

The Symphonies by Shostakovich / Wigglesworth (Super Audio CD (SACD), 2021)
86,61 USD
Environ76,06 EUR
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Neuf
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Lieu où se trouve l'objet : Fort Lauderdale, Florida, États-Unis
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Estimé entre le sam. 3 mai et le mer. 7 mai à 43230
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Numéro de l'objet eBay :236058571854
Dernière mise à jour le 25 avr. 2025 11:28:33 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
À propos de ce produit
Product Identifiers
Record Label
Bis
UPC
7318599925936
eBay Product ID (ePID)
22048603876
Product Key Features
Release Year
2021
Format
Super Audio CD (SACD)
Genre
Classical Artists
Artist
Shostakovich / Wigglesworth
Release Title
The Symphonies
Dimensions
Item Height
1.20 in
Item Weight
0.69 lb
Item Length
5.32 in
Item Width
5.24 in
Additional Product Features
Number of Tracks
86
Country/Region of Manufacture
United States
Tracks
1.1 Symphony No. 1 in F Minor, Op. 10 1.2 I. Allegretto - Allegro non troppo 1.3 II. Allegro 1.4 III. Lento - 1.5 IV. Allegro molto 1.6 Symphony No. 2, Op. 14, "Oktyabryu" (To October) 1.7 Largo - 1.8 quarter note = 152 - 1.9 quarter note = 152 - 1.10 Meno mosso 1.11 Symphony No. 3, Op. 20, "Pervomayskaya" (The First of May) 1.12 I. Allegretto - 1.13 0. II. Più mosso - 1.14 1. III. Andante - 1.15 2. IV. Allegro - 1.16 3. V. Andante - 1.17 4. VI. Moderato - 1.18 5. III. Allegro 2.1 Symphony No. 4 in C Minor, Op. 43 2.2 I. Allegretto poco moderato - Presto 2.3 II. Moderato con moto 2.4 III. Largo - Allegro 3.1 Symphony No. 5 in D Minor, Op. 47 3.2 I. Moderato 3.3 II. Allegretto 3.4 III. Largo 3.5 IV. Allegro non troppo 3.6 Symphony No. 6 in B Minor, Op. 54 3.7 I. Largo 3.8 II. Allegro 3.9 III. Presto 4.1 Symphony No. 7 in C Major, Op. 60, "Leningrad" 4.2 I. Allegretto 4.3 II. Moderato poco allegretto 4.4 III. Adagio - Trio - Moderato risoluto - 4.5 IV. Allegro non troppo 5.1 Symphony No. 8 in C Minor, Op. 65 5.2 I. Adagio 5.3 II. Allegretto 5.4 III. Allegro non troppo 5.5 IV. Largo 5.6 V. Allegretto 6.1 Symphony No. 9 in E-Flat Major, Op. 70 6.2 I. Allegro 6.3 II. Moderato 6.4 III. Presto - 6.5 IV. Largo - 6.6 V. Allegretto - Allegro 6.7 Symphony No. 14, Op. 135 6.8 I. De profundis: Adagio 6.9 II. Malagueña: Allegretto - 6.10 III. Loreley: Allegro molto - 6.11 IV. The Suicide: Adagio 6.12 0. V. On the Watch: Allegretto 6.13 1. VI. Madam, look!: Allegretto - 6.14 2. VII. In the Sante Prison: Adagio 6.15 3. VIII. The Zaporozhian Cossacks' Answer to the Sultan of Constantinople: Allegro - 6.16 4. IX. O Delvig, Delvig!: Andante 6.17 5. X. The Poet's Death: Largo - 6.18 6. XI. Conclusion: Moderato 7.1 Symphony No. 10 in E Minor, Op. 93 7.2 I. Moderato 7.3 II. Allegro 7.4 III. Allegretto - Largo - Più mosso 7.5 IV. Andante - Allegro - L'istesso tempo 8.1 Symphony No. 11 in G Minor, Op. 103, "The Year 1905" 8.2 I. The Palace Square - 8.3 II. The 9th of January - 8.4 III. In memoriam - 8.5 IV. The Tocsin 9.1 Symphony No. 12 in D Minor, Op. 112, "The Year of 1917" 9.2 I. Revolutionary Petrograd - 9.3 II. Razliv - 9.4 III. Aurora - 9.5 IV. The Dawn of Humanity 9.6 Symphony No. 15 in A Major, Op. 141 9.7 I. Allegretto 9.8 II. Adagio 9.9 III. Allegretto 9.10 IV. Adagio 10.1 Symphony No. 13 in B-Flat Minor, Op. 113, "Babi Yar" 10.2 I. Babi Yar: Adagio 10.3 II. Yumor (Humor): Allegretto 10.4 III. V Magazine (At the Store): Adagio 10.5 IV. Strachi (Fears): Largo 10.6 V. Kariera (Career): Allegretto
Number of Discs
10
Notes
Mark Wigglesworth recorded his cycle of Shostakovich's symphonies between 1996 and 2010, collaborating with two different orchestras, the Netherlands Radio Philharmonic Orchestra and BBC National Orchestra of Wales. In spite of the long gestation and the change of orchestra midway, the cycle was described as one never 'compromising it's particular characteristics of high seriousness, fine detailing and a certain fierceness of articulation' (Gramophone). Already the first instalment - Symphony No. 7, 'Leningrad' - raised expectations, for instance with the reviewer in The Sunday Telegraph: 'There is plenty of competition among Shostakovich cycles, but this one will deserve serious consideration.' And 17 years later, on the release of the final album, The Guardian could report that 'Wigglesworth's cycle emerges as one of the finest of recent time'. What particularly impressed reviewers was Mark Wigglesworth's faithfulness to the score and sharp ear for detail, and the structural clarity he achieved even with the most complex works - without sacrificing any of their impact and emotional power.
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