
Casa Manana: The Morrow Collection of Mexican Popular Arts, , 9780826328052
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Casa Manana: The Morrow Collection of Mexican Popular Arts, , 9780826328052
17,50 USD
Environ14,90 EUR
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Gratuit Economy Shipping.
Lieu où se trouve l'objet : Carrollton, Texas, États-Unis
Délai de livraison :
Estimé entre le mer. 30 juil. et le lun. 4 août à 94104
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Numéro de l'objet eBay :236048471331
Caractéristiques de l'objet
- État
- Book Title
- Casa Manana: The Morrow Collection of Mexican Popular Arts
- ISBN
- 9780826328052
À propos de ce produit
Product Identifiers
Publisher
University of New Mexico Press
ISBN-10
0826328059
ISBN-13
9780826328052
eBay Product ID (ePID)
1955624
Product Key Features
Number of Pages
213 Pages
Language
English
Publication Name
Casa Manana : the Morrow Collection of Mexican Popular Arts
Publication Year
2002
Subject
Folk & Outsider Art, Collections, Catalogs, Exhibitions / General, Higher
Type
Textbook
Subject Area
Art, Education
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
40.2 Oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-005006
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
745/.0972/074
Synopsis
Dwight and Elizabeth Morrow collected a colorful array of handmade ceramic pots, lacquerware trays, and striking textiles while at Casa Ma ana, their Spanish-colonial style retreat in Cuernavaca, when he served as U.S. ambassador to Mexico in the late 1920s. Casa Ma ana became far more than just a weekend refuge for the busy diplomatic couple. It became the tangible expression of his innovative diplomatic policies in which art and culture played a crucial role in shaping the relationship between Mexico and the United States. At Casa Ma ana the Morrows entertained Mexico's leading political and cultural figures, and Elizabeth's love of traditional handicrafts merged with Dwight's political instincts to use popular, indigenous art and culture as a diplomatic tool to celebrate Mexico. A guiding hand in the Morrow's efforts was provided by Ren d'Harnoncourt, later the director of the Museum of Modern Art. He not only selected pieces but also helped organize one of the first exhibitions of Mexican art in the United States, which included numerous objects from the Morrow collection and circulated to over a dozen major American cities in 1930-31. One hundred and fifty-five pieces of the Morrow Collection, including rare historical examples of ceramics and lacquerware, were given to the Mead Art Museum at Amherst College in 1955. The five interpretive essays (presented in both English and Spanish) in this well-illustrated book place the Morrows' collecting activity in Mexico into historical context, explore the use of art and culture in diplomatic relations between Mexico and the United States, and consider their support for such key modern artists as Diego Rivera., Dwight and Elizabeth Morrow collected a colorful array of handmade ceramic pots, lacquerware trays, and striking textiles while at Casa Mañana, their Spanish-colonial style retreat in Cuernavaca, when he served as U.S. ambassador to Mexico in the late 1920s. Casa Mañana became far more than just a weekend refuge for the busy diplomatic couple. It became the tangible expression of his innovative diplomatic policies in which art and culture played a crucial role in shaping the relationship between Mexico and the United States. At Casa Mañana the Morrows entertained Mexico's leading political and cultural figures, and Elizabeth's love of traditional handicrafts merged with Dwight's political instincts to use popular, indigenous art and culture as a diplomatic tool to celebrate Mexico. A guiding hand in the Morrow's efforts was provided by René d'Harnoncourt, later the director of the Museum of Modern Art. He not only selected pieces but also helped organize one of the first exhibitions of Mexican art in the United States, which included numerous objects from the Morrow collection and circulated to over a dozen major American cities in 1930-31. One hundred and fifty-five pieces of the Morrow Collection, including rare historical examples of ceramics and lacquerware, were given to the Mead Art Museum at Amherst College in 1955. The five interpretive essays (presented in both English and Spanish) in this well-illustrated book place the Morrows' collecting activity in Mexico into historical context, explore the use of art and culture in diplomatic relations between Mexico and the United States, and consider their support for such key modern artists as Diego Rivera., Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
LC Classification Number
NK844.R48 2001
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