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Listen to This par Alex Ross (2010, couverture rigide)
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- Achat immédiatListen to This par Alex Ross (2010, couverture rigide)
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Lieu où se trouve l'objet : Brooklyn, New York, États-Unis
Délai de livraison :
Estimé entre le mer. 6 août et le mar. 12 août à 94104
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Numéro de l'objet eBay :183741190735
Dernière mise à jour le 29 déc. 2022 01:45:32 CET. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- ISBN
- 9780374187743
À propos de ce produit
Product Identifiers
Publisher
Farrar, Straus & Giroux
ISBN-10
0374187746
ISBN-13
9780374187743
eBay Product ID (ePID)
109050950
Product Key Features
Book Title
Listen to this
Number of Pages
384 Pages
Language
English
Topic
History & Criticism, Philosophy & Social Aspects
Publication Year
2010
Illustrator
Yes
Genre
Music
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
22.2 Oz
Item Length
9.3 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2010-010283
Reviews
The triumph of Listen to This is that Ross dusts off music that's centuries old to reveal the passion and brilliance that's too often hidden from a contemporary audience. It's a joy for a pop fan or a classical aficionado., In this brilliant collection, music critic Ross utilizes a wide musical scale--classical music in China; opera as popular art; sketches of Schubert, Bjork, Kiki and Herb--as a way of understanding the world. Featuring mostly revised essays published in the span of his 12-year career at the New Yorker , Ross offers timeless portraits that probe the ways that the powerful personalities of composers and musicians stamp an inherently abstract medium so that certain notes, songs, or choruses become instantly recognizable as the work of a certain artist. The virtuoso performance comes in the one previously unpublished essay, Chacona, Lamento, Walking Blues , where Ross isolates three different bass lines as they wind through music history from the 16th-century chacona, a dance that promised the upending of the social order, through the laments of Bach, opera, and finally the blues. Ross nimbly finds the common ground on which 16th-century Spanish musicians, Bach, players from Ellington' s 1940 band and Led Zeppelin' s bassist John Paul Jones can stand, at least momentarily., Even at his most cerebral, Ross deftly draws in the ears of the seasoned and the uninitiated alike, demystifying the traditions of music while celebrating its ability to transform. . . Listen to This is undeniably essential., "The triumph of Listen to This is that Ross dusts off music that's centuries old to reveal the passion and brilliance that's too often hidden from a contemporary audience. It's a joy for a pop fan or a classical aficionado." -- New York Times Review of Books "Even at his most cerebral, Ross deftly draws in the ears of the seasoned and the uninitiated alike, demystifying the traditions of music while celebrating its ability to transform. . . Listen to This is undeniably essential." --Doyle Armbrust, Time Out Chicago "A collection of supremely eloquent essays, addressing a range of subjects from Bach to Bjrk." --Jeremy A. Eichler, The Boston Globe "Every page of this collection is rich with vivid analysis and evocative vigor... Listen to This deserves to stand next to the best-written modern books on music: the collected works of Whitney Balliett, say, and Ross' own recent history of 20th century sounds, The Rest Is Noise. " --Tom Nolan, The San Francisco Chronicle "Vibrant . . . A celebration of what it means to be alive in a world of great music." -- Kirkus Reviews "In this brilliant collection, music critic Ross utilizes a wide musical scale--classical music in China; opera as popular art; sketches of Schubert, Bjork, Kiki and Herb--as a way of understanding the world. Featuring mostly revised essays published in the span of his 12-year career at the New Yorker , Ross offers timeless portraits that probe the ways that the powerful personalities of composers and musicians stamp an inherently abstract medium so that certain notes, songs, or choruses become instantly recognizable as the work of a certain artist. The virtuoso performance comes in the one previously unpublished essay, Chacona, Lamento, Walking Blues , where Ross isolates three different bass lines as they wind through music history from the 16th-century chacona, a dance that promised the upending of the social order, through the laments of Bach, opera, and finally the blues. Ross nimbly finds the common ground on which 16th-century Spanish musicians, Bach, players from Ellington' s 1940 band and Led Zeppelin' s bassist John Paul Jones can stand, at least momentarily." -- Publishers Weekly (starred review), "The triumph of Listen to This is that Ross dusts off music that's centuries old to reveal the passion and brilliance that's too often hidden from a contemporary audience. It's a joy for a pop fan or a classical aficionado." -- New York Times Review of Books "Even at his most cerebral, Ross deftly draws in the ears of the seasoned and the uninitiated alike, demystifying the traditions of music while celebrating its ability to transform. . . Listen to This is undeniably essential." --Doyle Armbrust, Time Out Chicago "A collection of supremely eloquent essays, addressing a range of subjects from Bach to Björk." --Jeremy A. Eichler, The Boston Globe "Every page of this collection is rich with vivid analysis and evocative vigor... Listen to This deserves to stand next to the best-written modern books on music: the collected works of Whitney Balliett, say, and Ross' own recent history of 20th century sounds, The Rest Is Noise. " --Tom Nolan, The San Francisco Chronicle "Vibrant . . . A celebration of what it means to be alive in a world of great music." -- Kirkus Reviews "In this brilliant collection, music critic Ross utilizes a wide musical scale--classical music in China; opera as popular art; sketches of Schubert, Bjork, Kiki and Herb--as a way of understanding the world. Featuring mostly revised essays published in the span of his 12-year career at the New Yorker , Ross offers timeless portraits that probe the ways that the powerful personalities of composers and musicians stamp an inherently abstract medium so that certain notes, songs, or choruses become instantly recognizable as the work of a certain artist. The virtuoso performance comes in the one previously unpublished essay, Chacona, Lamento, Walking Blues , where Ross isolates three different bass lines as they wind through music history from the 16th-century chacona, a dance that promised the upending of the social order, through the laments of Bach, opera, and finally the blues. Ross nimbly finds the common ground on which 16th-century Spanish musicians, Bach, players from Ellington' s 1940 band and Led Zeppelin' s bassist John Paul Jones can stand, at least momentarily." -- Publishers Weekly (starred review), Every page of this collection is rich with vivid analysis and evocative vigor... Listen to This deserves to stand next to the best-written modern books on music: the collected works of Whitney Balliett, say, and Ross' own recent history of 20th century sounds, The Rest Is Noise.
Dewey Edition
23
Number of Volumes
1 vol.
Dewey Decimal
780.9
Synopsis
One of The Telegraph 's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century , has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This , which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker . These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history--from Renaissance dances to Led Zeppelin--through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Bj rk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely., One of The Telegraph 's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century , has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This , which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker . These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history--from Renaissance dances to Led Zeppelin--through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students ata Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
LC Classification Number
ML3785.R67 2010
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