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Cynthia Carr, NOTRE VILLE *SIGNÉ ET DATÉ* 2006 HCDJ 1ER/1ER événement livre signé !
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Lieu où se trouve l'objet : Phoenix, Maryland, États-Unis
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Numéro de l'objet eBay :261148418069
Dernière mise à jour le 23 juin 2025 17:16:33 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Signed By
- Cynthia Carr
- Country of Manufacture
- United States
- Original Language
- English
- Vintage
- No
- Personalize
- No
- Personalized
- No
- Features
- ~First Edition, First Printing Hardcover., ~Signed on the Full Title Page by Author., ~SIGNED in Person at a Book Signing Event., Dust Jacket
- Subjects
- History & Military
- Signed
- Yes
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Title
- Our Town
- Age Level
- Adults
- Inscribed
- No
- Edition Description
- Autographed
- Intended Audience
- Young Adults, Adults
- Modified Item
- No
- Subject
- Southern History
- Edition
- First Edition
- Type
- Bibliography
- Year
- 2006
- Literary Movement
- Modernism
- Era
- 1930s
- Special Attributes
- Autiographed
- Country/Region of Manufacture
- United States
- ISBN
- 9780517705063
À propos de ce produit
Product Identifiers
Publisher
Crown Publishing Group, T.H.E.
ISBN-10
0517705060
ISBN-13
9780517705063
eBay Product ID (ePID)
46835408
Product Key Features
Book Title
Our Town : a Heartland Lynching, a Haunted Town, and the Hidden History of White America
Number of Pages
512 Pages
Language
English
Topic
Discrimination & Race Relations, Sociology / General, General, Ethnic Studies / African American Studies
Publication Year
2006
Illustrator
Yes
Genre
Social Science, History
Format
Hardcover
Dimensions
Item Height
1.6 in
Item Weight
28.1 Oz
Item Length
9.6 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-011697
Reviews
"Whatever the ultimate literary verdict on this sorrowful and penetrating but uneven book, I cannot think of a nonfiction author in this country who has so bravely taken up [James] Baldwin's dare. Carr calls her volume "Our Town" without a trace of irony or superiority. While she certainly has no desire to exculpate the murderers of 1930 or their flagrantly bigoted successors today, neither does she intend to condemn them in order to elevate more enlightened whites like herself. Family history has offered her no such luxury." -Samuel G. Freedman, New York Times Book Review "Cynthia Carr goes deep into the heart of our national darkness-the public ritual of violence we call the lynching. Carr investigates its aftermath in a small town and, page by page, we understand everything that we can, experiencing the shock, the disgust, and the harrowing heartbreak that always attend murder wearing the blues mask of 'rough justice.' Carr's clear-eyed rendering of her quest follows the transformation of that murder from a rumor to a collective act to a disputed fact that sits uneasily in the memory of a community." -Stanley Crouch, author ofThe Artificial White Man: Essays on Authenticity, " Whatever the ultimate literary verdict on this sorrowful and penetrating but uneven book, I cannot think of a nonfiction author in this country who has so bravely taken up [James] Baldwin's dare. Carr calls her volume " Our Town" without a trace of irony or superiority. While she certainly has no desire to exculpate the murderers of 1930 or their flagrantly bigoted successors today, neither does she intend to condemn them in order to elevate more enlightened whites like herself. Family history has offered her no such luxury." -- Samuel G. Freedman," New York Times Book Review" " Cynthia Carr goes deep into the heart of our national darkness-- the public ritual of violence we call the lynching. Carr investigates its aftermath in a small town and, page by page, we understand everything that we can, experiencing the shock, the disgust, and the harrowing heartbreak that always attend murder wearing the blues mask of ' rough justice.' Carr's clear-eyed rendering of her quest follows the transformation of that murder from a rumor to a collective act to a disputed fact that sits uneasily in the memory of a community." -- Stanley Crouch, author of "The Artificial White Man: Essays on Authenticity", "Cynthia Carr goes deep into the heart of our national darkness--the public ritual of violence we call the lynching. Carr investigates its aftermath in a small town and, page by page, we understand everything that we can, experiencing the shock, the disgust, and the harrowing heartbreak that always attend murder wearing the blues mask of 'rough justice.' Carr's clear-eyed rendering of her quest