
Sunday At Devil Dirt Music
14,71 USD14,71 USD
dim. 08 juin, 18:22dim. 08 juin, 18:22
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Sunday At Devil Dirt Music
14,71 USD
Environ12,70 EUR
État :
Comme neuf
Objet semblant avoir été retiré de son film plastique récemment. Aucune marque d'usure apparente. Toutes les faces de l'objet sont impeccables et intactes. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Livraison :
Gratuit Economy Shipping.
Lieu où se trouve l'objet : Jacksonville, Florida, États-Unis
Délai de livraison :
Estimé entre le jeu. 7 août et le mar. 12 août à 94104
Retours :
Retour sous 30 jours. Le vendeur paie les frais de retour.
Paiements :
Achetez en toute confiance
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :187302138210
Caractéristiques de l'objet
- État
- UPC
- 0044003998636
À propos de ce produit
Product Identifiers
Record Label
FONTANA Universal, Fnuv
UPC
0044003998636
eBay Product ID (ePID)
28046070660
Product Key Features
Format
CD
Release Year
2008
Genre
Indie Rock/Pop
Artist
Isobel Campbell
Release Title
Sunday at Devil Dirt
Dimensions
Item Height
0.41 in
Item Weight
0.20 lb
Item Length
5.58 in
Item Width
4.94 in
Additional Product Features
Number of Tracks
17
Number of Discs
1
Tracks
Seafaring Song, Raven the, Salvation, Who Built the Road, Come on Over (Turn Me on), Back Burner, Flame That Burns the, Shotgun Blues, Keep Me in Mind Sweetheart, Somethig to Believe, Trouble, Sally Don't You Cry, Fight Fire with Fire, Asleep on a Sixpence, Violin Tango, Rambling Rose Clinging Vine, Hang on
Notes
The pairing of Isobel Campbell and Mark Lanegan for 2006s BALLAD OF THE BROKEN SEAS was indeed an unlikely dalliance: she the delicate waif of Belle & Sebastian fame, he the fearsome firebrand who had growled his way through Screaming Trees and Queens of the Stone Age. But it worked. Stuffed with creepy wayfarers tales and folk shanties, the album was a critical and commercial success. As well as self-producing, Campbell wrote the bulk of the songs, recording them in her native Glasgow then sending them over to LA for Lanegan to add vocals. Other recording took place back in Glasgow, though this time round Lanegan flew over to join Campbell in the studio, laying down his vocals over an intense week of activity. The bruised fruit of their labor can now be heard on SUNDAY AT DEVIL DIRT. An album of dust-bitten ballads and troubled wanderings, it's even darker than it's predecessor. Again, Campbell and Lanegan complement each other beautifully, like silk on cracked leather.
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GoPeachyStore
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