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Casa Manana: The Morrow Collection of Mexican Popular Arts, , 9780826328052
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Casa Manana: The Morrow Collection of Mexican Popular Arts, , 9780826328052
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Casa Manana: The Morrow Collection of Mexican Popular Arts, , 9780826328052

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    Caractéristiques de l'objet

    État
    Bon état: Livre ayant déjà été lu, mais qui est toujours en bon état. La couverture présente des ...
    Book Title
    Casa Manana: The Morrow Collection of Mexican Popular Arts
    ISBN
    9780826328052

    À propos de ce produit

    Product Identifiers

    Publisher
    University of New Mexico Press
    ISBN-10
    0826328059
    ISBN-13
    9780826328052
    eBay Product ID (ePID)
    1955624

    Product Key Features

    Number of Pages
    213 Pages
    Language
    English
    Publication Name
    Casa Manana : the Morrow Collection of Mexican Popular Arts
    Publication Year
    2002
    Subject
    Folk & Outsider Art, Collections, Catalogs, Exhibitions / General, Higher
    Type
    Textbook
    Subject Area
    Art, Education
    Author
    Ilan Stavans
    Format
    Hardcover

    Dimensions

    Item Height
    1 in
    Item Weight
    40.2 Oz
    Item Length
    11 in
    Item Width
    8.5 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2001-005006
    Dewey Edition
    21
    Illustrated
    Yes
    Dewey Decimal
    745/.0972/074
    Synopsis
    Dwight and Elizabeth Morrow collected a colorful array of handmade ceramic pots, lacquerware trays, and striking textiles while at Casa Ma ana, their Spanish-colonial style retreat in Cuernavaca, when he served as U.S. ambassador to Mexico in the late 1920s. Casa Ma ana became far more than just a weekend refuge for the busy diplomatic couple. It became the tangible expression of his innovative diplomatic policies in which art and culture played a crucial role in shaping the relationship between Mexico and the United States. At Casa Ma ana the Morrows entertained Mexico's leading political and cultural figures, and Elizabeth's love of traditional handicrafts merged with Dwight's political instincts to use popular, indigenous art and culture as a diplomatic tool to celebrate Mexico. A guiding hand in the Morrow's efforts was provided by Ren d'Harnoncourt, later the director of the Museum of Modern Art. He not only selected pieces but also helped organize one of the first exhibitions of Mexican art in the United States, which included numerous objects from the Morrow collection and circulated to over a dozen major American cities in 1930-31. One hundred and fifty-five pieces of the Morrow Collection, including rare historical examples of ceramics and lacquerware, were given to the Mead Art Museum at Amherst College in 1955. The five interpretive essays (presented in both English and Spanish) in this well-illustrated book place the Morrows' collecting activity in Mexico into historical context, explore the use of art and culture in diplomatic relations between Mexico and the United States, and consider their support for such key modern artists as Diego Rivera., Dwight and Elizabeth Morrow collected a colorful array of handmade ceramic pots, lacquerware trays, and striking textiles while at Casa Mañana, their Spanish-colonial style retreat in Cuernavaca, when he served as U.S. ambassador to Mexico in the late 1920s. Casa Mañana became far more than just a weekend refuge for the busy diplomatic couple. It became the tangible expression of his innovative diplomatic policies in which art and culture played a crucial role in shaping the relationship between Mexico and the United States. At Casa Mañana the Morrows entertained Mexico's leading political and cultural figures, and Elizabeth's love of traditional handicrafts merged with Dwight's political instincts to use popular, indigenous art and culture as a diplomatic tool to celebrate Mexico. A guiding hand in the Morrow's efforts was provided by René d'Harnoncourt, later the director of the Museum of Modern Art. He not only selected pieces but also helped organize one of the first exhibitions of Mexican art in the United States, which included numerous objects from the Morrow collection and circulated to over a dozen major American cities in 1930-31. One hundred and fifty-five pieces of the Morrow Collection, including rare historical examples of ceramics and lacquerware, were given to the Mead Art Museum at Amherst College in 1955. The five interpretive essays (presented in both English and Spanish) in this well-illustrated book place the Morrows' collecting activity in Mexico into historical context, explore the use of art and culture in diplomatic relations between Mexico and the United States, and consider their support for such key modern artists as Diego Rivera., Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
    LC Classification Number
    NK844.R48 2001

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