follows the transformation of that murder from a rumor to a collective act to a disputed fact that sits uneasily in the memory of a community." --Stanley Crouch, author of "The Artificial White Man: Essays on Authenticity", "Whatever the ultimate literary verdict on this sorrowful and penetrating but uneven book, I cannot think of a nonfiction author in this country who has so bravely taken up [James] Baldwin's dare. Carr calls her volume "Our Town" without a trace of irony or superiority. While she certainly has no desire to exculpate the murderers of 1930 or their flagrantly bigoted successors today, neither does she intend to condemn them in order to elevate more enlightened whites like herself. Family history has offered her no such luxury." --Samuel G. Freedman," New York Times Book Review" "Cynthia Carr goes deep into the heart of our national darkness--the public ritual of violence we call the lynching. Carr investigates its aftermath in a small town and, page by page, we understand everything that we can, experiencing the shock, the disgust, and the harrowing heartbreak that always attend murder wearing the blues mask of 'rough justice.' Carr's clear-eyed rendering of her quest follows the transformation of that murder from a rumor to a collective act to a disputed fact that sits uneasily in the memory of a community." --Stanley Crouch, author of "The Artificial White Man: Essays on Authenticity", "Cynthia Carr goes deep into the heart of our national darkness-the public ritual of violence we call the lynching. Carr investigates its aftermath in a small town and, page by page, we understand everything that we can, experiencing the shock, the disgust, and the harrowing heartbreak that always attend murder wearing the blues mask of 'rough justice.' Carr's clear-eyed rendering of her quest follows the transformation of that murder from a rumor to a collective act to a disputed fact that sits uneasily in the memory of a community." -Stanley Crouch, author of The Artificial White Man: Essays on Authenticity, "Whatever the ultimate literary verdict on this sorrowful and penetrating but uneven book, I cannot think of a nonfiction author in this country who has so bravely taken up [James] Baldwin's dare. Carr calls her volume "Our Town" without a trace of irony or superiority. While she certainly has no desire to exculpate the murderers of 1930 or their flagrantly bigoted successors today, neither does she intend to condemn them in order to elevate more enlightened whites like herself. Family history has offered her no such luxury." -Samuel G. Freedman, New York Times Book Review "Cynthia Carr goes deep into the heart of our national darkness-the public ritual of violence we call the lynching. Carr investigates its aftermath in a small town and, page by page, we understand everything that we can, experiencing the shock, the disgust, and the harrowing heartbreak that always attend murder wearing the blues mask of 'rough justice.' Carr's clear-eyed rendering of her quest follows the transformation of that murder from a rumor to a collective act to a disputed fact that sits uneasily in the memory of a community." -Stanley Crouch, author of The Artificial White Man: Essays on Authenticity
Dewey Edition
22
Dewey Decimal
305.896/073077269
Synopsis
The brutal lynching of two young black men in Marion, Indiana, on August 7, 1930, cast a shadow over the town that still lingers. It is only one event in the long and complicated history of race relations in Marion, a history much ignored and considered by many to be best forgotten. But the lynching cannot be forgotten. It is too much a part of the fabric of Marion, too much ingrained even now in the minds of those who live there. In" Our Town" journalist Cynthia Carr explores the issues of race, loyalty, and memory in America through the lens of a specific hate crime that occurred in Marion but could have happened anywhere. Marion is our town, America's town, and its legacy is our legacy. Like everyone in Marion, Carr knew the basic details of the lynching even as a child: three black men were arrested for attempted murder and rape, and two of them were hanged in the courthouse square, a fate the third miraculously escaped. Meeting James Cameron- the man who' d survived- led her to examine how the quiet Midwestern town she loved could harbor such dark secrets. Spurred by the realization that, like her, millions of white Americans are intimately connected to this hidden history, Carr began an investigation into the events of that night, racism in Marion, the presence of the Ku Klux Klan- past and present- in Indiana, and her own grandfather's involvement. She uncovered a