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Blanc par Ellis, Bret Easton

by Ellis, Bret Easton | HC | Good
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État :
Bon état
“Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ”... En savoir plusà propos de l'état
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Lieu où se trouve l'objet : Aurora, Illinois, États-Unis
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Estimé entre le jeu. 14 août et le lun. 18 août à 94104
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Numéro de l'objet eBay :146677082833
Dernière mise à jour le 08 août 2025 02:45:04 CEST. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Bon état
Livre ayant déjà été lu, mais qui est toujours en bon état. La couverture présente des dommages mineurs, comme des éraflures, mais n'est ni trouée ni déchirée. Pour les couvertures rigides, la jaquette n'est pas nécessairement incluse. La reliure présente des marques d'usure mineures. La majorité des pages sont intactes. Pliures et déchirures mineures. Soulignement de texte mineur au crayon. Aucun surlignement de texte. Aucune note dans les marges. Aucune page manquante. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts. Afficher toutes les définitions des étatsla page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet
Commentaires du vendeur
“Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ...
Binding
Hardcover
Weight
1 lbs
Product Group
Book
IsTextBook
No
ISBN
9780525656302

À propos de ce produit

Product Identifiers

Publisher
Knopf Doubleday Publishing Group
ISBN-10
0525656308
ISBN-13
9780525656302
eBay Product ID (ePID)
18038799440

Product Key Features

Book Title
White
Number of Pages
272 Pages
Language
English
Topic
Popular Culture, Commentary & Opinion, Essays
Publication Year
2019
Genre
Political Science, Social Science, Literary Collections
Author
Bret Easton Ellis
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
16.6 Oz
Item Length
8.5 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2018-050947
Reviews
"[In] his first book in nine years-and his nonfiction debut--Ellis exudes the same youthful spirit he's always had: of irreverent amusement, quiet irony, indefatigable artistic curiosity. He's a living embodiment of how, between the predigital world of 1985 and today, both everything and nothing has changed. And it's been Ellis's life's work to make us confront the absurdity of that world in all its grimness, comedy and plastic beauty."--Lauren Christensen, The New York Times "Well written [and] bubbling with attitude and self-confidence."-- Kirkus "If Joan Didion is the California ice queen who picked apart the increasingly threadbare fabric of 70s American society, then, with White , Bret Easton Ellis is her heir apparent . . . shifting his focus to nonfiction for the first time [and turning his] withering eye to the social-media age."--H.W. Vail, Vanity Fair, "[In] his first book in nine years-and his nonfiction debut--Ellis exudes the same youthful spirit he's always had: of irreverent amusement, quiet irony, indefatigable artistic curiosity. He's a living embodiment of how, between the predigital world of 1985 and today, both everything and nothing has changed. And it's been Ellis's life's work to make us confront the absurdity of that world in all its grimness, comedy and plastic beauty."--Lauren Christensen, The New York Times "If Joan Didion is the California ice queen who picked apart the increasingly threadbare fabric of 70s American society, then, with White, Bret Easton Ellis is her heir apparent . . . shifting his focus to nonfiction for the first time [and turning his] withering eye to the social-media age."--H.W. Vail, Vanity Fair "Intelligent and briskly observed. . . . [Ellis is] an artist who engages deeply with works, and his takes on film, especially, are often fascinating. . . . Ellis isn't afraid to be contrarian, and that's what makes this book so interesting."--Keir Graff, Booklist "Well written [and] bubbling with attitude and self-confidence."-- Kirkus
Dewey Edition
23
Dewey Decimal
818.609
Synopsis
Own it, snowflakes: you've lost everything you claim to hold dear. White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho , Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art--or his life, for that matter--is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."--Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."--Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."--Bari Weiss , The New York Times, Own it, snowflakes: you've lost everything you claim to hold dear. White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho , Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art--or his life, for that matter--is that while his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."--Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."--Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."--Bari Weiss , The New York Times
LC Classification Number
PS3555.L5937W48 2019

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