abbey Road Mastering's Direct Metal Mastering (DMM) lathe. The original artwork has been faithfully reproduced. The Allman Brothers Band is the debut studio album by the Allman Brothers Band. It was released in the United States by Atco Records and Capricorn Records on November 4, 1969 and produced by Adrian Barber. The album was recorded and mixed in two weeks at Atlantic Studios in New York City. Much of the material presented was premiered live over the preceding months and combines blues, jazz and country music to varying degrees. It includes re-workings of "Trouble No More" and "Don't Want You No More, " as well as notable originals such as "Dreams", which highlighted the band's jazz influence, and "Whipping Post", which soon became a crowd favorite. Although the group was arranged to work with producer Tom Dowd (whose credits included Cream and John Coltrane), he was unavailable, and they instead recorded with house engineer Adrian Barber.

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