pattern of white guilt and indifference, of black anger and fear that are the hallmark of race relations across the country. In a sweeping narrative that takes her from the angry energy of a white supremacist rally to the peaceful fields of Weaver- once anall-black settlement neighboring Marion- in search of the good and the bad in the story of race in America, Carr returns to her roots to seek out the fascinating people and places that have shaped the town. Her intensely compelling account of the Marion lynching and of her own family's secrets offers a fresh examination of the complex legacy of whiteness in America. Part mystery, part history, part true crime saga, "Our Town" is a riveting read that lays bare a raw and little-chronicled facet of our national memory and provides a starting point toward reconciliation with the past. On August 7, 1930, three black teenagers were dragged from their jail cells in Marion, Indiana, and beaten before a howling mob. Two of them were hanged; by fate the third escaped. A photo taken that night shows the bodies hanging from the tree but focuses on the faces in the crowd-- some enraged, some laughing, and some subdued, perhaps already feeling the first pangs of regret. Sixty-three years later, journalist Cynthia Carr began searching the photo for her grandfather's face., The brutal lynching of two young black men in Marion, Indiana, on August 7, 1930, cast a shadow over the town that still lingers. It is only one event in the long and complicated history of race relations in Marion, a history much ignored and considered by many to be best forgotten. But the lynching cannot be forgotten. It is too much a part of the fabric of Marion, too much ingrained even now in the minds of those who live there. In Our Town journalist Cynthia Carr explores the issues of race, loyalty, and memory in America through the lens of a specific hate crime that occurred in Marion but could have happened anywhere. Marion is our town, America's town, and its legacy is our legacy. Like everyone in Marion, Carr knew the basic details of the lynching even as a child: three black men were arrested for attempted murder and rape, and two of them were hanged in the courthouse square, a fate the third miraculously escaped. Meeting James Cameronthe man who'd survivedled her to examine how the quiet Midwestern town she loved could harbor such dark secrets. Spurred by the realization that, like her, millions of white Americans are intimately connected to this hidden history, Carr began an investigation into the events of that night, racism in Marion, the presence of the Ku Klux Klanpast and presentin Indiana, and her own grandfather's involvement. She uncovered a pattern of white guilt and indifference, of black anger and fear that are the hallmark of race relations across the country. In a sweeping narrative that takes her from the angry energy of a white supremacist rally to the peaceful fields of Weaveronce an all-black settlement neighboring Marionin search of the good and the bad in the story of race in America, Carr returns to her roots to seek out the fascinating people and places that have shaped the town. Her intensely compelling account of the Marion lynching and of her own family's secrets offers a fresh examination of the complex legacy of whiteness in America. Part mystery, part history, part true crime saga, Our Town is a riveting read that lays bare a raw and little-chronicled facet of our national memory and provides a starting point toward reconciliation with the past. On August 7, 1930, three black teenagers were dragged from their jail cells in Marion, Indiana, and beaten before a howling mob. Two of them were hanged; by fate the third escaped. A photo taken that night shows the bodies hanging from the tree but focuses on the faces in the crowd-some enraged, some laughing, and some subdued, perhaps already feeling the first pangs of regret. Sixty-three years later, journalist Cynthia Carr began searching the photo for her grandfather's face. From the Hardcover edition.
LC Classification Number
F534.M34L96 2005
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- *****- Évaluations laissées par l'acheteur.Dernier moisAchat vérifiéPhilip, Many thanks for all your manifest care and trouble with this book. And it was really good of you to have included the three reviews. Thank you so much! I really appreciate it. Roly
- *****- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéGreat book - thanks.
- *****- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéCollectible book better than described. Excellent packaging, quick ship, A+A+A+A+A+A+
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