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AYMAN FANOUS & FANCES-MARIE UITTI NEGOUM CD NEUF
20,85 USD
Environ17,76 EUR
État :
Neuf
Objet n'ayant jamais été ouvert, ou dont l'emballage comporte toujours le sceau de fermeture intact du fabricant (si applicable). L'objet comporte toujours le film plastique d'origine (si applicable). Consulter l'annonce du vendeur pour avoir plus de détails.
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Livraison :
Gratuit Standard Shipping.
Lieu où se trouve l'objet : North Carolina, États-Unis
Délai de livraison :
Estimé entre le mar. 12 août et le jeu. 21 août à 94104
Retours :
Retour sous 30 jours. L'acheteur paie les frais de retour. Si vous utilisez un bordereau d'affranchissement eBay, son coût sera déduit du montant de votre remboursement.
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Numéro de l'objet eBay :145220954973
Dernière mise à jour le 26 juil. 2025 20:43:27 CEST. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- UPC
- 0764593031628
À propos de ce produit
Product Identifiers
Record Label
Mdes, Mode Records
UPC
0764593031628
eBay Product ID (ePID)
26046070535
Product Key Features
Format
CD
Release Year
2019
Genre
Classical Artists
Artist
Fanous / Fanous / Uitti
Release Title
Negoum
Dimensions
Item Height
0.41 in
Item Weight
0.18 lb
Item Length
5.60 in
Item Width
4.96 in
Additional Product Features
Number of Discs
1
Country/Region of Manufacture
United States
Notes
The music on this album was recorded in the studio the day after Uitti and Fanous spent 10 minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. Eastern, improvised vs. #through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says:"Musically, Frances and I came from two distinct sets of emphases. In my case, these were non-western music, as well as chromaticism in both it's contemporary classical and free jazz expressions, all funneled through the techniques of classical and flamenco guitar. In Frances' case, it was a lifelong devotion to and mastery of parallel directions: improvisation, as well as contemporary composition at the highest level. Both were made infinitely more powerful by the deployment of ingenious extended techniques, including her revolutionary two-bow methods. Our backgrounds contained enough shared common experience to allow for a tentacular interdigitation of our improvisational languages, which was effortless and natural." The session began with bouzouki-cello duets, in which drones played a central role, calling up a middle-eastern sound-world. Fanous writes: "As the pieces evolved, they gradually became unmoored and reverted to who they really were, but together. This process of feeling one's way through the darkness was like navigating towards some unknown endpoint, the way the ancients used the astrolabe to navigate using the positions of the stars - Negoum in Arabic."
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