
Le cinéma des labyrinthes de l'espace et du temps de Tarkovski par Skakov, Nariman
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Le cinéma des labyrinthes de l'espace et du temps de Tarkovski par Skakov, Nariman
by Skakov, Nariman | PB | Good
20,20 USD
Environ17,71 EUR
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Numéro de l'objet eBay :196990132166
Dernière mise à jour le 19 juin 2025 23:04:08 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Bon état
- Commentaires du vendeur
- Binding
- Paperback
- Book Title
- The Cinema of Tarkovsky Labyrinths of Space and Time
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781848856301
À propos de ce produit
Product Identifiers
Publisher
I. B. Tauris & Company, The Limited
ISBN-10
184885630X
ISBN-13
9781848856301
eBay Product ID (ePID)
20038672399
Product Key Features
Number of Pages
280 Pages
Publication Name
Cinema of Tarkovsky : Labyrinths of Space and Time
Language
English
Publication Year
2012
Subject
Russia & the Former Soviet Union, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, History
Series
Kino-The Russian and Soviet Cinema Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13.8 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
2011-278039
TitleLeading
The
Dewey Edition
23
Reviews
"An illuminating long take on the creative work of one of the most enigmatic and thought-provoking filmmakers of the twentieth century. Skakov sets high standards not only for Tarkovsky scholarship, but for writing about cinema as such. The book is indispensable reading for thinking about cinema, and understanding how cinema affects thinking." Dragan Kujundzic, Professor of Film and Media Studies and Slavic Studies, University of Florida "Before this book, Tarkovsky's preoccupation with 'sculpting in time' had become a critical cliché. Here Skakov brings it alive again, offering a fresh, theoretically-informed and entirely original approach. He reveals Tarkovsky's work as creating 'textural' temporality, offers fresh readings of the key films, and a compelling theoretical framework." Emma Widdis, Head of Department of Slavonic Studies, Cambridge University, ""An illuminating long take on the creative work of one of the most enigmatic and thought-provoking filmmakers of the twentieth century. Skakov sets high standards not only for Tarkovsky scholarship, but for writing about cinema as such. The book is indispensable reading for thinking about cinema, and understanding how cinema affects thinking."" - Dragan Kujundzic, Professor of Film and Media Studies and Slavic Studies, University of Florida ""Before this book, Tarkovsky's preoccupation with 'sculpting in time' had become a critical cliché. Here Skakov brings it alive again, offering a fresh, theoretically-informed and entirely original approach. He reveals Tarkovsky's work as creating 'textural' temporality, offers fresh readings of the key films, and a compelling theoretical framework."" - Emma Widdis, Head of Department of Slavonic Studies, Cambridge University, "An illuminating long take on the creative work of one of the most enigmatic and thought-provoking filmmakers of the twentieth century. Skakov sets high standards not only for Tarkovsky scholarship, but for writing about cinema as such. The book is indispensable reading for thinking about cinema, and understanding how cinema affects thinking." Dragan Kujundžic, Professor of Film and Media Studies and Slavic Studies, University of Florida "Before this book, Tarkovsky's preoccupation with 'sculpting in time' had become a critical cliché. Here Skakov brings it alive again, offering a fresh, theoretically-informed and entirely original approach. He reveals Tarkovsky's work as creating 'textural' temporality, offers fresh readings of the key films, and a compelling theoretical framework." Emma Widdis, Head of Department of Slavonic Studies, Cambridge University
Illustrated
Yes
Dewey Decimal
791.430233092
Table Of Content
List of Illustrations Acknowledgements Note on Transliteration Preface: On Space(s) and Time(s) 1. Dreams of Ivan's Childhood 2. Visions of Andrei Rublev 3. Phantasies of Solaris 4. Memories of Mirror 5. Revelations of Stalker 6. Recollections of Nostalghia 7. Illusions of Sacrifice Postscript Endnotes Filmography and Credits Bibliography Index
Synopsis
The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Each chapter is dedicated to the discussion of one of Tarkovsky's seven feature films and in each, one of these phenomena functions as a refrain. Skakov discusses the influence of the flow of and lapses in space and time on the viewer's perception of the Tarkovskian cinematic universe. He opens and closes his original and fascinating book on Tarkovsky's cinema by focusing on the phenomenon of time that is discussed extensively by the filmmaker in his main theoretical treatise Sculpting in Time, as well as in a number of interviews and public lectures.
LC Classification Number
PN1998.3
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